Ippolito Baccusi – First book of masses for four voices (Venice: Angelo Gardano)
Giovanni Bassano – Il fiore dei capricci musicali for four voices (Venice: Giacomo Vincenti), a collection of instrumental pieces
William Byrd – Psalmes, Sonets and Songs of Sadness and Pietie for five voices (London: Thomas East for William Byrd)
Giovanni Croce – First book of canzonettas for four voices (Venice: Giacomo Vincenti)
Giovanni Dragoni – First book of villanelle for five voices (Venice: Girolamo Scotto)
Placido Falconio – Magnificat octo tonorum for four voices (Venice: Angelo Gardano)
Stefano Felis – First book of masses for six voices (Prague: Georg Nigrinus)
Andrea Gabrieli – Chori in musica sopra li chori della tragedia di Edippo Tiranno (Venice: Angelo Gardano), incidental music from a 1585 play, published posthumously
Bartholomäus Gesius – Historia vom Leiden und Sterben unsers Herren und Heilandes Jesu Christi wie sie uns der Evangelista Johannes im 18 und 19 Cap. beschrieben for two, three, four, and five voices (Wittenberg: Mattäus Welack)
Ruggiero Giovannelli – First book of villanelle et arie alla napolitana for three voices (Rome: Alessandro Gardano)
Gioseffo Guami – Lamentations for six voices (Venice: Giacomo Vincenti)
The Walsingham Consort Books are copied, probably by Daniel Bacheler, who was only 15 or 16 years old at the time and contributed seven of his own pieces to this collection for broken consort