To Sleep with Anger
Theatrical release poster
Directed by	Charles Burnett
Written by	Charles Burnett
Produced by	Caldecot Chubb Thomas S. Byrnes Darin Scott
Starring	Danny Glover Paul Butler Mary Alice Carl Lumbly Vonetta McGee Richard Brooks Sheryl Lee Ralph
Cinematography	Walt Lloyd
Edited by	Nancy Richardson
Music by	Stephen James Taylor
Distributed by	The Samuel Goldwyn Company
Release date	October 12, 1990 (1990-10-12) (United States)
Running time	102 minutes
Country	United States
Language	English
Box office	$1.1 million[1]

To Sleep with Anger is a 1990 American black comedy film written and directed by Charles Burnett,^[2][3] and starring Danny Glover.

In 2017, the film was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant".^[4] It had a remastered home media release from the Criterion Collection on February 26, 2019.^[5]

Gideon and his wife Suzie live in South Central Los Angeles (having moved there from the South years ago), where they spend time taking care of their grandson Sunny, as their son Samuel (also referred to as "Babe Brother") and his wife Pat each work during the day.

One day, Harry, a longstanding friend from the South whom they have not seen for many years, makes a surprise visit. The couple are delighted to see him and insist that he stay with them for as long as he wishes. Harry has a charming, down-home manner, but his enigmatic and somewhat amoral presence brings to a crisis trouble simmering in the family—especially as regards the younger son, Samuel or "Babe Brother", and his relationships with his parents, wife and older brother, Junior.

Harry's presence threatens to break up Samuel's marriage and seems to be related to an illness Gideon develops over the course of three weeks. On a stormy night, the clash between the two brothers when Samuel merely sits while the others tend to Gideon erupts in full; the result of their clash results in Suzie getting accidentally slashed in the hand that requires a visit to the hospital.

Seemingly, the internal struggle that Samuel went through seem to wash away. The illness to Gideon proves ultimately purgative, though Harry's precise role remains ambiguous. Harry, in the midst of getting his things, slips on marbles that were accidentally dropped by Sunny and suffers a heart attack that leaves him dead on the kitchen floor for days.

The genesis of the film came from director Charles Burnett's failure to make a film for PBS about an young girl killed by ironic events, believing that "Thinking that it’s not real, so if [PBS] had any kind of input it wouldn’t be so tragic. I started to write it, and sent them different stages of it. And they brought in the same people, wanting to make it into their movie. The things that were cultural or specific about it, they wanted to take out. They wanted to make it “for the mainstream, so that everyone can understand it.” I said “that’s not the story; the story has to do with folklore, and the Black experience.” So we got into this huge argument again. So what the Corporation for Public Broadcasting—CPB—did was: they’d pay you after they approved a draft. You’d get involved with them, you’d get dependent on that check coming in, and they’d keep quizzing you on those changes. “Have you made those changes?” And you’d realize that the moment you made those changes, the check would come in the mail. Otherwise, you don’t get it. They don’t say it that way, but it comes out that way. So that became very difficult, and finally I said “I can’t make the changes that you want me to make; it’s not about that.” So we parted company, and they wrote a really nasty letter saying that I’m not a writer, and things like that. It was really awful! Then, this guy Cotty Chubb—he had been a friend of Michael Tolkin, who did The Player—called me out of the blue and said, “I hear you might be working on something; I’d like to see what you’re doing; I’m a producer.” I said “I have this script that no one wants,” and he said, “Bring it down.” So I dropped it off in his office." By the end of the movie, it had twelve producers behind it.^[6]

The film has received critical acclaim.^[7] On Rotten Tomatoes, To Sleep with Anger holds a rating of 88% from 34 reviews, with an average score of 7.30/10. The website's critical consensus reads: "To Sleep with Anger examines cultural tensions with a deft hand and a potent blend of comedy and drama, stirred skillfully to life by a strong cast led by Danny Glover."^[8]

Chuck Bowen of Slant Magazine called it a "neglected masterpiece of African-American cinema."^[9] IndieWire's Brandon Wilson has called it Burnett's "other masterpiece," as well as numerous other favorable comparisons to Killer of Sheep, saying "Like all great art, To Sleep With Anger triumphs because it works both on a personal level... and it is provocative enough thematically to fuel hours of discussion about tradition versus modernity and how it has affected African-Americans, for better or worse... [Burnett]'s asking us to think about the generation gap, Christian faith versus backwoods mysticism, the grip of the past versus the pull of the present, African-American yearning for financial prosperity versus our sense of altruism & duty and complications within both sides of each coin."^[10]

Roger Ebert, however, called it "too long" in a mixed review.^[11] Entertainment Weekly's Owen Glieberman called it "too ambitious" and said it "never finds a mood".^[12]

• To Sleep with Anger at IMDb
• To Sleep with Anger at Box Office Mojo
• To Sleep with Anger at Rotten Tomatoes
• To Sleep with Anger: You Never Know What’s in the Heart an essay by Ashley Clark at the Criterion Collection