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Carthaginian war elephants, depicted by Bussière

The Battle of the Bagradas River was fought in 240 BC, in present-day north-east Tunisia, between a Carthaginian army led by Hamilcar Barca and a rebel force led by Spendius. Carthage was fighting a coalition of mutinous soldiers and rebellious African cities in the Mercenary War, which had started late the previous year in the wake of the First Punic War. Hamilcar left Carthage and evaded a rebel blockade by crossing the Bagradas River (the modern Medjerda River) at its mouth. Two rebel armies marched towards the Carthaginians. When they came into sight Hamilcar ordered a feigned retreat. The rebels broke ranks to chase the Carthaginians and this impetuous pursuit caused them to fall into disorder. Once the rebels had closed, the Carthaginians turned and charged them. The rebels broke and were routed. The Carthaginians pursued, killing or capturing many of the rebels and taking a bridge over the Bagradas. This victory gave Hamilcar freedom to manoeuvre and the operational initiative. (This article is part of a featured topic: Mercenary War.)

Picture of the day

Marie Antoinette and Her Children is an oil-on-canvas painting by the French artist Élisabeth Vigée Le Brun, painted in 1787. It shows Marie Antoinette, the consort of King Louis XVI of France, wearing a red velvet gown with a sable lining. Her younger son, the future Louis XVII, sits on her lap, while her daughter Marie-Thérèse leans on her arm. Marie Antoinette's elder son, Louis Joseph, at that time Dauphin of France, is near an empty cradle intended for her younger daughter Sophie, who died before the painting's completion. The work was commissioned by Louis XVI in an effort to improve the public perception of Marie Antoinette, after her reputation was tarnished by the Affair of the Diamond Necklace, by focusing on her role as a queen and a mother; she is depicted with little jewellery. The painting was first shown at the Salon in Paris, to mixed reactions, and is now displayed at the Palace of Versailles.Painting credit: Élisabeth Vigée Le Brun

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