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The Tribuna of the Uffizi (Zoffany)

This article is about the painting. For the room, see Tribuna of the Uffizi.
The Tribuna of the Uffizi
ArtistJohan Zoffany
Year1772–1778
MediumOil painting
Dimensions123.5 cm × 155.0 cm (48.6 in × 61.0 in)
LocationRoyal Collection, Windsor Castle

The Tribuna of the Uffizi (1772–1778) by Johan Zoffany is a painting of the north-east section of the Tribuna room in the Uffizi in Florence, Italy. The painting is part of the United Kingdom's Royal Collection.

Production

Beginning in 1764, the German-born painter Johan Zoffany received numerous commissions from the Hanoverian King George III and his consort, Queen Charlotte. The queen ordered Zoffany to paint "the Florence Gallery" (the Galleria degli Uffizi), for which the artist would be paid £300.[1] In the summer of 1772, Zoffany left London for Florence, where he met Felton Hervey, an art collector and friend of the king and queen, who figures prominently in the painting.[2] Zoffany worked on the painting through late 1777 and returned to England in 1779.[1] By this time Hervey had died.[2]

The painting depicts the Tribuna of the Uffizi, an octagonal gallery designed by Bernardo Buontalenti in 1584. The most important ancient and Renaissance works were displayed in this gallery in the 18th century, making it an essential highlight of the Grand Tour.

Artworks shown

Zoffany's picture is not a historical record of the works displayed in the tribuna in the 1770s. Rather, it is an epitome of the works in the Medici collections he felt to be most important. To accomplish that goal, several works from other rooms in the Uffizi and seven paintings from the Galleria Palatina in the Palazzo Pitti were transferred to the Tribuna. To accomplish this, Zoffany requested the assistance of George, 3rd Earl Cowper, who had emigrated to Florence and Sir Horace Mann, who served as British diplomatic representative in Florence to the Grand Dukes of Tuscany. Two pictures by Raphael which Earl Cowper owned and hoped to sell to George III, and the Earl are depicted in Zoffany's painting. The unframed Samian Sibyl on the floor, acquired for the Medici collection in 1777, was a pendant to Guercino's Libyan Sibyl, recently bought by George III, and its inclusion may have been intended as a compliment to him.

Venus with a Satyr and Cupids by Annibale CarracciRaphael, Madonna della Sedia (Madonna of the Chair), c.1514Guido Reni, Charity, 1607Raphael, St John the BaptistReni, MadonnaMadonna della seggiolaCorreggio, Madonna and ChildJustus Sustermans, GalileoRaphael, Madonna of the GoldfinchFranciabigio - Madonna of the WellGuido Reni, Cleopatra, 1635–40Holy Family, then attributed to PeruginoRubens, Justus Lipsius with his Pupils, c.1615Portrait of Leo X with two Cardinals by RaphaelTribute Money? by Carravagio?Rubens, Justus Lipsius with his Pupils, c.1615Raphael, Pope Leo X with Cardinals Giulio de’ Medici and Luigi de’ Rossi, 1518Niccolini-Cowper Madonna by RaphaelLarge central paintingHolbein, Sir Richard Southwell, 1536Cristofano Allori, Miracle of St JulianHoly Family, attributed to Niccolò Soggiummm Raphael, Niccolini-Cowper Madonna, 1508, then in Lord Cowper’s possession, having bought it from Zoffany, now National Gallery of Art, Washington, DCTitian, Venus of Urbino, 1538Cupid and Psyche, Roman copy of a Greek original of the 1st or 2nd century BCThe ‘Arrotino’ (Knife-Grinder), a Pergamene original of 2nd or 3rd century BCDancing Faun, marble replica of a bronze of the circle of Praxiteles, 4th century BCThe Infant Hercules Strangling the SerpentsThe Wrestlers, marble copy of a bronze Permamene original, 2nd or 3rd century BCSouth Indian craterEtruscan helmetChimera - Etruscan art8 Oil lampsEgyptian ptahmose, 18th dynastyGreek bronze torsoBust of Julius CaeserRoman silver shieldHead of AntinousSouth Italian craterEtruscan jugOctagonal table with pietra dura top made for the Tribuna, designed by Jacopo Ligozzi and Bernardino Poccetti.Charles Loraine Smith (1751–1835)Richard Edgcumbe, later 2nd Earl of Mount Edgcumbe (1764–1839)George, 3rd Earl Cowper (1738–89)Sir John Dick (1720–1804), British Consul at LeghornOther Windsor, 6th Earl of Plymouth (1751–99)Johann ZoffanyMr Stevenson, companion to the Lord LewishamGeorge Legge, Lord Lewisham, later 3rd Earl of Dartmouth (1755–1810)unknown young manValentine Knightley of Fawsley (1744–96)Pietro Bastianelli, the custodian of the galleryMr GordonHon. Felton Hervey (1712–73)Thomas Patch (1725-82), PainterSir John Taylor Bt., (d. 1786)Sir Horace Mann (1706–86), British Consul in FlorenceGeorge Finch, 9th Earl of Winchilseaprob. Roger Wilbraham (1743-1829)Mr WattsMr Doughty, travelling with Charles Loraine SmithProbably Thomas Wilbraham (b. 1751), brother of RogerThe Medici Venus, Roman copy of a Greek original of the 2nd century BCJames Bruce (1730–94), African explorerUse a cursor to explore or press button for larger image & copyright
The Tribuna of the Uffizi by Johann Zoffany. Place cursor over artworks or persons to identify them.

Paintings

Zoffany's Original Author and title Where Current location
Annibale Carracci, Venus with a Satyr and Cupids Left wall Uffizi, Florence
Guido Reni, Charity Left wall Palatine Gallery, Pitti Palace, Florence
Raphael, Madonna della seggiola Left wall Palatine Gallery, Pitti Palace, Florence
Correggio, Adoration of the Christ Child Left wall Uffizi, Florence
Justus Sustermans, Portrait of Galileo Galilei Left wall Uffizi, Florence
After Rembrandt?, possibly a copy of the Holy Family with Saint Anne in the Louvre Left wall Unidentified
Titian's workshop, Madonna and Child with Saint Catherine of Alexandria Central wall Uffizi, Florence
Raphael and workshop, St John the Baptist Central wall Uffizi, Florence
Guido Reni, Madonna Central wall private collection?
Raphael, Madonna del cardellino Central wall Uffizi, Florence
Rubens, The Consequences of War Central wall Palatine Gallery, Pitti Palace, Florence
Franciabigio (formerly attributed to Raphael), Madonna del Pozzo Central wall Uffizi, Florence
? Central wall between the legs of the Satyr Unidentified
Hans Holbein, Portrait of Sir Richard Southwell Central wall Uffizi, Florence
Raphael, Portrait of Perugino Central wall Uffizi, Florence
Perugino's workshop (Niccolò Soggi?), Madonna with Child, Saint Elizabeth and Saint John Central wall Uffizi, Florence, still in the Tribuna
Guido Reni, Cleopatra Right wall Palatine Gallery, Pitti Palace, Florence
Rubens, The Four Philosophers Right wall Palatine Gallery, Pitti Palace, Florence
Raphael, Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi Right wall Uffizi, Florence
Pietro da Cortona, Abraham and Hagar Right wall Kunsthistorisches Museum, Vienna
Bartolomeo Manfredi, Tribute to Caesar Right wall Uffizi, Florence
Cristofano Allori, Hospitality of Saint Julian Right wall Palatine Gallery, Pitti Palace, Florence
? Right wall right of the Wrestlers Unidentified
Roman Charity? Right wall Unidentified
? Right wall behind the Venus Unidentified
? (a golden frame behind the man in red at the very right) Right wall
Raphael, Niccolini-Cowper Madonna[nb 1] Lower part National Gallery of Art, Washington
Guercino's workshop, Samian Sibyl Lower part Deposits of the Pitti Palace, Florence
Titian, Venus of Urbino Lower part Uffizi, Florence

Sculptures and other

Many of the ancient sculptures painted by Zoffany can be identified, although few remain on their 18th century locations today. (The Medici's Roman statues stand in the main corridors of the Uffizi Gallery, except those which are still in the Tribuna. The smaller works are now in the collections of the Museo Archeologico Nazionale and the Museo Bargello in Florence).

Zoffany's Original Author and title Where Current location
Bust of a young woman, previously known as Plautilla Left shelf Uffizi Gallery, Florence
Bust of a young man, previously known as Geta Left shelf Uffizi Gallery, Florence
Bust of a woman Left shelf Museo degli Argenti, Florence
Ancient Roman bust of a Julio-Claudian woman, previously known as Livia (?) Left shelf Villa Corsini a Castello, Florence
Ancient Roman bust of Augustus Left shelf Museo degli Argenti, Florence
Bust of Agrippina Minor Left shelf Uffizi Gallery
Bust of Augustus Left shelf Museo degli Argenti, Florence
Ancient Roman art, Venus of Aphrodisias Left shelf Villa Corsini a Castello, Florence
Bust of a man in antique style Left shelf Museo degli Argenti, Florence
Seated man (?) Central shelf
Ancient Roman Seated God Central shelf National Archaeological Museum, Florence
Bust of young Caracalla Central shelf Uffizi Gallery
Hardstone footed cup Central shelf
Bust of a boy, previously known as the young Nero Central shelf Uffizi Gallery, Florence
Ancient Roman small bust of an Augustus (?) Central shelf National Archaeological Museum, Florence
Bust of Zeus-Serapis Central shelf Villa Corsini a Castello, Florence
Bronze statuette Central shelf
Bust of a man (?) Central shelf
Cupid with the bow Central shelf Uffizi Gallery, Florence
Ancient Roman bronze statuette of Heracles Right shelf National Archaeological Museum, Florence
Bust of a man (?) Right shelf
Canopic jar (?) Right shelf
Bust of Nerva Right shelf Museo degli Argenti, Florence
Bertoldo di Giovanni, Putto playing the lute Right shelf Bargello, Florence
Ancient Roman statuette of Satyr Right shelf Villa Corsini a Castello, Florence
Seated Concordia Right shelf National Archaeological Museum, Florence
Ancient Roman bust of a Young Satyr Right shelf Villa Corsini a Castello, Florence
Ancient Roman art after Lysippus, Heracles and the Nemean Lion Right shelf Hermitage, St. Petersburg?
Seated Tyche of Anthioch Right shelf National Archaeological Museum, Florence
Bust of Bacchus (?) Right shelf
Ancient Roman art, Cupid and Psyche Center Uffizi, Florence
Ancient Roman art, Dancing Faun Center Uffizi, Florence, still in the Tribuna
Jacopo Antelli (Monicca) and Jacopo Ligozzi, Octagonal table with Pietre Dure mosaics Center Uffizi, Florence, still in the Tribuna
Ancient Roman art, Baby Hercules strangling the snake Center Uffizi, Florence, still in the Tribuna
Ancient Roman art, The Two Wrestlers Center Uffizi, Florence, still in the Tribuna
Cleomenes, Medici Venus Center Uffizi, Florence, still in the Tribuna
Baltimore Painter, Apulian krater with Amazonomachy Lower part National Archaeological Museum, Florence
Etruscan bronze helmet with "button" on top Lower part National Archaeological Museum, Florence
Ancient Roman art, Arrotino Lower part Uffizi, Florence, still in the Tribuna
Etruscan (with 17th-century implements), Chimera of Arezzo Lower part National Archaeological Museum, Florence
Andrea Briosco workshop, Lamp in the shape of a Twisting Man Lower part Bargello, Florence
Plate (missorium) of F. Ardaburius Aspar', Roman, c.. 434 AD Lower part National Archaeological Museum, Florence
Bust, previously known as Cicero Lower part Uffizi Gallery
Florentine pseudo-antique art, second half of the 16th century, Bronze head of Antinous Lower part National Archaeological Museum, Florence
Bronze lamp (?) Lower part
Bucchero Etruscan krater Lower part National Archaeological Museum, Florence
Bucchero Etruscan oinochoe Lower part National Archaeological Museum, Florence
Bucchero Etruscan situla Lower part National Archaeological Museum, Florence
Ancient Greek art, Livorno Torso Lower part National Archaeological Museum, Florence
Ancient Egyptian art, Cube statue of Ptahmose Lower part National Archaeological Museum, Florence
Etruscan funerary urn probably made in Volterra Lower part, under the Venus of Urbino National Archaeological Museum, Florence

Persons shown

The Tribuna of the Uffizi combines aspects of the British 18th-century conversation piece, or informal group portrait, with that of the predominantly Flemish 17th-century tradition of Wunderkammer and gallery views. Thus, the figures populating Zoffany's painting are all identifiable as connoisseurs, diplomats and visitors to Florence. The inclusion of so many recognisable portraits was criticized by Zoffany's royal patrons, and by Horace Walpole, who called it "a flock of travelling boys, and one does not know nor care whom."[3]

The first group of people is centered around the Niccolini Madonna by Raphael. From left, standing up, there are the picture's owner George, 3rd earl of Cowper, Sir John Dick, baronet of Braid, Other Windsor, 5th Earl of Plymouth, and Johan Zoffany, the painter himself, followed on the other side of the painting by Mr. Stevenson and his companion George Legge, 3rd Earl of Dartmouth, while is sitting on a chair Charles Loraine Smith and behind him, bended, Richard Edgcumbe, later 2nd Earl of Mount Edgcumbe.

Two more connoisseurs are near the Satiro. The first is reported to be Joseph Leeson, 2nd Earl of Milltown, even if his portrait does not match in age and resemblance those in the National Gallery of Ireland by Pompeo Batoni, and Valentine Knightley of Fawsley.

Further to the center of the painting Pietro Bastianelli, curator of the Uffizi Gallery, shows the Venus of Urbino by Titian to John Gordon,[nb 2] Thomas Patch who is apparently the man touching the Venus, but pointing to the figure of a male nude (believed to be a reference to Patch's homosexuality),[6] Sir John Taylor and Sir Horace Mann. The sitting man, looking back towards, is the Hon. Felton Hervey.

The group around the Medici Venus include John Finch, Mr. Wilbraham (one of the sons of Roger Wilbraham of Nantwich), Mr. Watts, Mr. Doughty and, on the other side, Thomas Wilbraham (the second son) and James Bruce.

Detail Portrait Name Note
George, 3rd Earl Cowper
Sir John Dick baronet of Braid
Other Windsor, 5th Earl of Plymouth
Johann Zoffany the author of painting (self-portrait)
Mr. David Stevenson tutor to Lord Lewisham
George Legge, 3rd Earl of Dartmouth
Charles Loraine Smith painter
Richard Edgcumbe,
later 2nd Earl of Mount Edgcumbe
Joseph Leeson, 2nd Earl of Milltown is reported to be, even if his portrait does not match in age and resemblance those in the National Gallery of Ireland by Pompeo Batoni
Valentine Knightley of Fawsley also painter
Pietro Bastianelli curator of the Uffizi Gallery
John Gordon
Thomas Patch probably the man touching the Venus
Sir John Taylor
Sir Horace Mann
Hon. Felton Hervey
John Finch, 9th Earl of Winchilsea
Mr. Wilbraham (one of the sons of Roger Wilbraham of Natwich)
Mr. Watts
Mr. Doughty
Thomas Wilbraham (the second son)
James Bruce

See also

Footnotes

  1. ^ This painting was owned by Zoffany at the moment: this explains its prominence.
  2. ^ Described in contemporary Italian newspapers as "Mr. Gordon, an English official".[4]John Chambers wrote in 1829 that Rev. William Gordon of Saxlingham possessed several paintings "collected by John Gordon, who figured in Zoffany's picture of the Gallery of Florence".[4][5]

References

Sources

Citations

  1. ^ a b Royal Collection from Shawe-Taylor 2009
  2. ^ a b "The Hon. Felton Hervey (1712–1775)". National Trust Collections. National Trust. Retrieved 15 April 2017.
  3. ^ Lewis, W.S., ed. (1967). "To MANN, Friday 12 November 1779". The Yale edition of Horace Walpole's correspondence. Vol. 24. Yale: Lewis Walpole Library. pp. 526–7. Retrieved 15 April 2017.
  4. ^ a b Cited in Nicholls 2006, p.152
  5. ^ Chambers, John (1829). "Hundred of Henstead". A General History of the County of Norfolk, Intended to Convey All the Information of a Norfolk Tour. Vol. II. Norwich: John Stacy. pp. 759–760. Retrieved 15 April 2017.
  6. ^ "BBC Two - Mary Beard's Shock of the Nude, Series 1, Episode 1".
Quelle: https://en.wikipedia.org/wiki/Tribuna_of_the_Uffizi_(painting)