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Thea Musgrave

Musgrave in 2017

Thea Musgrave CBE (born 27 May 1928) is a Scottish composer of opera and classical music. She has lived in the United States since 1972.[1]

Biography

Born in Barnton, Edinburgh, Musgrave was educated at Moreton Hall School, a boarding independent school for girls near the market town of Oswestry in Shropshire, followed by the University of Edinburgh, and in Paris as a pupil of Nadia Boulanger from 1950 to 1954.[2] In 1958 she attended the Tanglewood Festival and studied with Aaron Copland.[3] In 1970 she became guest professor at the University of California, Santa Barbara, a position which confirmed her increasing involvement with the musical life of the United States. She married American violist and opera conductor Peter Mark in 1971.[4] From 1987 to 2002 she was distinguished professor at Queens College, City University of New York.[5]

Among Musgrave's earlier orchestral works, the Concerto for Orchestra of 1967 and the Concerto for Horn of 1971 display the composer's ongoing fascination with 'dramatic-abstract' musical ideas.[6] More recent works continue the idea though sometimes in a more programmatic way: such as the oboe concerto Helios of 1994, in which the soloist represents the Sun God. Another frequent source of inspiration is the visual arts – The Seasons took its initial inspiration from a visit to New York's Metropolitan Museum of Art, while Turbulent Landscapes (commissioned by the Boston Symphony Orchestra and premiered by them in 2003) depicts a series of paintings by J. M. W. Turner.[7]

She has written more than a dozen operas and other music theatre works, many taking a historical figure as their central character, among them Mary, Queen of Scots (1977), Harriet Tubman (Harriet, the Woman called Moses, 1984), Simón Bolívar (1993; premiere 1995 at the Virginia Opera) and Pontalba (2003). In 2008, her 80th birthday was marked by premieres of Points of View, Green, Cantilena, Taking Turns and other performances.[8]

In 2018, coinciding with Musgrave's 90th birthday, her compositions were performed at the Edinburgh International Festival and the BBC Proms.

Reflections on a musical career

In response to a question presented by Tom Service for the BBC about Musgrave's view of being a 'woman composer' she replied, "Yes I am a woman, and I am a composer. But rarely at the same time".[9] She admits that pursuing music can be a difficult career. When asked by the BBC to offer advice to young composers, she replied, "Don't do it, unless you have to. And if you do, enjoy every minute of it."[10]

Honours and awards

Works

Orchestral

  • Chamber Concerto No. 2 (1966; chamber ensemble)
  • Night Music (1968; for chamber orchestra – J. W. Chester/Edition Wilhelm Hansen London Ltd.)[16]
  • Concerto for Orchestra (1967; orchestra)
  • Clarinet Concerto (1969; clarinet, orchestra)[17]
  • Night Music (1969; horns, orchestra)[18]
  • Memento Vitae (1969–70; orchestra)[18]
  • Concerto for Horn (1971; horn, orchestra)
  • Viola Concerto (1973; viola, orchestra)
  • The Seasons (1988; orchestra)[18]
  • Song of the Enchanter (1990; orchestra) (commissioned to honour the 125th anniversary of the birth of Jean Sibelius)[19]
  • Helios (1994; oboe, orchestra)[18]
  • Songs for a Winter's Evening (1995; soprano, orchestra)
  • Phoenix Rising (1997, orchestra)
  • Aurora (1999; string orchestra)
  • The Mocking-Bird (2000; baritone, orchestra)
  • Turbulent Landscapes (2003; orchestra)
  • Wood, Metal and Skin (2004; percussion, orchestra)
  • Two's Company (2005; oboe, percussion, orchestra)
  • Points of View (2007; orchestra)
  • Green (2008; string chamber orchestra – 2014; string orchestra)
  • Towards the Blue (2010; clarinet, orchestra)
  • Loch Ness – A postcard from Scotland (2012; orchestra)
  • From Darkness into the Light (2017; cello, orchestra)
  • Trumpet Concerto (2019; trumpet, orchestra)

Choral

  • The Five Ages of Man (1963; chorus and orchestra)
  • Rorate Coeli (1973)
  • The Last Twilight (1980; choir and brass ensemble)
  • Wild Winter 1: Lamentations (1993; voices and viols)
  • On the Underground, sets one, two and three (1994)
  • Wild Winter 2 (1996; voices and viols)
  • Going North (2004; children's choir)
  • Voices of Power and Protest (2006)
  • Ithaca (2010)
  • The Voices of Our Ancestors (2014; choir, brass, organ)
  • Missa Brevis (2017; choir, organ)
  • By the River (2019)

Chamber

  • Trio for flute, oboe and piano (1960)
  • Orfeo (1975; solo flute & tape or strings)
  • Pierrot (1985; clarinet)
  • Journey through a Japanese landscape (1994; marimba, winds, harp, piano, percussion), violin and piano)
  • Ring Out Wild Bells (2000; clarinet, violin, cello, piano)
  • Night Windows (2007; oboe, piano – 2016; oboe, strings)
  • Cantilena (2008; oboe quartet)
  • Poets in Love (2009; tenor, baritone, piano four hands)
  • Sunrise (2010; flute, viola and harp)
  • Five Songs for Spring (2011; baritone & piano, also orchestrated)
  • La vida es Sueño (2016; baritone, piano)

Opera

  • The Abbot of Drimock (1955)
  • Marko the Miser (1962)
  • The Decision (1965)
  • The Voice of Ariadne (1973)
  • Mary, Queen of Scots (1977) – also chamber version (2016)
  • A Christmas Carol (1979)
  • An Occurrence at Owl Creek Bridge (1981)
  • Harriet, the Woman Called Moses (1985) – also version for small orchestra re-titled The Story of Harriet Tubman (1990)
  • Simón Bolívar (1995) – also chamber version (2013)
  • Pontalba (2003)

References

  1. ^ Garrett, Matthew L. (May 2012). "Thea Musgrave Choral Works. The New York Virtuoso Singers, Harold Rosenbaum, conductor. Bridge Records CD 9161, 2004". Journal of the Society for American Music. 6 (2): 263–266. doi:10.1017/S1752196312000144. S2CID 192207739.
  2. ^ LePage, Jane Weiner (1980). Women Composers, Conductors, and Musicians of the Twentieth Century: Selected Bibliographies. Metuchen, New Jersey: Scarecrow Press. p. 147. ISBN 0-8108-1298-3.
  3. ^ Hixon, Donald L. (1984). Thea Musgrave: A Bio-Bibliography. Westport, Connecticut: Greenwood Press. p. 6. ISBN 0-313-23708-5.
  4. ^ Service, Tom (14 February 2014). "Thea Musgrave's turbulent landscapes". The Guardian. Retrieved 29 March 2018.
  5. ^ "The composer's quest. Thea Musgrave profile". The Herald. Glasgow. 23 May 1998. Retrieved 29 March 2017.
  6. ^ "The BIG Question...with Thea Musgrave". British Association of Songwriters, Composers & Authors. Retrieved 31 December 2018.
  7. ^ Clark, Andrew (24 January 2014). "Interview: Thea Musgrave". Financial Times. Retrieved 29 March 2017.
  8. ^ "Biography". Thea Musgrave. Retrieved 29 March 2017.
  9. ^ "Thea Musgrave, Music Matters". BBC Radio 3. Retrieved 10 August 2018.
  10. ^ a b "Proms 2018: 'Don't do it unless you have to!' — the advice of composer Thea Musgrave for anyone seeking a career in music". BBC Scotland. Retrieved 10 August 2018.
  11. ^ "Complete List of Koussevitzky Commissions". Koussevitzky Music Foundation. Retrieved 29 March 2018.
  12. ^ "Thea Musgrave". John Simon Guggenheim Memorial Foundation. Retrieved 29 March 2018.
  13. ^ a b "Thea Musgrave | NMC Recordings". www.nmcrec.co.uk. Retrieved 10 August 2018.
  14. ^ "Thea Musgrave Receives The Queen's Medal for Music". News.musicsalesclassical.com. Archived from the original on 25 March 2020. Retrieved 7 July 2018.
  15. ^ CharlotteDunn (7 June 2018). "The Queen's Medal for Music 2017". The Royal Family. Retrieved 10 August 2018.
  16. ^ Kennan, Kent, Grantham, Donald The Technique of Orchestration, 3rd. ed. New Jersey: Prentice-Hall, 1983, p. 340
  17. ^ "Clarinet Concerto – Thea Musgrave, Composer". Thea Musgrave web site. Archived from the original on 6 February 2007. Retrieved 31 January 2007.
  18. ^ a b c d Musgrave: Orchestral Works, NMC CD D074 (2003)
  19. ^ Song of the Enchanter – Thea Musgrave, composer Archived 10 June 2015 at the Wayback Machine
Quelle: https://en.wikipedia.org/wiki/Thea_Musgrave