By this time, Phideaux and company had done three well rehearsed, well conceived albums, and decided to make an "album in a day." On March 13, 2004 (which was actually before they'd finished the "Chupacabras" album), all of Phideaux's far-flung musicians converged in L.A. for an unrehearsed recording session. During that day, they composed and recorded 13 songs; however, the final results were deemed to be nothing more than embryonic, and those sessions were shelved until after "Chupacabras" was released. In 2005, Phideaux and Gabriel Moffat polished up the recordings, and on March 13, 2006, released the album "313" (named for the date upon which it was recorded). Because this album was written in one day, some felt the songs were less complex and "progressive" than previous Phideaux music; however, because they were all constructed in one concentrated flow, it seemed more of a concept album than anything else they'd ever done. Themes recur throughout the work, and although it is 13 separate songs, they all seem to flow together. The cover artwork for this album was by Margie Schnibbe, another childhood friend of Phideaux's, who painted a 20-page booklet that was quite a departure from the Gothic imagery of the first three albums. Instead, the dayglo comic book 'zine style of Margie's graced this disc.

• 01 - Railyard (03:32)
• 02 - Have You Hugged Your Robot? (03:08)
• 03 - A Storm of Cats (02:34)
• 04 - Never Gonna Go (03:43)
• 05 - Pyramid (04:13)
• 06 - There's Only One of You (02:37)
• 07 - Orangutan (02:57)
• 08 - Sick of Me (05:41)
• 09 - In Search of Bitter Ore (04:03)
• 10 - Body to Space (05:33)
• 11 - Watching Machine (02:27)
• 12 - Run Singing Tiger (03:37)
• 13 - Benediction (04:05)