La Coupole (English: The Dome), also known as the Coupole d'Helfaut-Wizernes is a Second World War bunker complex in the Pas-de-Calaisdépartement of northern France, about 5 kilometres (3.1 mi) from Saint-Omer. It was built by the forces of Nazi Germany between 1943 and 1944 to serve as a launch base for V-2 rockets directed against London and southern England.
Constructed in the side of a disused chalk quarry, the most prominent feature of the complex is an immense concrete dome, to which its modern name refers. It was built above a network of tunnels housing storage areas, launch facilities and crew quarters. The facility was designed to store a large stockpile of V-2s, warheads and fuel and was intended to launch V-2s on an industrial scale. Dozens of missiles a day were to be fuelled, prepared and launched in rapid sequence against London and southern England.
However, after repeated heavy bombing by Allied forces during Operation Crossbow, the Germans were unable to complete the construction works and the complex never entered service. It remained derelict until the mid-1990s. In 1997 it opened to the public for the first time, as a museum. Exhibits in the tunnels and under the dome tell the story of the German occupation of France during World War II, the V-weapons and the history of space exploration.
Pierre Benjamin Monteux (4 April 1875 – 1 July 1964) was a French (later American) conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in 1907. He came to prominence when, for Sergei Diaghilev's Ballets Russes company between 1911 and 1914, he conducted the world premieres of Stravinsky's The Rite of Spring and other prominent works including Petrushka, Ravel's Daphnis et Chloé, and Debussy's Jeux. Thereafter he directed orchestras around the world for more than half a century.
In 1932 he began a conducting class in Paris, which he developed into a summer school that was later moved to his summer home in Les Baux in the south of France. After moving permanently to the US in 1942, and taking American citizenship, he founded a school for conductors and orchestral musicians in Hancock, Maine.
The écu was a gold and silver coinage system introduced in France in 1266 by Louis IX, so called because the coins featured the French coat of arms. The silver coin proved popular but the gold did not, because of the unrealistic ratio of 1:10 used, which did not properly reflect the metals' exchange rate. The écu remained in use for 500 years. Depicted here are two écu coins, the first made of gold and minted in 1641, in the reign of Louis XIII, and the second made of silver and minted in 1784, in the reign of Louis XVI. Between these two dates, exchange rates were unstable, new coins were issued, and existing ones revalued periodically.
Lithograph credit: Jean-Baptiste Singry; restored by Adam Cuerden
Joséphine Fodor (13 October 1789 or in 1793 – 10 August 1870) was a French lyrical artist (soprano) with Hungarian and Dutch ancestors. Her family moved to Saint Petersburg when she was an infant, probably because of the French Revolution. After marrying in 1812, Fodor and her husband moved back to France when Saint Petersburg came under attack during the French invasion of Russia. She performed roles for the Opéra-Comique in Paris, later being engaged by the Comédie-Italienne, and also appeared in London, Venice, Naples and Vienna. Experiencing problems with her voice, she gradually ended her operatic career and withdrew from the stage. This lithograph depicts her in 1815.
Marie-Gabrielle Capet (6 September 1761 – 1 November 1818) was a French Neoclassical painter. Until the French Revolution, the Royal Academy of Art in Paris was responsible for training artists and exhibiting artworks at the Salon, but limited the number of female students to four at a time. Unable to gain a place, she moved to Paris in 1781 to become a student of Adélaïde Labille-Guiard, with whom she struck up a lifelong friendship. She specialised in painting portraits, her works including oil paintings, watercolours and miniatures. This oil-on-canvas self-portrait of Capet, dating from around 1783, is in the collection of the National Museum of Western Art in Tokyo.
A schematic depiction of the first successful frameless parachute, invented by André-Jacques Garnerin (1769–1823). On October 22, 1797, Garnerin rode in a basket hanging from the parachute, which was attached to the bottom of a hot air balloon (centre). At a height of approximately 3,000 feet (910 m), he severed the rope that connected his parachute to the balloon. The basket swung during descent, then bumped and scraped when it landed, but Garnerin emerged uninjured.
Self-Portrait with Halo and Snake is an 1889 oil on wood painting by French artist Paul Gauguin, which represents his late Brittany period in the fishing village of Le Pouldu in northwestern France. It shows Gauguin against a red background with a halo above his head and apples hanging beside him as he holds a snake in his hand while plants or flowers appear in the foreground. The religious symbolism and the stylistic influence of Japanese wood-block prints and cloisonnism are apparent. The work is one of more than 40 self-portraits he completed. It is held at the National Gallery of Art in Washington, D.C.
The Palais Galliera, formally known as the Musée de la Mode de la Ville de Paris, is a museum of fashion and fashion history located in the 16th arrondissement of Paris, France. Following the death of her husband in 1876, the Duchess of Galliera gave land and funds for the erection of a museum to house his collection of paintings and fine art that she proposed to give to the state. The building was completed in 1894, but the collections were in fact donated to Genoa, Italy, where they are now displayed at the Palazzo Rosso and the Palazzo Bianco.
Homme au bain ("Man at His Bath") is an oil painting completed by the French ImpressionistGustave Caillebotte in 1884. The canvas measures 145 by 114 centimetres (57 in × 45 in). The painting was held in private collections from the artist's death until June 2011, when it was acquired by the Museum of Fine Arts, Boston. Interpretations of the painting and its male nude have contrasted the figure's masculinity with his vulnerability.
The Bathers is an oil-on-canvas painting by the French artist Paul Cézanne, first exhibited in 1906. The painting is the largest of a series of paintings of bathers by the artist, and is considered a masterpiece of modern art. He worked on the painting for seven years, and it remained unfinished at the time of his death. Often considered Cézanne's finest work, it is in the collection of the Philadelphia Museum of Art.
Louis XVI of France (1754–1793) was King of France (later King of the French) from 1774 until his deposition in 1792. His early reign was marked by attempts to reform France in accordance with Enlightenment ideals, including ultimately quashed efforts to abolish serfdom, remove the taille, and increase tolerance toward non-Catholics. However, after several years of national debt and financial and food crises, Louis was arrested during the insurrection of 10 August 1792, found guilty of high treason, and executed by guillotine on 21 January 1793.
This picture is an oil-on-panel portrait of Budé, produced around 1536 by Jean Clouet, a painter at the court of King Francis I of France. He was a very skilful painter and many fine portraits are attributed to him, but his picture of Budé is his only documented work, being mentioned in Budé's handwritten notes. The painting is now held by the Metropolitan Museum of Art in New York City.
The French franc is a former currency of France and Monaco and, alongside the Spanish peseta, a former de facto currency in Andorra. The first franc was a gold coin introduced in 1360, which showed King John II of France on a richly decorated horse, earning it the name franc à cheval. A later coin, showing Charles VII on foot, under a canopy, was named the franc à pied. The decimal franc was established by the French Revolutionary Convention in 1795 as a decimal unit, and became the official currency of France in 1799. France joined the euro in 1999, and the franc was replaced by euro notes and coins in 2002.
This picture shows a 40-franc coin, dated 1807. The obverse shows an image of Napoleon.
Graziella is an 1852 novel by the French author Alphonse de Lamartine. It tells of a young French man who falls in love with the eponymous character, a fisherman's granddaughter, during a trip to Naples, Italy; they are separated when he must return to France, and Graziella dies soon afterwards. The novel received popular acclaim; an operatic adaptation had been completed by the end of the year, and the work influenced paintings, poems, novels, and films. This 1878 oil-on-canvas painting by the French artist Jules Joseph Lefebvre shows Graziella sitting on a rock, fishing net in hand, gazing over her shoulder at a smoking Mount Vesuvius in the distance. The painting is now in the collection of the Metropolitan Museum of Art in New York.
Saint George Palace is an historic building in the city of Rennes, France. Built in 1670, it was used as an abbey residence, replacing a much older abbey building that stood on the same site. During the French Revolution the abbey was closed and the property was seized by the government. Since 1930 the building has been listed as a monument historique of France. It now houses the fire services for the city and other civil administrative offices.