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::::PiCo you say the telegraph contradicts graham Dixon but haven't quoted the book in full? [[User:Contaldo80|Contaldo80]] ([[User talk:Contaldo80|talk]]) 23:25, 27 September 2018 (UTC)
::::PiCo you say the telegraph contradicts graham Dixon but haven't quoted the book in full? [[User:Contaldo80|Contaldo80]] ([[User talk:Contaldo80|talk]]) 23:25, 27 September 2018 (UTC)
:::::How can I quote what isn't there? Graham-Dixon talks about Ranuccio having a baby daughter, but doesn't say or even hint that the child was Caravaggio's. I suggest you get the book from the local library.[[User:PiCo|PiCo]] ([[User talk:PiCo|talk]]) 05:41, 29 September 2018 (UTC)
:::::How can I quote what isn't there? Graham-Dixon talks about Ranuccio having a baby daughter, but doesn't say or even hint that the child was Caravaggio's. I suggest you get the book from the local library.[[User:PiCo|PiCo]] ([[User talk:PiCo|talk]]) 05:41, 29 September 2018 (UTC)
::::::I'll take your word for it that the book does refer to the daughter. Just wondering why the Telegraph got it so badly wrong. But then I suppose it does get things wrong. [[User:Contaldo80|Contaldo80]] ([[User talk:Contaldo80|talk]]) 23:45, 30 September 2018 (UTC)
::::::Actually thinking about this I have read the book and it didn't talk about a potential daughter. The Telegraph is inaccurate. [[User:Contaldo80|Contaldo80]] ([[User talk:Contaldo80|talk]]) 23:45, 30 September 2018 (UTC)


== Beheading of John the Baptist ==
== Beheading of John the Baptist ==

Revision as of 23:47, 30 September 2018

Former good articleCaravaggio was one of the Art and architecture good articles, but it has been removed from the list. There are suggestions below for improving the article to meet the good article criteria. Once these issues have been addressed, the article can be renominated. Editors may also seek a reassessment of the decision if they believe there was a mistake.
Article milestones
DateProcessResult
January 2, 2006Peer reviewReviewed
February 12, 2006Featured article candidateNot promoted
April 18, 2006Good article nomineeListed
July 12, 2009Good article reassessmentDelisted
Current status: Delisted good article

Template:Vital article Template:WPCD-People

name

The proper title for this entry is Caravaggio with a dab at top about Caravaggio, Italy and a note about Caravaggio (movie) below. That's the NCP (normal cultural perspective). Wetman 23:02, 16 Jul 2004 (UTC)

Agreed. I almost didn't find the page because of the odd naming. This should be the default page for "Caravaggio", with the disamb linked from it. Mpolo 10:26, Nov 13, 2004 (UTC)
Agreed. For now, I've moved the disambiguation page from Caravaggio to Caravaggio (disambiguation), and made Caravaggio in a redirect to Michelangelo Merisi. If noone complains about this, an administrator can move this page to Caravaggio later. Eugene van der Pijll 13:19, 13 Nov 2004 (UTC)
I object. I think that Caravaggio should certainly be a redirect here (with a note on this page saying caravaggio is also a town and movie. But that the main article should stay here at Michelangelo Merisi, since that was after all his name. The bellman 08:26, 2004 Dec 21 (UTC)
I think it's more than a little pretentious, to be frank. --Wetman 00:57, 4 Apr 2005 (UTC)

Third opinion

Galassi I don't think we've getting anywhere with this. I add material on sexuality and you just remove it, I restore etc. I have already suggested that we try and seek mediation for this - to see if we can find a middle way. Earlier I suggested that we seek an impartial third opinion, to advise us on what might be sensible. Are you prepared to accept that mediation? Or are you just going to take out the material again? In which case I'm afraid there are probably good grounds to indicate that you are being deliberately disruptive. Thanks. Contaldo80 (talk) 09:26, 27 August 2014 (UTC)[reply]

Sexuality

Boy with a Basket of Fruit, 1593–1594. Oil on canvas, 67 cm × 53 cm (26 in × 21 in). Galleria Borghese, Rome.

Caravaggio never married and had no known children, and Howard Hibbard notes the absence of erotic female figures from the artist's oeuvre: "In his entire career he did not paint a single female nude."[1] On the other hand, the cabinet-pieces from the Del Monte period are replete with "full-lipped, languorous boys ... who seem to solicit the onlooker with their offers of fruit, wine, flowers - and themselves."[2] Nevertheless, a connection with a certain Lena is mentioned in a 1605 court deposition by Pasqualone, where she is described as "Michelangelo's girl".[3] According to G.B.Passeri this 'Lena' was Caravaggio's model for the Madonna di Loreto. According to Catherine Puglisi 'Lena' may have been the same as the courtesan Maddalena di Paolo Antognetti, who named Caravaggio as an intimate friend by her own testimony in 1604.[4][5] Caravaggio also probably enjoyed close relationships with other "whores and courtesans" such as Fillide Melandroni, of whom he painted a portrait.[6]

Since the 1970s art scholars and historians have debated the inferences of homoeroticism in Caravaggio's works.[7] The model of "Omnia vincit amor" is known as Cecco di Caravaggio. Cecco stayed with him even after he was obliged to leave Rome in 1606, and the two may have been lovers."[8]

Aside from the paintings, evidence also comes from the libel trial brought against Caravaggio by Giovanni Baglione in 1603. Baglione accused Caravaggio and his friends of writing and distributing scurrilous doggerel attacking him; the pamphlets, according to Baglione's friend and witness Mao Salini, had been distributed by a certain Giovanni Battista, a bardassa, or boy prostitute, shared by Caravaggio and his friend Onorio Longhi. Caravaggio denied knowing any young boy of that name, and the allegation was not followed up.[9] Baglione's painting of "Divine Love" has also been seen as a visual accusation of sodomy against Caravaggio.[6] Such accusations were damaging and dangerous as sodomy was a capital crime at the time. Even though the authorities were unlikely to investigate such a well-connected person as Caravaggio: "Once an artist had been smeared as a pederast, his work was smeared too."[8] Francesco Susinoo in his later biography relates the story of how the artist was chased by a school-master in Sicily for spending too long gazing at the boys in his care. Susino presents it as a misunderstanding, but Caravaggio may indeed have been seeking sexual solace; and the incident could explain one of his most homoerotic paintings: his last depiction of St John the Baptist.[10]

The art historian, Andrew Graham-Dixon has summarised the debate:

A lot has been made of Caravaggio's presumed homosexuality, which has in more than one previous account of his life been presented as the single key that explains everything, both the power of his art and the misfortunes of his life. There is no absolute proof of it, only strong circumstantial evidence and much rumour. The balance of probability suggests that Caravaggio did indeed have sexual relations with men. But he certainly had female lovers. Throughout the years that he spent in Rome he kept close company with a number of prostitutes. The truth is that Caravaggio was as uneasy in his relationships as he was in most other aspects of life. He likely slept with men. He did sleep with women. He settled with no one... [but] the idea that he was an early martyr to the drives of an unconventional sexuality is an anachronistic fiction.[8]

Not in the current cherry-picked shape, ignoring opinions to the contrary. Per WP:NPOV, WP:WEIGHT a number of other things. For starters it completely ignores Maurizio Calvesi's research. And the section is disprortionately large for NPOV.--Galassi (talk) 14:23, 28 November 2015 (UTC)[reply]
I'm not sure "research" is the right word for Calvesi's opinions. This remains a sensitive issue in Italy, like the Greeks with 300 (film). No, it isn't too large. Though if we could stop arguing about this eternally, and improve the rest of the article, things would be better. Just deleting all mention puts you in a weak position, frankly. Johnbod (talk) 13:52, 29 November 2015 (UTC)[reply]
Galassi can you perhaps deal with your personal hang-ups about homosexuality, rather than to repeatedly project them onto this article. The text is not "cherry picked" nor does it contravene NPOV nor is it excessive. The sexuality of Caravaggio is dealt with again and again and again by authors, frequently at great length. I don't understand what is to be gained by trying to pretend there is no discussion or that the matter is irrelevant?! The sources quoted are mainstream, the information balanced and to the point. That even Calvesi talks about it suggests that its a subject worth talking about!! And Calvesi is hardly recent in any case.Contaldo80 (talk) 10:30, 30 November 2015 (UTC)[reply]

References

  1. ^ Hibbard, p.97
  2. ^ Louis Crompton, "Homosexuality and Civilization" (Harvard, 2006) p.288
  3. ^ Bertolotti, "Artisti Lombardi". pp.71-72
  4. ^ Catheine Puglisi, "Caravaggio" Phaidon 1998, p.199
  5. ^ Riccardo Bassani and Fiora Bellini, "Caravaggio assassino", 1994, pp.205-214
  6. ^ a b Andrew Graham-Dixon, Caravaggio: A life sacred and profane, Penguin, 2011
  7. ^ http://www.nytimes.com/2010/03/10/arts/design/10abroad.html?hp Herwarth Roettgen, Il Caravaggio, ricerche e interpretazione, Rome 1975; R. Longhi, ‘Novelletta del Caravaggio ‘’invertito’’, Paragone, March 1952, 62-4; Calvesi, ‘Caravaggio’, Art & Dossier, April 1986; Christopher Frommer, ‘Caravaggios frühwerk und der cardinal del Monte’, Storia dell’arte, 9-10 (1971): 5-29; Margaret Walters, The Male Nude, Harmondsworth, 1978: 188-189; Helen Langdon, Caravaggio; Robb, M
  8. ^ a b c Andrew Graham-Dixon, Caravaggio: A life sacred and profane, Penguin, 2011, p.4
  9. ^ The transcript of the trial is given in Walter Friedlander, "Caravaggio Studies" (Princeton, 1955, revised edn. 1969)
  10. ^ Andrew Graham-Dixon, Caravaggio: A life sacred and profane, Penguin, 2011, p.412

google-mapped the where all known Caravaggio paintings are situated globally

Hi Ive google-mapped the where all known Caravaggio paintings are situated globally https://www.google.com/maps/d/edit?mid=z24asHdRfrvA.k11-JXzdDn6s Shouldnt this be on https://en.wikipedia.org/wiki/Caravaggio ? Have a GREAT day! John — Preceding unsigned comment added by John bau 123456 (talk • contribs) 06:20, 27 April 2016 (UTC)[reply]

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Lead

The WP:LEAD is a summary of the body; it should not contain content that is not discussed in the body; and it should highlight the most important features of the topic. The lead here focuses on Caravaggio's biography, in places containing more detail than the body, and giving undue weight to particular incidents. Discussion of his technique and impact is scant, and buried in the last paragraph. I am cutting back the bio narrative and moving some of the detail into the body, while expanding discussion of his technique. For the time being, I have moved chunks of the lead into appropriate sections as hidden text, and I will later blend those passages in. Laszlo Panaflex (talk) 02:53, 6 July 2017 (UTC)[reply]

St Rosario

By the painting of St Rosario do we meant the Madonna of the Rosary? Contaldo80 (talk) 10:49, 25 July 2017 (UTC)[reply]

Seems to refer to a lost work. The Madonna of the Rosary (Caravaggio) doesn't have that many figures, and none of them are turpiter ligati, which as I understand it means "in shameful bonds", "in wicked embrace". William Avery (talk) 11:28, 25 July 2017 (UTC)[reply]
I'm not sure though - there is no such hagiographical figure as St Rosario which really translates as the Holy Rosary. Agree there are not 30 figures or people in wicked embraces. We need Burton's original statement I think. Contaldo80 (talk) 12:37, 25 July 2017 (UTC)[reply]
Under Caravaggio#Oeuvre this article says that work "is not known to have survived", but without a citation. The reference by Burton is just a footnote, see here William Avery (talk) 13:10, 25 July 2017 (UTC)[reply]
Thanks. I just think Burton has been misconstrued. There is no saint rosario - it must be that he was referring to the madonna of the rosary. I think the reference to Burton just confuses the paragraph and doesn't add much in any case - so suggest we take it out. Contaldo80 (talk) 11:05, 26 July 2017 (UTC)[reply]

Hello fellow Wikipedians,

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A daughter?

An editor has added a controversial claim that Caravaggio "had at least one illegitimate daughter by Lavinia Giugioli, the wife or Ranuccio Tommasoni who Caravaggio killed in a duel over the affair". I have never seen a reference to this before. The source cited is a website in Italian. Before we can include this I think we need some robust academic sources that support this suggestion. Thanks Contaldo80 (talk) 09:42, 16 February 2018 (UTC)[reply]

A clear case of WP:IDONTLIKEIT.--Galassi (talk) 13:22, 16 February 2018 (UTC)[reply]
Notes from a CD? A clear case of not WP:RS. Laszlo Panaflex (talk) 15:37, 16 February 2018 (UTC)[reply]
Yeah, I don't like it because it's poor editing. Go figure. Contaldo80 (talk) 11:02, 19 February 2018 (UTC)[reply]
Andrew Graham-Dixon covered it nicely and reliably per WP:RS, even if it contradicts your POV.--Galassi (talk) 15:34, 19 February 2018 (UTC)[reply]

Simply yelling IDONTLIKEIT when someone raises good faith objections is highly inappropriate. The onus is on you to discuss and present your evidence here before going forward with further edits. And the cite to the CD notes remains NOTRS, even if the rest is kept. Please do not attack others for raising good faith concerns. Laszlo Panaflex (talk) 16:13, 19 February 2018 (UTC)[reply]

Andrew Graham-Dixon is RS. There is more info coming from his work.--Galassi (talk) 18:49, 19 February 2018 (UTC)[reply]
Andrew Graham Dixon is well respected. Maybe you could tell us what he actually said before suggesting (spuriously) that we have ignored any evidence presented. What does he actually say in the book - rather than just a newspaper article re-hashing it? Do other historians agree - what do they think? Then let's think carefully about how we put this into the text. There's no point asserting it as true - it remains speculative at most. Contaldo80 (talk) 10:04, 20 February 2018 (UTC)[reply]
"Andrew Graham-Dixon's biography of Caravaggio glosses over the artist's reputation for whoring and brawling." Don't leap to the conclusion that AGD is the last word on the subject. Given the amount of ink that's been devoted to the man it might be worth including a section on biographies and schiolarly interpretations.PiCo (talk) 06:56, 20 September 2018 (UTC)[reply]
PiCo you say the telegraph contradicts graham Dixon but haven't quoted the book in full? Contaldo80 (talk) 23:25, 27 September 2018 (UTC)[reply]
How can I quote what isn't there? Graham-Dixon talks about Ranuccio having a baby daughter, but doesn't say or even hint that the child was Caravaggio's. I suggest you get the book from the local library.PiCo (talk) 05:41, 29 September 2018 (UTC)[reply]
Actually thinking about this I have read the book and it didn't talk about a potential daughter. The Telegraph is inaccurate. Contaldo80 (talk) 23:45, 30 September 2018 (UTC)[reply]

Beheading of John the Baptist

Is it notable to include a statement that the beheading is one of the best paintings in the world according to a guardian columnist? Isn't there a risk that we start including lots of other peoples opinions on what's good and what's not and then it becomes a jumble. Why not leave this for the article on the painting itself. I also wonder if this isn't an attempt to play up the assets in Malta. Contaldo80 (talk) 12:13, 2 March 2018 (UTC)[reply]

I would lean exclude, with the statement on the painting's article being enough. I don't think it is a Malta-POV edit though. Hrodvarsson (talk) 12:57, 2 March 2018 (UTC)[reply]
Personally I rarely agree with Jonathan Jones (journalist), but he is a serious figure. The article is arguably rather short on quotes establishing C's modern status, and I think this should be reinstated - Contaldo has already been reverted once, and of course has immediately re-reverted. I will reinstate a properly attributed version. Contaldo, given that consensus tends to not to agree with your changes, it is especially inappropriate to just make them and then keep reverting to maintain them. Johnbod (talk) 15:26, 2 March 2018 (UTC)[reply]
I agree with Contaldo80 and Hrodvarsson. The cited article is the critic's "favourite artworks of all time," with no analysis, just brief synopses, and includes cave drawings. I'd leave this out. Laszlo Panaflex (talk) 15:40, 2 March 2018 (UTC)[reply]
I have just added some analysis - and what's wrong with cave paintings? Johnbod (talk) 15:44, 2 March 2018 (UTC)[reply]
Nothing is wrong with cave drawings, but would you add to the Chauvet Cave page that they are among the ten greatest art works of all time? The article is an eye-catching bit of fluff (part of a series with the ten sexiest artworks ever) and not a strong source. Laszlo Panaflex (talk) 15:56, 2 March 2018 (UTC)[reply]
Johnbod - immediately you kick off a talk discussion with insults and abuse. Can I also remind you that my user name is Contaldo80 and not contaldo - this attention to detail is an area where you consistently show yourself lacking. As you'll see form above the broad consensus is in favour of leaving this information out. My original question was whether if we include a statement about this painting being a favourite of someone then do we include references to all paintings being someone's favourite. I think you'll agree that will mean the article ends up unwieldy. But I am happy for such a reference to put into the main article for the painting itself. Jonathan Jones is ok for an audience based i England but I think we should try and avoid being parochial if we can. Address the discussion points please - without resorting to lazy personal abuse. Contaldo80 (talk) 10:45, 5 March 2018 (UTC)[reply]
I'm certainly not about to take lessons from you over accurate editing, or WP:NPA. Your lack of self-awareness is mind-boggling. Johnbod (talk) 13:17, 6 March 2018 (UTC)[reply]
Can I ask Johnbod whether you have a degree in history, or a degree in art history, or indeed a degree full-stop? Your self-confidence is extraordinarily strong, but I sense it may be founded on shallow ground. There's nothing wrong with being "self-taught" but an awareness of wider context can be valuable in instances such as this.Contaldo80 (talk) 14:55, 7 March 2018 (UTC)[reply]

I wish to add a third opinion that we should refrain from including opinions about "top paintings". In addition, I think we should extend this to argue deleting the sentence: According to Andrea Pomella, The Beheading of Saint John the Baptist is widely considered "one of the most important works in Western painting."[37]. How wide was the survey by Andrea Pomella? Also I think importance often is derived from accessibility, I can not imagine this work of Caravaggio was more accessible than say his works in Rome. If one measures importance by how influential a work is, I find it difficult to believe that a work in Malta could be that influential. Malta was not, and maybe is still not, on the itinerary for most painters. I mean there was a French Academy of Fine Arts established in Rome. A pilgrimage to Florence was commonly included in the Grand Tour of Europe, but not to Malta. I am not saying this is not a stunning work of art; but Wikipedia entries should Avoid peacock terms as elaborated in Wikipedia:Manual of Style/Words to watch . I think this statement of Pomella is a "peacock claim".Rococo1700 (talk) 21:38, 5 March 2018 (UTC)[reply]

Of course, if one doesn't measure importance by accessibility, or early influence, none of this applies. The claim by Pomella relates to importance, not influence. "Peacock claim" used to be appallingly misused in art articles to remove all and any statements of the quality or importance of artists and works. This has reduced in recent years, but we still suffer from the legacy of that period. When something is generally agreed to be important, we are failing in our encyclopedic duties if this is not made clear to the reader. Much of WP's coverage of art fails badly in this respect, content to just list facts. WP:PEACOCK refers to unreferenced text in Wikipedia's voice, and using good quotations is the best way to avoid that accusation: "Instead of making unprovable proclamations about a subject's importance, use facts and attribution to demonstrate that importance." - which is exactly what the Jones passage was doing. So I am strongly in favour (generally) of including quotes from strong experts expressing (ideally with some explanation, such as the quote I added to the Jones bit) the importance and evoking the atmosphere of works. This is essential for the appreciation of art, and indeed much professional writing on art includes little else, which can be excessive, but we need more of this than we usually have in our articles. If this article were to be put up for WP:FAC, it would need a good deal more of this than it currently has - as I said at the start here "The article is arguably rather short on quotes establishing C's modern status". Johnbod (talk) 13:35, 6 March 2018 (UTC)[reply]
Absolutely agree with Rococo1700. Johnbod you sadly miss the point. This amendment was inserted by a Maltese editor. I have spent a lot of time on Malta. They are very proud of their island, but sometimes get a bit carried away by wanting the world to know that they have the best of this or that. But you don't really care about that - your motivation is just to pick a fight with me.Contaldo80 (talk) 14:55, 7 March 2018 (UTC)[reply]
Sigh! But the quote isn't by a Maltese. My real point is more general - good quotes are good. Johnbod (talk) 15:28, 7 March 2018 (UTC)[reply]

Birth day

28 or 29 September? The footnote in the info-box actually shows 29 Sept in the source. RDK also shows 29. The footnote in the main text shows 28 Sept. What should be reported here? Rwos (talk) 08:02, 12 April 2018 (UTC)[reply]

Quelle: https://en.wikipedia.org/wiki/Special%3ADiff%2F861917548