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The Wrong Man: Difference between revisions

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== Production ==
== Production ==
[[List of Hitchcock cameo appearances|Hitchcock's cameo]] is a signature occurrence in most of his films. In ''The Wrong Man'' he can be seen (at the beginning of the film before the credits) in [[silhouette]] standing in a darkened studio as he tells the audience the film is a true story.
[[List of Hitchcock cameo appearances|A Hitchcock cameo]] is typical of most of his films. In ''The Wrong Man'' he appears only in [[silhouette]], just before the credits at the beginning of the film, where he tells a darkened studio that the story is true.


Many scenes were filmed in Jackson Heights, the neighborhood where Manny lived when he was accused. Most of the [[prison]] scenes were filmed in a City Prison in Queens, New York. One of the actual inmates shouts "What'd they get ya for, Henry?" while Manny (Henry Fonda) is being taken to his [[prison cell|cell]], which was a constructed set.
Many scenes were filmed in Jackson Heights, the neighborhood where Manny lived when he was accused. Most of the [[prison]] scenes were filmed among the convicts in a New York City prison in Queens. One of those inmates shouted to Henry Fonda, "What'd they get ya for, Henry?" as the actor is being taken to the constructed set of Manny's [[prison cell]].


The film was scored by [[Bernard Herrmann]], who wrote the soundtracks for all of Hitchcock's films from ''[[The Trouble with Harry]]'' (1955) through ''[[Marnie (film)|Marnie]]'' (1964). It is one of the most subdued scores Herrmann ever wrote, and one of the few he composed with some [[jazz]] elements, primarily to represent Fonda's appearance as a musician in the nightclub scenes.
[[Bernard Herrmann]] composed the soundtrack, as he had for all of Hitchcock's films from ''[[The Trouble with Harry]]'' (1955) through ''[[Marnie (film)|Marnie]]'' (1964). It is one of the most subdued scores Herrmann ever wrote, and one of the few he composed with some [[jazz]] elements, here primarily to represent Fonda's appearance as a musician in the nightclub scenes.


This was the final film that Hitchcock made for [[Warner Bros.]], completing a contract commitment that had begun with two films produced for [[Transatlantic Pictures]] and released by Warner Bros. in the late 1940s, ''[[Rope (film)|Rope]]'' (1948) and ''[[Under Capricorn]]'' (1949), his first two films in [[Technicolor]]. After ''The Wrong Man,'' Hitchcock returned to [[Paramount Pictures]].
This was Hitchcock's final film for [[Warner Bros.]] It completed a contract commitment that had begun with two films produced for [[Transatlantic Pictures]] and released by Warner Brothers: ''[[Rope (film)|Rope]]'' (1948) and ''[[Under Capricorn]]'' (1949), his first two films in [[Technicolor]]. After ''The Wrong Man,'' Hitchcock returned to [[Paramount Pictures]].


== Cast ==
== Cast ==

Revision as of 12:13, 20 November 2012

The Wrong Man
Film poster
Directed byAlfred Hitchcock
Screenplay byMaxwell Anderson
Angus MacPhail
Story byMaxwell Anderson
Produced byAlfred Hitchcock
StarringHenry Fonda
Vera Miles
Anthony Quayle
Harold Stone
CinematographyRobert Burks
Edited byGeorge Tomasini
Music byBernard Herrmann
Distributed byWarner Bros.
Release date
December 22, 1956 (U.S.)
Running time
105 minutes
CountryUnited States
LanguageEnglish
BudgetUS$1,200,000
Box officeUS$2,000,000

The Wrong Man is a 1956 film by Alfred Hitchcock which stars Henry Fonda and Vera Miles.[1][2] The film was drawn from the true story of an innocent man charged with a crime, as described in the book, The True Story of Christopher Emmanuel Balestrero by Maxwell Anderson, and in the magazine article, "A Case of Identity" (Life magazine, June 29, 1953) by Herbert Brean.[3]

It was one of the few Hitchcock made from true stories, and one of his few where the plot stayed the same.

The Wrong Man had a notable effect on two significant directors: it prompted Jean-Luc Godard's longest piece of written criticism, and affected Martin Scorsese's Taxi Driver.[4]

Plot

The film tells the tale of Manny Balestrero (Fonda), a musician in New York City at the Stork Club. An impoverished Manny and his wife Rose (Miles) hope to pay for her dental work with a loan against her insurance policy, but Manny so resembles an armed robber who had struck the insurance office twice, that the police are called when he applies for the loan, and several witnesses identify Manny as the robber. When Manny provides a handwriting sample, he nervously misspells the very same word as the true robber had done in his written demand in the crime. He is arrested and charged with the crime.

His attorney, Frank O'Connor (Anthony Quayle), builds a defense on mistaken identity. At the time of the first hold-up Manny was on vacation with his family. At the time of the second hold-up, Manny had a swollen jaw — something the insurance-office employee would have noticed if Manny had been the robber. Manny and Rose look for three witnesses to his presence at the vacation hotel on the day of the hold-up, but two have since died, and the third cannot be found. The stress of all this devastates Rose, and drives her to depression and into an institution.

During the trial, a juror bored with the minutiae of one witness's testimony makes a remark which prompts the judge to declare a mistrial. While Manny is awaiting a second trial, the true robber exonerates Manny by getting arrested in the act of robbing a grocery store. Manny visits Rose at the sanatorium to share the good news, but she suffers still in apathy. A textual epilogue tells that two years later Rose recovered and the family moved to Florida.

Historical notes

The real O'Connor (1909–1992) was a New York State Senator at the time of the trial, who later became the district attorney of Queens County (New York City, New York), the president of the New York City Council and an appellate-court judge.

Rose Balestrero (1910-1982) died in Florida at the age of 72. [1] Manny (1909-1998) later moved to North Carolina, where he died at the age of 88 [2]

Production

A Hitchcock cameo is typical of most of his films. In The Wrong Man he appears only in silhouette, just before the credits at the beginning of the film, where he tells a darkened studio that the story is true.

Many scenes were filmed in Jackson Heights, the neighborhood where Manny lived when he was accused. Most of the prison scenes were filmed among the convicts in a New York City prison in Queens. One of those inmates shouted to Henry Fonda, "What'd they get ya for, Henry?" as the actor is being taken to the constructed set of Manny's prison cell.

Bernard Herrmann composed the soundtrack, as he had for all of Hitchcock's films from The Trouble with Harry (1955) through Marnie (1964). It is one of the most subdued scores Herrmann ever wrote, and one of the few he composed with some jazz elements, here primarily to represent Fonda's appearance as a musician in the nightclub scenes.

This was Hitchcock's final film for Warner Bros. It completed a contract commitment that had begun with two films produced for Transatlantic Pictures and released by Warner Brothers: Rope (1948) and Under Capricorn (1949), his first two films in Technicolor. After The Wrong Man, Hitchcock returned to Paramount Pictures.

Cast

Reception

The Rotten Tomatoes approval rating is currently 89%.

See also

References

  1. ^ Variety film review; January 2, 1957, page 6.
  2. ^ Harrison's Reports film review; December 22, 1956, page 204.
  3. ^ Brean, Herbert (June 29, 1953). "A Case of Identity". Life, p. 97.
  4. ^ Godard on Godard, translated by Tom Milne, Da Capo Press) in his years as a critic; and in Scorsese on Scorsese (edited by Ian Christie and David Thompson), it is cited as an influence on Taxi Driver.