|group1= Selected<br>paintings

|list1= {{nowrap begin}}''[[Landscape Near Figueras]]'' (1910){{•w}} ''[[Vilabertran (Dalí)|Vilabertran]]'' (1913){{•w}} ''Fiesta in Figueres'' (1914–16){{•w}} ''Port of Cadaqués (Night)'' (1918–19){{•w}} ''The Artist's Father at Llane Beach'' (1920){{•w}} ''The Garden of Llaner (Cadaqués)'' (1920–21){{•w}} ''[[Cabaret Scene]]'' (1922){{•w}} ''Cubist Self-Portrait with "La Publicitat"'' (1923){{•w}} ''Self-portrait with L'Humanitie'' (1923){{•w}} ''Portrait of Luis Buñuel'' (1924){{•w}} ''Siphon and Small Bottle of Rum'' (1924){{•w}} ''[[The Basket of Bread]]'' (1926){{•w}} ''Honey Is Sweeter Than Blood'' (1927){{•w}} ''[[The Lugubrious Game]]'' (1929){{•w}} ''[[The First Days of Spring]]'' (1929){{•w}} ''[[The Great Masturbator]]'' (1929){{•w}} ''[[The Persistence of Memory]]'' (1931){{•w}} ''[[The Ghost of Vermeer of Delft Which Can Be Used As a Table]]'' (1934){{•w}} ''[[Morphological Echo]]'' (1934–36){{•w}} ''Archaeological Reminiscence of Millet's Angelus'' (1935){{•w}} ''Autumn Cannibalism'' (1936){{•w}} ''[[Soft Construction with Boiled Beans (Premonition of Civil War)]]'' (1936){{•w}} ''[[The Burning Giraffe]]'' (1937){{•w}}''[[Metamorphosis of Narcissus]]'' (1937){{•w}} ''[[Swans Reflecting Elephants]]'' (1937){{•w}} ''[[Apparition of Face and Fruit Dish on a Beach]]'' (1938){{•w}} ''The Sublime Moment'' (1938){{•w}} ''[[Shirley Temple, The Youngest, Most Sacred Monster of the Cinema in Her Time]]'' (1939){{•w}} ''[[The Face of War]]'' (1940){{•w}} ''[[Slave Market with the Disappearing Bust of Voltaire]]'' (1940){{•w}} ''Honey is Sweeter than Blood'' (1941){{•w}} ''[[Geopoliticus Child Watching the Birth of the New Man]]'' (1943){{•w}} ''[[Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening]]'' (1944){{•w}} ''Galarina'' (1944–45){{•w}} ''[[Basket of Bread]]'' (1945){{•w}} ''The Temptation of St. Anthony'' (1946){{•w}} ''[[The Elephants]]'' (1948){{•w}} ''[[Leda Atomica]]'' (1949){{•w}} ''[[The Madonna of Port Lligat]]'' (1949){{•w}} ''[[Christ of Saint John of the Cross]]'' (1951){{•w}} ''[[Galatea of the Spheres]]'' (1952){{•w}} ''[[The Disintegration of the Persistence of Memory]]'' (1952–54){{•w}} ''[[Crucifixion (Corpus Hypercubus)]]'' (1954){{•w}} ''[[Young Virgin Auto-Sodomized by the Horns of Her Own Chastity]]'' (1954){{•w}} ''[[The Sacrament of the Last Supper]]'' (1955){{•w}} ''[[Living Still Life]]'' (1956){{•w}} ''[[The Discovery of America by Christopher Columbus]]'' (1958–59){{•w}} ''[[The Ecumenical Council (painting)|The Ecumenical Council]]'' (1959–60){{•w}} ''[[Galacidalacidesoxyribonucleicacid]]'' (1963){{•w}} ''[[Tuna Fishing (painting)|Tuna Fishing]]'' (1966–67){{•w}} ''[[The Hallucinogenic Toreador]]'' (1968–70){{•w}} ''[[La Toile Daligram]]'' (1972){{•w}} ''[[The Swallow's Tail]]'' (1983) {{nowrap end}}

|group3= Related articles

|list3=[[Castle of Púbol]]{{•}} [[Dalí Universe]]{{•}} [[Espace Dalí]]{{•}} [[Dalí Theatre and Museum]]{{•}} [[Salvador Dalí Museum]]{{•}} [[Salvador Dalí (film)|''Salvador Dalí'' (film)]]{{•}} ''[[Little Ashes]]''{{•}} [[Gala Dalí]]{{•}} [[Paranoiac-critical method]]}}<noinclude>