Silvestro dei Gherarducci (c. 1339 – c. 1399) was an Italian painter and illuminator in Florence. He became a monk and later a prior of the monastery of Santa Maria degli Angeli where he first started work on illustrations for manuscripts.

• Madonna and Child with Sts. John Baptist and Paul (?), circa 1375, tempera on panel, 83.82 × 76.835 cm (Los Angeles County Museum of Art, M.39.1)^[1]
• Assumption of the Virgin, circa 1365, tempera on panel, 41 × 27 cm (Pinacoteca Vaticana)^[2]
• Madonna and Child, circa 1365–1370, tempera on panel, 49 × 30.5 cm (private collection)^[3][4]
• The Assumption of Saint Mary Magdalene, 1380s, tempera on panel, 161.1 × 81.9 cm (National Gallery of Ireland, Dublin, NGI.841)^[5]
• Madonna and Child, circa 1366–1375, tempera on panel, 164 × 89 cm (Galleria dell'Accademia, Florence, inv. 3161)^[6][7]
• The Madonna and Child, tempera on panel, 30.5 × 20.3 cm (The Legion of Honor, Fine Arts Museums of San Francisco, 1999.32)^[8]

Gradual from Santa Maria degli Angeli, considered to be Don Silvestro's crowning achievement, is currently preserved in the Biblioteca Medicea Laurenziana in Florence (Codice Corale 2 / Cod. Cor. 2), with twenty detached pages in various collections around the world:^[9]

• folio 15: Saint Stephen Enthroned in an Initial E (private collection, England)^[10]
• folio 18: The Four Evangelists in an Initial I (Calouste Gulbenkian Museum, Lisbon, inv. no. M34)^[11]
• folio 23: Saint Silvester in an Initial S (Nationalmuseum, Stockholm, NMB 1797)^[12]
• folio 32: Saint Agnes in an Initial M (Library of Geneva, Switzerland)^[13]
• folio 42: The Presentation in the Temple in an Initial S (Fitzwilliam Museum, Cambridge, England, Marlay Cutting It. 13A)^[14][15]
• folio 49: Saint Scholastica in an Initial V (location unknown)^[16]
• folio 56: Saint Benedict Enthroned with Eight Saints (Calouste Gulbenkian Museum, inv. no. M35)^[17]
• folio 60: The Annunciation in an Initial R (British Library, London, Add. MS 35254 C)^[18][19] + Six Bust-Length Prophets (Nationalmuseum, Stockholm, NMB 1797)^[19]
• folio 80: Saint Michael Fighting the Dragon in an Initial B (Abegg-Stiftung^(de), Riggisberg, Switzerland)
• folio 90: Saint Romuald Enthroned with Four Saints in an Initial O (British Library, Add. MS 37472, folio 3)^[20][21]
• folio 97: The Birth of Saint John the Baptist (Walker Art Gallery, Liverpool, inv. no. 2764)^[22][23]
• folio 104: Saints Peter and Paul in an Initial N (private collection, England)^[24]
• folio 113: Saint Margaret in an Initial L (private collection, Milan)^[25]
• folio 119: Saints James and Andrew in an Initial M (Nelson-Atkins Museum of Art, Kansas City, inv. no. F61–14)^[26][27][28]
• folio 134: Saint Lawrence in an Initial C (Walters Art Museum, Baltimore, MS W.416)^[29][30]
• folio 137: The Virgin and Child in an Initial S (Cleveland Museum of Art, 1924.1012)^[31][32]
• folio 142: The Death and Assumption of the Virgin (British Library, Add. MS 37955 A)^[33][34]
• folio 148: The Birth of the Virgin in an Initial G (Metropolitan Museum of Art, New York, 21.168)^[35][36]
• folio 155: The Virgin and Christ in Glory in an Initial G (Cleveland Museum of Art, 1930.105)^[37][38]
• folio 159: Pope Saint Clement in an Initial D (Fitzwilliam Museum, MS 5-1979)^[39]

Gradual 1 from San Michele a Murano can be reconstructed from individual pages and numerous cuttings in various collections:^[40]

• folio 1: God the Father Presenting the Infant Christ to a group of Saints in an Initial A (Victoria and Albert Museum, London, MS 434, no. I 30-A)^[41][42]
• Saint Paul in an Initial G (Morgan Library & Museum, New York, MS M.478, no. 6 (I.3))^[43][44]
• Foliate Decoration in an Initial M (Victoria and Albert Museum, MS 983, no. 2868)^[45]
• folio 32: The Nativity of Christ in an Initial D (Victoria and Albert Museum, MS 966, no. 3074)^[46][47]
• The Adoration of the Shepherds in an Initial L (Victoria and Albert Museum, MS 967, no. D.229-1906)^[48][49]
• folio 38: The Nativity and the Annuciation to the Shepherds in an Initial P (Morgan Library & Museum, MS M.653, no. 1 (I.8))^[50][51]
• A Prophet in an Initial D (Victoria and Albert Museum, MS 973, no. D.222-1906)^[52]
• folio 46: The Adoration of the Magi in an Initial E (Morgan Library & Museum, MS M.653, no. 5 (I.15))^[53][54]
• A Prophet Looking Up to the Enthroned Christ in an Initial I (Morgan Library & Museum, MS M.478, no. 7 (I.16))^[55][56]
• A Prophet in an Initial O (Art Institute of Chicago, acc. no. 1915.550)^[57][58]
• A Prophet in an Initial A (Morgan Library & Museum, MS M.478, no. 10 (I.18))^[59]
• A Prophet in an Initial С (Victoria and Albert Museum, MS 976, no. D.227-1906)^[60]
• A Prophet in an Initial E (Victoria and Albert Museum, MS 982, no. D.219-1906)^[61][62]
• A Prophet in an Initial R (Museo Civico, Padua, M.C. 887)
• A Prophet in an Initial O (Victoria and Albert Museum, MS D.217-1906)^[63]
• An Initial I (Museo Civico, Padua, M.C. 886)
• The Entry into Jerusalem in an Initial D (Wildenstein Collection, Musée Marmottan, Paris)^[64]

Gradual 2 from San Michele a Murano can be reconstructed from individual pages and numerous cuttings in various collections:^[40]

• The Resurrection in an Initial R (Musée Condé, Chantilly, France, inv. no. PE 2)^[65][66]
• A Prophet in an Initial A (Victoria and Albert Museum, MS 969, no. 432)^[67][68]
• A Prophet in an Initial V (Morgan Library & Museum, MS M.478, no. 17 (II.5))^[69][70]
• A Prophet in an Initial V (Victoria and Albert Museum, MS D.226-1906)^[71]
• A Prophet in an Initial E (Morgan Library & Museum, MS M.478, no. 3 (II.7))^[72]
• A Prophet in an Initial M (Morgan Library & Museum, MS M.478, no. 9 (II.10))^[73]
• An Initial I (Museo Civico, Padua, M.C. 878)
• A Prophet in an Initial C (Victoria and Albert Museum, MS 968, no. 431)^[74]
• A Prophet in an Initial V (Victoria and Albert Museum, MS 970, no. 3087)^[75]
• folio 44: The Ascention of Christ in an Initial V (Morgan Library & Museum, MS M.653, no. 3 (II.14))^[76][77][78]
• A Prophet in an Initial E (Morgan Library & Museum, MS M.478, no. 4 (II.15))^[79]
• folio 58: The Pentecost in an Initial S (Victoria and Albert Museum, MS 970, inv. no. 3045)^[80][81]
• A Prophet in an Initial A (Victoria and Albert Museum, MS 975, no. D.224-1906)^[82]
• A Prophet in an Initial R (Morgan Library & Museum, MS M.478, no. 14 (II.26))^[83]
• folio 74: The Trinity in an Initial B (Morgan Library & Museum, MS M.653, no. 2 (II.23))^[84][85][86]
• folio 78: The Last Supper in an Initial C (Morgan Library & Museum, MS M.653, no. 4 (II.25))^[87][88][89]
• A Prophet in an Initial D (Victoria and Albert Museum, MS 974, no. D.225-1906)^[90]
• A Prophet in an Initial D (Kupferstichkabinett, Berlin, MS 682)^[91]
• A Prophet in an Initial D (Victoria and Albert Museum, MS 981, no. D.221-1906)^[92]
• A Prophet in an Initial O (Morgan Library & Museum, MS M.478, no. 11 (II.31))^[93][94]
• A Prophet in an Initial S (Victoria and Albert Museum, MS 978, no. D.218-1906)^[95]
• A Prophet in an Initial E (Morgan Library & Museum, MS M.478, no. 5 (II.33))^[96]
• A Prophet in an Initial D (Morgan Library & Museum, MS M.478, no. 1 (II.35))^[97]
• A Prophet in an Initial D (Morgan Library & Museum, MS M.478, no. 2 (II.36))^[98]
• A Prophet in an Initial R (Morgan Library & Museum, MS M.478, no. 15 (II.37))^[99]
• A Prophet in an Initial P (Morgan Library & Museum, MS M.478, no. 13 (II.38))^[100]
• An Initial I (Museo Civico, Padua, M.C. 904)
• A Prophet in an Initial M (Morgan Library & Museum, MS M.478, no. 8 (II.40))^[101]
• An Initial I (Museo Civico, Padua, M.C. 879)
• A Prophet in an Initial D (Victoria and Albert Museum, inv. no. D.228-1906)^[102]
• A Prophet in an Initial S (Morgan Library & Museum, MS M.478, no. 16 (II.43))^{[70][103][104]}
• A Prophet in an Initial O (Morgan Library & Museum, MS M.478, no. 12 (II.44))^[105]
• A Prophet in an Initial I (Museo Civico, Padua, M.C. 880)
• A Prophet in an Initial D (Morgan Library & Museum, MS M.718, no. 18 (II.47))^[106]
• A Prophet in an Initial L (formerly, Victoria and Albert Museum, inv. no. D.220-1906; missing since the early 1940s)^[107]
• A Prophet in an Initial E (formerly, Victoria and Albert Museum, inv. no. D.223-1906; missing since the early 1940s)^[107]
• A Prophet in an Initial E (private collection, England)^[108]

• Saint Augustine in an Initial I (Biblioteca Medicea Laurenziana, Codice Corale 19 (Cod. Cor. 19), folio 149)^[109][110]

• George R. Bent (1992). "The Scriptorium at S. Maria degli Angeli and Fourteenth Century Manuscript Illumination: Don Silvestro dei Gherarducci, Don Lorenzo Monaco, and Giovanni del Biondo". Zeitschrift für Kunstgeschichte. 55 (4): 507–523. doi:10.2307/1482625. JSTOR 1482625.
• Marios Costambeys (2007). The Making of the Middle Ages: Liverpool Essays. Liverpool University Press. ISBN 9781846310683. google books preview
• Laurence B. Kanter (1994). Painting and Illumination in Early Renaissance Florence, 1300-1450. Metropolitan Museum of Art. ISBN 9780870997259. google books preview
• Pope-Hennessy, John & Kanter, Laurence B. (1987). The Robert Lehman Collection I, Italian Paintings. New York, Princeton: The Metropolitan Museum of Art in association with Princeton University Press. ISBN 0870994794.{{cite book}}: CS1 maint: multiple names: authors list (link) (see index; plate 32)
• Francis Russell (1977a). "Don Silvestro dei Gherarducci and an Illumination from the Collection of William Young". The Burlington Magazine. 119 (888): 192 + 194–195. JSTOR 878741.
• Francis Russell (1977b). "Another Prophet by Don Silvestro". The Burlington Magazine. 119 (890): 378–379. JSTOR 878794.

• Biography of Silvestro dei Gherarducci (in Italian)