The Snack Thief

Italian first edition cover
Author	Andrea Camilleri
Original title	Il ladro di merendine
Translator	Stephen Sartarelli
Language	Italian/Sicilian
Series	Inspector Salvo Montalbano, #3
Genre	Crime, Mystery novel
Publisher	Sellerio (ITA) Viking (US) Macmillan/Picador (UK)
Publication date	16 December 1996
Publication place	Italy, Sicily
Published in English	2003
Media type	Print (Hardcover, Paperback)
Pages	247 pp 352 pp (Eng. trans.)
ISBN	0-330-49291-8 (Eng. trans.)
OCLC	59278658
Preceded by	The Terracotta Dog
Followed by	The Voice of the Violin

The Snack Thief (Italian: Il ladro di merendine) is a 1996 novel by Andrea Camilleri, translated into English in 2003 by Stephen Sartarelli.

It is the third novel of the internationally popular Inspector Montalbano series.

During a night off the coast of Vigàta a fishing boat from Mazara del Vallo, called "Santopadre", is intercepted and machine-gunned, apparently in international waters, by a Tunisian patrol boat. The exploded shots kill a Tunisian sailor who was on board the Italian boat. On the same day the former merchant Aurelio Lapecora is stabbed in a lift and Karima Moussa, a beautiful Tunisian cleaning lady, suddenly disappears.

Montalbano discovers that the girl also worked in the office of the murdered merchant whose lover she was, and that she had a son, François, who also disappeared with her. Thanks to the help of the elderly Aisha, an acquaintance of Karima, Montalbano also finds a savings account owned by the girl with deposited five hundred million lire, a sum too high for a young immigrant who should have had only what she received from her humble work.

While returning to the police station from the visit to the house of Karima, Montalbano sees in front of a primary school a small group of mothers who complain with a policeman of some thefts of snacks, which accuse a small foreigner child. Montalbano realizes that he's François: lurking with his girlfriend Livia and his men, he manages to take the little Tunisian who had taken refuge in an abandoned house. Livia, in reassuring the child brought home by Montalbano to protect him, will feel the birth of his maternal instinct and the desire to form a more intense union with Salvo, adopting the child. The commissioner will join the project of Livia but in the meantime the investigations are complicated by the secret services and the slimy figure of Colonel Lohengrin Pera.

In the story there are many references to Montalbano's relationship with his father, who lives far from Vigata and remains a widower of his second wife. He collects newspaper articles that write about his son's investigative successes and when the commissioner was wounded, he was near him by calling and went to visit him in hospital. Sometimes a box of his good wine arrives at the police station. During the investigation, Montalbano receives a letter from a partner of his father's winery informing him that he has long been seriously ill with a tumor and that, although aware of his imminent death, he did not want to let his son know anything about spare him the agony of his suffering. Montalbano will arrive in the hospital where his father is hospitalized when he is dead and will bitterly reproach himself for his selfishness because even if he had intuited the malaise he has unconsciously ignored it.

• Salvo Montalbano, Vigàta's chief police station
• Domenico "Mimì" Augello, Montalbano's deputy and close friend
• Giuseppe Fazio, Montalbano's right-hand man
• Agatino Catarella, police officer
• Livia Burlando, Montalbano's eternal girlfriend
• Dr. Pasquano, Vigàta's local forensic pathologist
• François, the snack thief
• Karima Moussa, François' mother
• Aisha, old woman acquittance of Karima
• Aurelio Lapecora, former merchant
• Gege, Montalbano's boyhood friend
• Lohengrin Pera, Colonel of the secret services

The Guardian gave the book an interesting review, focusing on Montalbano's very personal notion of justice:^[1]

The plotting is characteristically convoluted. It starts simply with the murder of a middle-aged businessman in the lift of his apartment block. But it turns out his Tunisian cleaner – who also sold him sex – has gone missing. Enter a new element, the death of supposed Tunisian sailor at sea, shot by the Tunisian navy while on an Italian fishing boat. It turns out he was the cleaner's brother, and was actually a terrorist on the run. And then there's the boy, her son – he is the snack thief of the title, because he has had to live in hiding after his mother disappeared and has been mugging school-kids for their lunches. It has a touch of Midsomer Murders about it, in the way the author uses very ordinary elements of rural life to tell an unusual story. What makes Camilleri stand out from simplistic whodunnits, let alone commonplace police procedurals, is that Montalbano does not always bring criminals to justice. If he does, Camilleri frequently sidelines it. So, in The Snack Thief, the final arrest of a woman for murdering her husband is only briefly mentioned. The story concentrates on how Montalbano saves a Tunisian boy after his mother is murdered and wangles the system, including acquiring her illegal gains, to provide for the boy's future. Another murder by the security services he hardly bothers to conclude. Montalbano is a bit like Simenon's Maigret in his sense of decency and justice. He has to work within a society dominated by the mafia, corrupt politicians and self-serving bureaucrats. He cannot hope to defeat them outright, but schemes to achieve his ends by outflanking them.

It was first adapted for television by RAI with Luca Zingaretti in the TV series Inspector Montalbano. The episode was the first of the series and aired on 6 May 1999.^[2]