The Kink Kontroversy
| The Kink Kontroversy | ||||
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| Studio album by | ||||
| Released | 26 November 1965 | |||
| Recorded |
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| Studio | Pye, London | |||
| Genre | ||||
| Length | 30:12 | |||
| Label | ||||
| Producer | Shel Talmy | |||
| The Kinks chronology | ||||
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| The Kinks US chronology | ||||
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| Alternative cover | ||||
 North American release | ||||
| Singles from The Kink Kontroversy | ||||
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The Kink Kontroversy is the third studio album by the English rock band the Kinks. It was released in the United Kingdom on 26 November 1965 by Pye Records.[5] Issued in the United States on 30 March 1966 by Reprise Records, it was the Kinks' first American album to feature an identical track listing to its British counterpart.[6] It is a transitional album, with elements of both the earlier Kinks' styles (heavily blues-influenced songs such as "Milk Cow Blues" and variations on the band's power chord-driven hits from 1964 to 1965 such as "Till the End of the Day") and early indications of the future direction of Ray Davies' songwriting styles ("The World Keeps Going Round" and "I'm on an Island"). The liner notes were written by Michael Aldred.
Background
The album's title is a mocking reference to the notorious reputation the band had developed over the previous year, including onstage fights and concert riots in Europe, which led to a ban on the group's concerts in the United States.[citation needed]
"Where Have All the Good Times Gone" makes several references and/or allusions to Beatles and Rolling Stones songs.[7]
Release
The single "Till the End of the Day" was a major hit, reaching #8 in the UK[8] and #50 in the US, spending eight weeks or more in each chart.[9]
American singer Bobby Rydell covered "When I See That Girl of Mine", which was released as a single in the US a full month before the Kinks' version was made public.
Reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [10] |
| The Encyclopedia of Popular Music |  [11] |
AllMusic praised the album as the Kinks' coming-of-age, commenting that their raw early material was being replaced by more thoughtful and sophisticated songs. They pointed out "I'm on an Island", "Where Have All the Good Times Gone", "Ring the Bells", "The World Keeps Going Round", and "I Am Free" as particularly strong examples of this.[10]
Legacy
American indie rock band Sleater-Kinney used the same album cover layout as an homage for their 1997 album Dig Me Out.
Track listing
All tracks are written by Ray Davies except where noted.
Side one
- "Milk Cow Blues" (Sleepy John Estes) – 3:44
- "Ring the Bells" – 2:21
- "Gotta Get the First Plane Home" – 1:49
- "When I See that Girl of Mine" – 2:12
- "I Am Free" (Dave Davies) – 2:32
- "Till the End of the Day" – 2:21
Side two
- "The World Keeps Going Round" – 2:36
- "I'm on an Island" – 2:19
- "Where Have All the Good Times Gone" – 2:53
- "It's too Late" – 2:37
- "What's in Store for Me" – 2:06
- "You Can't Win" – 2:42
Personnel
According to band researcher Doug Hinman:[5]
The Kinks
- Ray Davies – lead vocals, electric and acoustic guitars; harmonica ("Gotta Get the First Plane Home"); piano ("Ring the Bells"); producer ("It's too Late", uncredited)[12]
- Dave Davies – backing vocals, electric guitar; acoustic guitar ("Ring the Bells"); lead vocals ("I am Free" and "What's in Store for Me"); co-lead vocals ("Milk Cow Blues", "Where Have All the Good Times Gone" and "You Can't Win")
- Pete Quaife – bass guitar; backing vocals ("I am Free" and "Till the End of the Day")
- Mick Avory – drums ("Milk Cow Blues", "Ring the Bells"; possibly "The World Keeps Going Round" and "It's too Late"); tambourine ("Till the End of the Day"); maracas ("Gotta Get the First Plane Home"); bell ("I'm on an Island")
Additional musicians and production
- Clem Cattini – drums (all tracks except "Milk Cow Blues" and "Ring the Bells"; possibly "The World Keeps Going Round" and "It's too Late")
- Rasa Davies – backing vocals ("Till the End of the Day")
- Nicky Hopkins – piano (all tracks except "Ring the Bells")
- Alan MacKenzie – engineer
- Alan O'Duffy (credited as "Irish") – assistant engineer
- Shel Talmy – producer; electric guitar ("It's too Late")
Charts
| Chart (1965–66) | Peak position |
|---|---|
| UK Melody Maker Top Ten LPs[13] | 7 |
| UK New Musical Express Best Selling LPs[citation needed] | 10 |
| UK Record Retailer LPs Chart[14] | 9 |
| US Billboard Top LPs[5] | 95 |
| US Cash Box Top 100 Albums[15] | 72 |
| US Record World 100 Top LPs[16] | 52 |
| West German Musikmarkt LP Hit Parade[17] | 8 |
References
- ^ Hinman 2004, pp. 62, 68, 72.
- ^ Matijas-Mecca 2020, p. 102.
- ^ Mike Saunders (25 May 1972). "The Kink Kronikles | Album Reviews". Rolling Stone. Retrieved 13 June 2014.
- ^ Turner 2003, p. 561.
- ^ a b c Hinman 2004, p. 72.
- ^ Hinman 2004, pp. 37, 41, 50, 52, 72.
- ^ Swanson, Dave (1 December 2015). "How the Kinks Took Big Steps with 'The Kink Kontroversy'". Ultimate Classic Rock.
- ^ "Kinks | Artist | Official Charts". officialcharts.com. Retrieved 24 October 2012.
- ^ "Billboard – Music Charts, Music News – The Kinks | Billboard". Billboard. Retrieved 24 October 2012.
- ^ a b Unterberger, Richie. "The Kink Kontroversy – The Kinks : Songs, Reviews, Credits, Awards : AllMusic". AllMusic. Retrieved 24 October 2012.
- ^ Larkin, Colin (2007). Encyclopedia of Popular Music (5th ed.). London, England: Omnibus Press. ISBN 978-0857125958.
- ^ Aldred 1965.
- ^ "Melody Maker Pop 50" (PDF). Melody Maker. 15 January 1966. p. 2 – via WorldRadioHistory.com.
- ^ "The Kinks". Official Charts Company. Retrieved 17 February 2023.
- ^ "Cash Box Top 100 Albums" (PDF). Cash Box. 4 June 1966. p. 37 – via WorldRadioHistory.com.
- ^ "100 Top LP's" (PDF). Record World. 4 June 1966. p. 20 – via WorldRadioHistory.com.
- ^ "Offiziellecharts.de – The Kinks – The Kink Kontroversy" (in German). GfK Entertainment charts. Retrieved 22 February 2023.
Sources
- Aldred, Michael (1965). The Kink Kontroversy (Liner notes). The Kinks. Pye Records. NPL 18131.
- Hinman, Doug (2004). The Kinks: All Day and All of the Night: Day-by-Day Concerts, Recordings and Broadcasts, 1961–1996. San Francisco, California: Backbeat Books. ISBN 978-0-87930-765-3.
- Matijas-Mecca, Christian (2020). Listen to Psychedelic Rock! Exploring a Musical Genre. Santa Barbara, California: ABC-CLIO. ISBN 978-1-4408-6198-7 – via Google Books.
- Turner, Alwyn W. (2003). "The Kinks". In Buckley, Peter (ed.). The Rough Guide to Rock (3rd ed.). London: Rough Guides. pp. 560–561. ISBN 978-1-84353-105-0.
