The Great Deceiver
Live album by King Crimson
Released	30 October 1992
Recorded	23 October 1973 – 30 June 1974
Genre	Progressive rock, experimental rock
Length	264:31
Label	E.G. Virgin
Producer	Robert Fripp
King Crimson chronology
Three of a Perfect Pair (1984) The Great Deceiver (1992) Vrooom (1994)
Vol. 1 of 2007 double CD re-release
The original release was a four-CD box set. It was re-released in 2007 as two double-disc sets.

Professional ratings

Review scores
Source	Rating
All About Jazz	[2]
AllMusic	[1]
Baltimore Sun	[3]
Entertainment Weekly	B[4]
Record Collector	[5]

The Great Deceiver is a 4-CD box set by the band King Crimson, consisting of live recordings from 1973 and 1974, released on Virgin Records in 1992. In 2007, it was reissued on Fripp's Discipline Global Mobile label as two separate 2-CD sets, each featuring new artwork. The box set is titled after a song from the group's 1974 album Starless and Bible Black.

The box set features portions of concert recordings of the band from 1973 to 1974. All tracks are performed by the lineup of guitarist/keyboardist Robert Fripp, bassist/vocalist John Wetton, violinist/keyboardist David Cross and drummer Bill Bruford. Percussionist Jamie Muir left the band in early 1973, and hence is not featured on the set. The band's 30 June 1974 concert from Providence, Rhode Island is presented in its entirety on CDs 1 and 2; this was the second-to-last live concert ever performed by this incarnation of King Crimson.

King Crimson's "Walk On" music in 1973-74 was an excerpt of "The Heavenly Music Corporation," from the album (No Pussyfooting) by Robert Fripp and Brian Eno. These "walk-ons" are reproduced here, and indexed as separate tracks.

Three recordings from this box set were previously available on other King Crimson albums, albeit in slightly altered forms. An abbreviated version of "We'll Let You Know" appears on the Starless and Bible Black album, released in 1974. Similarly, an abbreviated version of "Providence" was included on the Red album, also released in 1974. The live performance of "21st Century Schizoid Man" on CD Two was issued in 1975 as part of the album USA, featuring overdubbed violin from Eddie Jobson.

Many of the recordings on this album are band improvisations. One such piece is "The Law of Maximum Distress", which appears in two sections, as it was believed at the time that the tape had run out in the middle of the performance. This supposed incident gave the piece its title, a reference to Sod's law ("Whatever can go wrong will go wrong, at the worst possible moment."). As Robert Fripp notes in the CD jacket, "Most live recording follows the policy of two machines in use simultaneously to meet an eventuality such as this. We learn." However, it was later discovered while compiling the 2009 Live in Zurich Collectors' Club release that the middle portion of the track had actually been severed from the tapes and dubbed over for inclusion on Starless and Bible Black, as "The Mincer". The complete track was later digitally reassembled and released in 2014, as part of the Starless box set.^[6]

The liner notes to The Great Deceiver runs to 68 pages. These notes feature comments from Fripp, Wetton and Cross, annotated excerpts from Fripp's 1974 diary, reviews of the previous King Crimson box set, Frame by Frame: The Essential King Crimson (1991), and a complete listing of all concerts performed by the band in 1973 and 1974.

The track "Exiles" is credited to Fripp/Wetton/Palmer-James on this box set. The correct credit, as listed on Larks' Tongues in Aspic and confirmed by BMI's records, is Cross/Fripp/Palmer-James. Despite having no legal co-writing credit for the song, John Wetton has indicated in interviews that he wrote the bridge for "Exiles."^{[citation needed]}

• Recorded at the Palace Theatre, Providence, Rhode Island, United States, 30 June 1974.

1. "Walk On ... No Pussyfooting" (Robert Fripp, Brian Eno) – 0:49
2. "Larks' Tongues in Aspic, Part Two" (Fripp) – 6:25
3. "Lament" (Fripp, John Wetton, Richard Palmer-James) – 4:38
4. "Exiles" (David Cross, Fripp, Palmer-James) – 8:57
5. "Improv - A Voyage to the Centre of the Cosmos" (Cross, Fripp, Wetton, Bill Bruford) – 15:03
6. "Easy Money" (Fripp, Wetton, Palmer-James) – 7:13
7. "Providence" (Cross, Fripp, Wetton, Bruford) – 10:18
8. "Fracture" (Fripp) – 11:14
9. "Starless" (Cross, Fripp, Wetton, Bruford, Palmer-James) – 12:03

• Tracks 1-2 recorded at the Palace Theatre, Providence, Rhode Island, United States, 30 June 1974.
• Tracks 3-12 recorded at the Glasgow Apollo, Glasgow, Scotland, UK, 23 October 1973.
• Tracks 13-14 recorded at Pennsylvania State University, State College, Pennsylvania, United States, 29 June 1974.

(Note: Only the first half of "The Night Watch" is taken from the Glasgow performance; the second half was taken from the Zurich show featured on CD Four. The liner notes indicate that there were technical problems with both recordings, and that the splice was done "to honour the spirit and sense of Glasgow's performance".)

1. "21st Century Schizoid Man" (Fripp, Ian McDonald, Greg Lake, Michael Giles, Peter Sinfield) – 8:01
2. "Walk off from Providence ... No Pussyfooting" (Fripp, Eno) – 1:21
3. "Walk on to Glasgow" - 0:48
4. "Sharks' Lungs in Lemsip" (Cross, Fripp, Wetton, Bruford) – 2:30
5. "Larks' Tongues in Aspic, Part One" (Cross, Fripp, Wetton, Bruford, Jamie Muir) – 7:50
6. "Book of Saturday" (Fripp, Wetton, Palmer-James) – 2:49
7. "Easy Money" (Fripp, Wetton, Palmer-James) – 6:40
8. "We'll Let You Know" (Cross, Fripp, Wetton, Bruford) – 4:55
9. "The Night Watch" (Fripp, Wetton, Palmer-James) – 5:16
10. "Improv - Tight Scrummy" (Cross, Fripp, Wetton, Bruford) – 8:57
11. "Peace - A Theme" (Fripp) – 1:01
12. "Cat Food" (Fripp, Sinfield, McDonald) – 4:31
13. "Easy Money..." (Fripp, Wetton, Palmer-James) – 2:17
14. "...It is for You, but Not for Us" (Cross, Fripp, Wetton, Bruford) – 7:57

• Tracks 1-11 recorded at the Stanley Warner Theatre, Pittsburgh, Pennsylvania United States, 29 April 1974.
• Tracks 12-13 recorded at Pennsylvania State University, State College, Pennsylvania, United States, 29 June 1974.

1. "Walk On ... No Pussyfooting" (Fripp, Eno) – 0:59
2. "The Great Deceiver" (Fripp, Wetton, Palmer-James) – 4:27
3. "Improv - Bartley Butsford" (Cross, Fripp, Wetton, Bruford) – 3:13
4. "Exiles" (Cross, Fripp, Palmer-James) – 7:19
5. "Improv - Daniel Dust" (Cross, Fripp, Wetton, Bruford) – 4:40
6. "The Night Watch" (Fripp, Wetton, Palmer-James) – 4:39
7. "Doctor Diamond" (Cross, Wetton, Fripp, Bruford, Palmer-James) – 5:11
8. "Starless" (Cross, Fripp, Wetton, Bruford, Palmer-James) – 12:26
9. "Improv - Wilton Carpet" (Cross, Fripp, Wetton, Bruford) – 5:52
10. "The Talking Drum" (Cross, Fripp, Wetton, Bruford, Muir) – 5:29
11. "Larks' Tongues in Aspic, Part Two" (abbreviated) (Fripp) – 2:57
12. "Applause and announcement" – 2:12
13. "Improv - Is There Life Out There?" (Cross, Fripp, Wetton, Bruford) – 12:01

• Tracks 1-4 recorded at Massey Hall, Toronto, Ontario, Canada, 24 June 1974.
• Tracks 5-12 recorded at the Volkshaus, Zürich, Switzerland, 15 November 1973.

1. "Improv - The Golden Walnut" (Cross, Fripp, Wetton, Bruford) – 11:45
2. "The Night Watch" (Fripp, Wetton, Palmer-James) – 4:37
3. "Fracture" (Fripp) – 11:52
4. "Improv - Clueless and Slightly Slack" (Cross, Fripp, Wetton, Bruford) – 8:14
5. "Walk On ... No Pussyfooting" (Fripp, Eno) – 0:52
6. "Improv - Some Pussyfooting" (Cross, Fripp, Wetton, Bruford) – 2:28
7. "Larks' Tongues in Aspic, Part One" (Cross, Fripp, Wetton, Bruford, Muir) – 8:16
8. "Improv - The Law of Maximum Distress, Part One" (Bruford, Cross, Fripp, Wetton) – 6:32
9. "Improv - The Law of Maximum Distress, Part Two" (Bruford, Cross, Fripp, Wetton) – 2:34
10. "Easy Money" (Fripp, Wetton, Palmer-James) – 7:32
11. "Improv - Some More Pussyfooting" (Cross, Fripp, Wetton, Bruford) – 5:53
12. "The Talking Drum" (Cross, Fripp, Wetton, Bruford, Muir) – 6:03

King Crimson

• Robert Fripp – guitar, Mellotron, Hohner Pianet
• John Wetton – bass guitar, vocals
• David Cross – violin, viola, Mellotron, Hohner Pianet
• Bill Bruford – drums, percussion

Production personnel

• Executive producer: Robert Fripp
• Mixing by Fripp, Tony Arnold and David Singleton