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Ancient Mesopotamian religion
Religions of the ancient Near East Anatolia Ancient Egypt Mesopotamia Babylonia Sumer Iranian Semitic Arabia Canaan
Primordial beings Tiamat and Abzu Lahamu and Lahmu Kishar and Anshar Mummu
Seven gods who decree Four primary Anu Enlil Enki Ninhursag Three sky gods Inanna/Ishtar Nanna/Sin Utu/Shamash
Other major deities Adad Dumuzid Enkimdu Enmesharra Ereshkigal Ki Kingu Geshtinanna Lahar Marduk Nergal Ninurta Šulpae
Minor deities Agasaya Anunnaki Asaruludu Ashnan Ashgi Bel Dumuzi-abzu Enbilulu Erra Erragal Gibil Hendursaga Igigi Isimud Išum Kajamanu Lahar Laṣ Lisin Lugala'abba Mami/Nintu Mamitu Maštabba Nabu Namtar Nanshe Nindara Ninmarki Nisaba Ninazu Ningal Ningirida Ningirima Ninkasi Ninkilim Ninlil Ninmug Ninšar Ninsikila Ninšubur Ninsun Nuska Paniĝinĝarra Sarpanit Shul-utula Šubula Šulpae Tišpak Uttu
Demigods and heroes Adapa Enkidu Enmerkar Gilgamesh Lugalbanda Shamhat Siduri Atra-Hasis Ziusudra Apkallu (seven sages)
Spirits and monsters Udug Lamassu/Shedu Asag Edimmu Siris Anzû Ušum/Dragon Kuli-ana/Mermaid Bašmu Mušmaḫḫū Ušumgallu Seven-headed serpent Humbaba Hanbi Kur Lamashtu Lilu Pazuzu Rabisu
Tales Mythology An = Anum Atra-Hasis Enmerkar and the Lord of Aratta Enūma Eliš Epic of Gilgamesh
Terms Dingir Sukkal

In ancient Mesopotamian religion, Pazuzu (Akkadian: 𒀭𒅆𒊒𒍪𒍪, romanized: pà.zu.zu)^[2] is a personification of the southwestern wind, and held kingship over the lilu wind demons.

As an apotropaic entity, he is considered as both a destructive and dangerous wind, but also as a repellant to other demons, one who safeguards the home from their influence. In particular he protects pregnant women and mothers, whom he could defend from the machinations of the demoness Lamashtu, his rival. He is invoked in ritual and representations of him are used as defence charms.

Hanpu is his father. He has connections to other wind deities such as Lamashtu and the Lilû demons, other protective demons, and the foreign Egyptian dwarf deity Bes.

Pazuzu has two chief aspects. Firstly as a demon of the home, as a domestic spirit,^[3] and secondly as the wandering wind demon,^[3] traversing the mountains, where he presents a wilder character.

There is a well documented use of Pazuzu in Mesopotamian white magic.^[3] His inhuman and grotesque form can be inferred to have been used to frighten away unwanted guests, as well as prevent his wind-demon subjects from entering the home and wreaking havoc.^[3] His role in ritual and magic is documented on inscriptions on the backs of his statues, or in ritual texts.^[4] Spells, incantations, and special artifacts were used to gain the favour and protection of the demon,^[5] such artifacts being placed in and around the home, or worn on the person to achieve the desired effect.

Large numbers of Pazuzu heads have been discovered, made from a variety of materials, chiefly terracotta, but also bronze, iron, gold, glass, and bone.^[6] These heads often feature holes or loops at the top, allowing them to be worn on necklaces by pregnant women in order to protect the baby from evil forces.^[7] Occasionally the heads would be attached to cylinder seals or worn as brooches as well.^[8] Some of these heads have been found in graves.^[9]

Carved amulets are common. Ritual texts from Uruk state that a woman could be given a bronze necklace or amulet of Pazuzu in order to protect her from miscarrying via the interference of Lamashtu.^[10] Some are rectangular, showing Pazuzu in either standing or crouching pose.^[8] Larger amulets made from stone could be hung on the wall to protect the room or an entrance.^[11] One of this type of amulet that was found inside a home in the Neo-Assyrian town of Dur-Katlimmu was lying on the floor of the main reception room^[11] and was thought to have been hung on the wall facing the entryway.^[11]

• 
  A bronze Pazuzu head, including a loop to be strung onto a necklace and worn as a protective charm.
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  The front of a copper alloy Pazuzu amulet from the British Museum.
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  A red jasper carving of a squatting Pazuzu, the crouching posture suggesting his connection to the West Wind.^[12]
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  This bronze pendant features a suspension loop to ensure that the demon's gaze is always directed outward; for example, with the demon's apotropaic power directed, not at the amulet's owner, but at the owner's supernatural enemies.^[13]

Given the number of artifacts uncovered, it can be inferred that Pazuzu enjoyed great popularity,^[9] and based upon the uniformity of the heads, amulets, and statues, it has even been speculated that such representations of the demon-god were mass-produced.^[8]

Relating to the representations of Pazuzu, text inscriptions on the backs of representations or on tablets would invoke or otherwise mention Pazuzu.

A ritual text from Assyria prescribes a Pazuzu head as a way to banish sickness.^[14] Similarly, a ritual incantation against Lamastu from the Late Babylonian Period directs the reader to make a Pazuzu necklace and hang it around the afflicted person's neck.^[14]

In the bilingual (Sumerian and Akkadian) version of the Compendia, Pazuzu identifies himself:

"I am Pazuzu, son of Ḫanbu, king of the evil lilû-demons. I was enraged (in violent motion) against the strong mountains and ascended them."^[15]

Another text also narrated by him describes Pazuzu encountering other lilû demons in his travels, and breaking their wings, therefore preventing them from inflicting harm. "I ascended a mighty mountain that shook, and the (evil) winds I encountered there were heading West; One by one I broke their wings."^[10] In another text he is perceived as more malicious, as the narrator addresses him as "Agony of Mankind",^[16] "Suffering of Mankind",^[16] "Disease of Mankind",^[16] and chants telling the demon to not enter the home.^[16]

According to Eckart Frahm's study, the appearance of Pazuzu has remained fairly uniform throughout his history.^[17] Pazuzu is depicted as a combination of diverse animal and human parts. His body of canine form, though scaled not furred,^[18] with birds' talons for feet, two pairs of wings, a scorpion's tail and a serpentine penis.^[17] He holds his right hand up and his left hand down. His face is striking, with gazelle horns,^[19] human ears, a doglike muzzle, bulging eyes, and wrinkles on the cheeks.^[19]

His father is Hanpu, "The staggering one" or "The perverted one".^[4]

Lilû (wind) demons are the class to which Pazuzu and his subjects belong.^[3]

There is a connection to the earlier Babylonian personifications of The Four Winds.^[12] These beings, as depicted on several cylinder seals, have wings, and each represents a different wind direction; South, East, West, and North.^[12] Franz Wiggermann calls attention to the crooked positioning of the masculine West Wind^[12] in seals, as similar to posture in Pazuzu's iconography.^[12] More connections appear in later seals, as this same bent-over figure takes on talons and a scorpion's tail.^[12] The main difference in their depictions is the head, thus Wiggerman concludes that it is Pazuzu's body and not his head that denotes him as a wind demon.^[12] Another scholar, Scott Noegel, asserts that Pazuzu's possession of four wings links to the term kippatu, meaning "circle, loop, circumference, and totality",^[20] suggesting his control over all cardinal directions of wind inherited from his predecessors.^[20]

The baby-snatching Lamastu was attested as both a subject of^[3] and an antagonist of Pazuzu. It is theorized that Pazuzu could have been created specifically as a counter to her. Initially she existed as an independent demoness, with no distinct connection to other demons.^[12] Then in the Late Bronze Age she took on the lilû demon classification, thus Pazuzu was introduced as a way to chase her from the home and back into the underworld.^[12] It does also seem to be that Pazuzu's first appearances and Lamastu's reassigning as a lilû both originate from the same time and place, the Middle Assyrian Empire, but this could be a coincidence.^[12]

On one Lamastu amulet, a scene shows Pazuzu chasing the demoness away from her victim,^[12] while another displays him destroying it.^[21]

On a Neo-Assyrian bronze plaque, Pazuzu's head is perched above the top of the plaque, and a smaller version of him in the scene is chasing Lamastu away down a river.^[22] Other protective spirits also appear in the plaque, including apkallu and other animal-headed demons, there to protect the person who is lying down on a bed.^[22]

Some scholars believe that Egyptian demon Bes is a counterpart of Pazuzu.^[3][23] Both are known to be protector demons^[24] in the home.^[24] They have iconographic links: both having lion parts,^[25] wings, a distinctly long phallus, and similar facial features.^[26] There are noted similarities between the positioning of the two on protective amulets as well.^[26] Another close connection is their association with the protection of pregnant women and mothers.^[26][27]

There is evidence that the two were in each other's cultural spheres. A possible Pazuzu figure was found in Egypt,^[26] as well as Bes amulets uncovered in sites in Iran.^[26] In a seventh century era fort in Nimrud, five Pazuzu heads were found near a Bes amulet.^[26]

One theory posits a connection in their names - that Bes, like Pazuzu, could have been derived from the king name Bazi^[28] - although Pazuzu's name has not yet been proven to have originated from Bazi,^[23] nor, it is speculated, has Bes's name been proven to be of foreign origin.^[28]

On some amulets, Pazuzu appears alongside Ugallu and Lulal, protective deities who were thought to solely benefit mankind^[29] thus their presences here may be apotropaic, or deployed to minimise Pazuzu's maleficent aspect.^[29] Their common positioning on the back of the amulet out of sight of the viewer could suggest the latter.^[29] They have also been present on the back of half-relief Pazuzu heads,^[29] again out of sight.^[29]

Pazuzu is the god of the southwestern wind and is associated with the plague.^[1] Pazuzu was invoked in apotropaic amulets, which combat the powers of his rival,^[30] the malicious goddess Lamashtu, who was believed to cause harm to mother and child during childbirth. He would protect humans against any variety of misfortune or plague.^[31]

According to Wiggermann, the Pazuzu figure suddenly appeared in the Early Iron Age.^[3][12] His first visual depictions are not attested until the 8th century BC^[17] with the first finds being in the tombs of Nimrud,^[18] and his first appearances in texts trace to the 7th century BC.^[17] The majority of his representations were found in the 7th and 6th centuries BCE, with the most recent finds dating back to the time of the Seleucid Empire.^[9]

There are several theories for his precise origin, but none have been definitively proven.

One speculation for the origin of the name of Pazuzu connects to Bazi, as named in the Tell Leilan version of the Sumerian King List, who was a king of Mari.^[32] The name is followed by that of the succeeding king, Zizi. Bazi's name is preceded by Anbu, his father, who was suspected to have inspired the god Anbu, which later conflated into Hanbu,^[33] Pazuzu's father. The theory goes that, given the connection between Anbu and Hanbu, it could be that the name Pazuzu is a construction of the following kings names: Ba-zi-Zi-zi.^[34]

Like Pazuzu, Humbaba was used as a protector deity, with depictions of his frightening head being used to ward off evil.^[23] It could therefore be speculated that the Pazuzu heads replaced those of Humbaba.^[23] Humbaba fell from favour in the Late Bronze Age,^[12] shortly before Pazuzu emerged, although the two do not share any great iconographic connection,^[17] making it unlikely that Pazuzu could have evolved from the earlier deity.

Another speculation is that rather than Bes and Pazuzu having a common origin point, Pazuzu was an offshoot of Bes.^[23]

Pazuzu is most famous in western popular culture due to the 1971 novel The Exorcist and its 1973 film adaptation The Exorcist. In both instances, Pazuzu is the evil spirit that possesses the young girl Regan MacNeil.^[35]

• Edimmu
• Enlil
• Hermeticism § "As above, so below"
• Kilili
• Lilitu
• Lulal
• Ugallu
• Umū dabrūtu

• Figure of Pazuzu - Oriental Institute of Chicago
• Bronze head of Pazuzu - British Museum through Google museum
• Pazuzu: Beyond Good and Evil - Metropolitan Museum of Art