Mbyá-Guarani Cinema Collective
The Mbyá-Guarani Cinema Collective (also Guarani Film Collective or Coletivo Mbyá-Guarani de Cinema) is a Brazil-based video and visual arts production collective, focused on Guaraní culture.[1] It was founded in 2007 by Patrícia Ferreira Pará Yxapy.[2] The collective produces and disseminates work on a national and international level.
Within the last 15 years Mbyá-Guarani Cinema Collective, together with Patrícia Ferreira Pará Yxapy and the NGO Video nas Aldeias (Video in the Villages — VIV),[3][4][5][6] created numerous film and video works which have been presented internationally.[7] The collective has participated in festivals around the world, such as Berlinale Berlin,[1] and conferences like Indigenous Peoples’ Engagement with Digital and Electronic Media in Nashville, Tennessee.[8]
The Mbyá-Guarani Cinema Collective sees the film-making process as holistic, interconnected to community, nature and the cosmos. In this case, the Indigenous filmmakers are not shooting a subject matter outside of themselves; rather, they are working and creating within a collective, interdependent, and interconnected understanding of their world order, positioning video technology as immersed into their ecosystem.[9]
Filmography
- Bicicletas de Nhanderu (Bicycles of Nhanderu) 2011, 45 min[10]
- Desterro Guarani (Guarani Exile) 2011, 38 min[10]
- Tava: A casa de pedra (Tava: The Stone House), 2012, 78 min[10]
- Mbya-Mirim, 2013, 22 min [10][11]
- No caminho com Mario (On the way with Mario) 2014, 20 min[10]
- Letter from a Guarani Woman in Search of the Land Without Evil[1]
References
- ^ a b c "Todas as vozes do cinema mundial ganham espaço na Berlinale". RFI (in Brazilian Portuguese). 2020-02-23. Retrieved 2020-02-27.
- ^ "Letter from a Guarani Women in Search of a Land without Evil". www.berlinale.de. Retrieved 2020-02-23.
- ^ edited by Malik, Chapain, Comunian (2017). Community Filmmaking: Diversity, Practices and Places. New York: Routledge. ISBN 9781317283867.
{{cite book}}:|last=has generic name (help)CS1 maint: multiple names: authors list (link) - ^ Shohat, Ella, 1959- (2014). Unthinking Eurocentrism : multiculturalism and the media. Stam, Robert, 1941- (Second ed.). London. pp. 416–418. ISBN 978-0-415-53859-6. OCLC 868427768.
{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link) - ^ Stoklos Kignel, Piatã (2010). Empowering Indigenous Communities through Audiovisual Work Video in the Villages, Brazil. In: Mapping cultural diversity - good practices from around the globe: a contribution to the debate on the implementation of the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions. Sekhar, Anupama., Deutsche Unesco-Kommission., Asia Europe Foundation. Bonn: German Commission for UNESCO (DUK). pp. 107–109. ISBN 978-3-940785-22-0. OCLC 706959920.
- ^ Graham, Zoe (April 2014). "Three Decades of Amazonian Filmmaking: A Retrospective Celebrating the Political and Cultural Activism of Video Nas Aldeias". Anthropology Now. 6 (1): 86–91. doi:10.1080/19492901.2013.11728422. S2CID 158093606 – via JSTOR.
- ^ "Letter from a guarani woman". Saavy Contemporary. Retrieved 2020-02-22.
- ^ "In Digital Conference III: The Americas".
- ^ Shamash, Sarah (Summer 2018). "Cosmopolitical technologies and the demarcation of screen space at Cine Kurumin: activating immersive shifts in imaginaries, representation, and politics". Media-N: The Journal of the New Media Caucus. 14 (1): 16. doi:10.21900/j.median.v14i1.62. hdl:2142/112886. ISSN 1942-017X. S2CID 158477409 – via Illinois Open Publishing Network - digital publishing from the University Library.
- ^ a b c d e "Letter from a Guarani Woman in Search of the Land Without Evil". www.berlinale.de. Retrieved 2020-02-27.
- ^ Mbya mirim, Brazil: Vídeo nas Aldeias, 2013, retrieved 2020-02-27