Dead & Buried
Theatrical release poster
Directed by	Gary Sherman
Screenplay by	Ronald Shusett Dan O'Bannon
Story by	Alex Stern Jeff Millar
Produced by	Robert Fentress Richard R. St. Johns Ronald Shusett
Starring	James Farentino Melody Anderson Jack Albertson Dennis Redfield Nancy Locke Robert Englund
Cinematography	Steven Poster
Edited by	Alan Balsam
Music by	Joe Renzetti
Distributed by	AVCO Embassy Pictures
Release date	May 29, 1981 (1981-05-29)
Running time	92 minutes
Country	United States
Language	English
Budget	$5-6 million[1]
Box office	$216,166[2]

Dead & Buried is a 1981 American horror film directed by Gary Sherman, starring Melody Anderson, Jack Albertson, and James Farentino. It is Albertson's final live-action film role before his death six months after the film's release. The film focuses on a small town wherein a few tourists are murdered, but their corpses begin to reanimate. With a screenplay written by Dan O'Bannon and Ronald Shusett, the film was initially banned as a "video nasty" in the U.K. in the early 1980s, but was later acquitted of obscenity charges and removed from the Director of Public Prosecutions' list.

The film made little money at the box office, but has received praise from critics regarding Stan Winston's special effects and Albertson's performance. In addition to the film being subsequently novelized by Chelsea Quinn Yarbro, the film has obtained a cult following in the years since its release.

An amateur photographer arrives in coastal Potters Bluff to practice his craft. A beautiful woman offers to model for him, but when he accepts her invitation to have sex, a mob of townspeople beat him and set him afire. The man survives the attack but is later killed by the woman posing as a nurse in the hospital.

As the townspeople murder more visitors, Sheriff Dan Gillis, assisted by Dobbs, the eccentric local coroner-mortician, works hard to discover the motive for the killings. Gillis becomes increasingly disconcerted as a grisly death occurs every day. In each case, the killers photograph the victims as they are murdered. Gillis's investigations are complicated by the bizarre behavior of his wife, Janet.

Gillis accidentally hits someone with his squad car following an attack. On the grill of his vehicle, Gillis finds the twitching severed arm of the accident victim, who attacks him and flees with the arm. After the attack, Gillis scrapes some flesh from the vehicle and takes it to the local doctor, who tells him that the tissue sample has been dead for approximately 4 months. Gillis grows suspicious of Dobbs and conducts a background check. He discovers that Dobbs was formerly the chief pathologist in Providence, Rhode Island until he was dismissed 10 years before for conducting unauthorized experiments in the county morgue.

Gillis confronts Dobbs, who admits he has developed a secret technique for reanimating the dead, and all of the townspeople are reanimated corpses under his control. Dobbs considers himself an "artist" who uses his reanimated hordes to murder the living to create more corpses for him to create art with. Even Janet is a reanimated corpse. When she appears in Dobbs's office, Gillis shoots and mortally wounds her then shoots Dobbs as well. He follows her into the cemetery, where she pleads with him to bury her in an open grave. After he does as she asks, the rest of the townspeople come to pay their respects.

Gillis returns to Dobbs's office to discover that Dobbs has used his technique on himself. Dobbs then shows Gillis a film of Janet stabbing him to death as the townspeople and Dobbs watch. As Gillis stares at his decomposing hands, Dobbs offers to repair them.

In a 1983 interview with Starburst promoting Blue Thunder, O'Bannon disowned the film, claiming that Shusett had actually written it by himself, but needed O'Bannon's name on the project, promising that he would implement some of O'Bannon's changes. Upon seeing the finished film, O'Bannon realised that Shusett had not included his material, but it was too late for him to take his name off the credits.^[3]

The opening shot depicting the central street scene in Potters Bluff was filmed along Lansing Street in Mendocino, California.^{[citation needed]}

Rotten Tomatoes reports a 68% approval rating based on 19 reviews, with a weighted average of 6.2/10.^[4]

Gene Siskel disliked the film at the time, calling it a "hideously gruesome thriller", and named it his "dog of the week" on the show Sneak Previews.^[5]

Writing in The Zombie Movie Encyclopedia, academic Peter Dendle said that the film "builds suspense effectively and plays its genuine twists well, so long as you don't ask too many questions of the everyone-is-in-on-it-but-one-person plot."^[6] Zombiemania: 80 Movies to Die For author Arnold T. Blumberg wrote that Dead & Buried "is another fine homage to the EC Comics style of horror, with a story that also echoes the structure of a classic Rod Serling Twilight Zone episode," adding that the film is "a late-night treat that works best with the lights off and no foreknowledge of what's to come."^[7] Glenn Kay, who wrote Zombie Movies: The Ultimate Guide, called it a "solidly entertaining picture" and praised the special effects work by Stan Winston.^[8] Film critic Matt Wavish noted the "feeling of total dread lingering over the whole film" and concluded that "Dead and Buried is a master class in sheer terror."^[9] Donald Guarisco of AllMovie wrote, "it's easy to see why Dead and Buried never found a big audience. It is too plot-heavy for those viewers in search of a shock machine yet too visceral for the viewers who appreciate subtle horror",^[10] but complimented its "blend of creepy atmosphere and gruesome shocks."^[10]

• Dead & Buried at IMDb
• Dead & Buried at Rotten Tomatoes