Carolyn Coman (born October 28, 1951)^[1][2] is an American writer best known for children's books. Her novels What Jamie Saw (1995) and Many Stones (2000) were among the runners-up for major annual awards by the American Library Association (ALA) and the National Book Foundation.

Carolyn Coman was born October 28, 1951, in Evanston, Illinois, near Chicago.^[1][2] She worked as a bookbinder 1975-84 and later as an editor with Heinemann before she became a full-time writer.^[1] She edited Body and Soul, a photo-portrait documentary by Judy Dater, and wrote the text of a children's picture book, prior to completing four young-adult novels from 1993 to 2000. Her novels for middle-grade readers (2004 and 2007) combine humour, investigation and a sense of nostalgia.

In the YA novels, "She explores the darker sides of growing up: dealing with parent's abandonment through death in Tell Me Everything, abuse by a stepparent in What Jamie Saw, sibling incest in Bee and Jacky and a political-inspired tragedy in Many Stones."^[1] Many Stones was inspired by the murder of Amy Biehl.^[1]

What Jamie Saw (1995) was Newbery Medal honor book and a National Book Award for Young People's Literature finalist. Many Stones (2000) was a Michael L. Printz Award Honor Book and another National Book Award finalist.^[1] (From 1922 the ALA Newbery Medal recognizes the previous year's "most distinguished contribution to American literature for children", with some designated runners-up now called "Honor Books". From 2000, the Newbery and Printz separately recognize books for "children" and "teens".)

Coman has two children and lives in South Hampton, New Hampshire.^[3]

• Body and Soul: ten American women, edited by Coman, photographs by Judy Dater (Boston: Hill & Co., 1988), LCCN 87-32696
• Losing Things at Mr. Mudd's, illustrated by Lance Hidy (Farrar, Straus & Giroux, 1992), picture book - "Youngsters at the book's intended age range may be put off by Mr. Mudd's gruffness--even his eventual relenting bears a grudging tone. Despite the collaborators' evident talents, their work generally lacks child appeal."^[4]
• Tell me Everything (Farrar, 1993)
• What Jamie Saw (Arden, NC: Front Street, 1995)
• Bee and Jacky (Front Street, 1998) - "Coman's (What Jamie Saw) latest is the literary equivalent of a Diane Arbus photograph: it presents a sharp, shocking picture of pathology, but leaves it to the audience to imagine the world beyond the frame."^[5]
• Many Stones (Front Street, 2000), Berry (16) reconnects with her father during their journey to South Africa.^[6] - "Writing with her usual economy and penetrating insight, Coman (Bee & Jacky, 1998, etc) portrays a young person searching for something—she's not sure what—and finding it in keeping the link that her sister forged with an amazing people. It's an uplifting tale: harsh, complex, but lit at the end by a promise of reconciliation."^[7]
• The Big House, illustrated by Rob Shepperson (Front Street, 2004)
• Sneaking Suspicions, illus. Shepperson (Front Street, 2007) – sequel to The Big House
• The Memory Bank, illus. Shepperson (Arthur A. Levine Books, 2010), 288 pp.^[2] - "Brilliantly crafted, thoroughly enjoyable and, though so very like Dahl, unique as a fascinating new way to ponder dreams and memories."^[8]
• Writing Stories: ideas, exercises, and encouragements for teachers and writers of all ages, illus. Shepperson (Portland, ME: Stenhouse Publishers, 2011), LCCN 2011-7002

• Works by Carolyn Coman at Open Library
• Carolyn Coman at the Internet Speculative Fiction Database
• Carolyn Coman at Library of Congress, with 13 library catalog records