Andrew Imbrie
Born	(1921-04-06)April 6, 1921
Died	December 5, 2007(2007-12-05) (aged 86)
Alma mater	Princeton University, University of California, Berkeley
Era	Contemporary

Andrew Welsh Imbrie (April 6, 1921 – December 5, 2007) was an American contemporary classical music composer and pianist.

Imbrie was born in New York City and began his musical training as a pianist when he was 4.^[1] In 1937, he went to Paris to study composition briefly with Nadia Boulanger and piano with Robert Casadesus.^[1] He returned to the United States the next year to attend Princeton University where he studied with Roger Sessions, receiving his undergraduate degree in 1942.^[1] His senior thesis there, a string quartet, was recorded by the Juilliard Quartet. During World War II he served in the U.S. Army as a Japanese translator.^[1] Afterwards, he went to the University of California, Berkeley, where he received an M.A. in Music in 1947; there he continued to study with Sessions, who had taken a position at Berkeley.

Imbrie taught composition, theory, and analysis at Berkeley from 1949 until his retirement in 1991. In the summer of 1991, he was Composer-in-Residence at Tanglewood in Lenox, Massachusetts.

In addition to his principal teaching job at Berkeley, he served as a visiting professor at the University of Chicago, Brandeis University, Northwestern University, New York University, the University of Alabama, and Harvard University, and had a regular teaching post at the San Francisco Conservatory.^[1]

He died at his home in Berkeley, California at the age of 86.^[2]

His notable students include Larry Austin, Tamar Diesendruck, Richard Festinger, Alden Jenks, Frank La Rocca, Neil Rolnick, Valerie Samson, Allen Shearer, Laura Schwendinger, Nils Frykdahl, Kurt Rohde, Hi Kyung Kim, Leslie Wildman and Carolyn Yarnell.^{[citation needed]}

Imbrie's style was influenced early by Béla Bartók,^{[citation needed]} and then by Roger Sessions, his teacher at both Princeton and Berkeley.^[3] Imbrie preferred harmony that was non-triadic,^[3] or if triadic, non-functional, and a tightly organized, often atonal, contrapuntal texture with attention to careful motivic development; he avoided the serial techniques that dominated art music composition after the Second World War.^{[citation needed]} Imbrie was also attentive to melodic line and shape to make a free atonal language accessible.

Imbrie's body of work spans many genres. His chief works are:^[4]

• Three Against Christmas (1960 opera)
• Angle of Repose (1976 opera)
• Dandelion Wine (1961 for chamber ensemble)
• To a Traveler (1971 for chamber ensemble)
• Sextet for Six Friends (2007 for chamber ensemble)
• Drumtaps for chorus with orchestra (text by Whitman)
• Prometheus Bound for chorus with orchestra (text by Green after Aeschylus)
• Adam for chorus with orchestra (text from medieval and Civil War sources)
• Requiem (1984, chorus with orchestra)
• Three symphonies
• Eight concertos
• Songs for voice
• Sonatas for various instruments
• Chamber works for diverse instrumental ensembles
• Works for choral ensembles
• Five string quartets

• Ann P. Basart, Martin Brody: "Andrew Imbrie", Grove Music Online, ed. L. Macy (Accessed July 21, 2006) (subscription required)
• Kennedy, Michael (2006), The Oxford Dictionary of Music, 985 pages, ISBN 0-19-861459-4

• Imbrie's San Francisco Conservatory Of Music faculty page
• Collage page about Andrew Imbrie and his music
• Art of the States: Andrew Imbrie three works by the composer
• Andrew Imbrie interview, April 26, 1986