Langbahn Team – Weltmeisterschaft

2019 National Society of Film Critics Awards

54th NSFC Awards
DateJanuary 4, 2020
Highlights
Best FilmParasite
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The 54th National Society of Film Critics Awards, given on 4 January 2020, honored the best in film for 2019.[1][2]

Winners

Winners are listed in boldface along with the runner-up positions and counts from the final round:

Greta Gerwig, Best Director winner
Antonio Banderas, Best Actor winner
Brad Pitt, Best Supporting Actor winner
Laura Dern, Best Supporting Actress winner
Bong Joon-ho, Best Screenplay co-winner

Best Picture

  1. Parasite (44)[3]
  2. Little Women (27)
  3. Once Upon a Time in Hollywood (22)

Best Director

  1. Greta GerwigLittle Women (39)
  2. Bong Joon-hoParasite (36)
  3. Martin ScorseseThe Irishman (31)

Best Actor

  1. Antonio BanderasPain and Glory (69)
  2. Adam DriverMarriage Story (43)
  3. Adam SandlerUncut Gems (41)

Best Actress

  1. Mary Kay PlaceDiane (40)
  2. Zhao TaoAsh Is Purest White (28)
  3. Florence PughMidsommar (25)

Best Supporting Actor

  1. Brad PittOnce Upon a Time in Hollywood (64)
  2. Joe PesciThe Irishman (30)
  3. Wesley SnipesDolemite Is My Name (18)
  4. Song Kang-hoParasite (18)

Best Supporting Actress

  1. Laura DernMarriage Story and Little Women (57)
  2. Florence PughLittle Women (44)
  3. Jennifer LopezHustlers (26)

Best Screenplay

  1. Bong Joon-ho and Han Jin-wonParasite (37)
  2. Quentin TarantinoOnce Upon a Time in Hollywood (34)
  3. Greta GerwigLittle Women (33)

Best Cinematography

  1. Claire MathonPortrait of a Lady on Fire and Atlantics (41)
  2. Robert RichardsonOnce Upon a Time in Hollywood (29)
  3. Yorick Le SauxLittle Women (22)

Best Non-Fiction Film

  1. HoneylandTamara Kotevska and Ljubomir Stefanov (33)
  2. American FactorySteven Bognar and Julia Reichert (28)
  3. Apollo 11Todd Douglas Miller (27)

Film Heritage Award

  • "Private Lives, Public Spaces" at the Museum of Modern Art: Curated by Ron Magliozzi, this exhibit makes visible MOMA's collection of over one hundred years of vernacular moving images, most of them home movies by the famous and the unknown. Shown on multiple screens in the lobbies of MoMA's Titus theaters, they form a crazy quilt of personal and cultural history.
  • Rialto Pictures, for distributing 4K restorations of beloved classics like Kind Hearts and Coronets (1949) and for presenting neglected work by international masters, such as Federico Fellini's The White Sheik (1952), and, for the first time, the uncut version of Francesco Rosi's Christ Stopped at Eboli (1979), with restored prints and upgraded subtitles.

References