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Portal:Russia

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Russia, or the Russian Federation, is a country spanning Eastern Europe and North Asia. It is the largest country in the world, and extends across eleven time zones; sharing land borders with fourteen countries. Russia is the most populous country in Europe and the ninth-most populous country in the world. It is a highly urbanised country, with sixteen of its urban areas having more than 1 million inhabitants. Moscow, the most populous metropolitan area in Europe, is the capital and largest city of Russia, while Saint Petersburg is its second-largest city and cultural centre.

Human settlement on the territory of modern Russia dates back to the Lower Paleolithic. The East Slavs emerged as a recognised group in Europe between the 3rd and 8th centuries CE. The first East Slavic state, Kievan Rus', arose in the 9th century, and in 988, it adopted Orthodox Christianity from the Byzantine Empire. Kievan Rus' ultimately disintegrated; the Grand Duchy of Moscow led the unification of Russian lands, leading to the proclamation of the Tsardom of Russia in 1547. By the early 18th century, Russia had vastly expanded through conquest, annexation, and the efforts of Russian explorers, developing into the Russian Empire, which remains the third-largest empire in history. However, with the Russian Revolution in 1917, Russia's monarchic rule was abolished and eventually replaced by the Russian SFSR—the world's first constitutionally socialist state. Following the Russian Civil War, the Russian SFSR established the Soviet Union with three other Soviet republics, within which it was the largest and principal constituent. The Soviet Union underwent rapid industrialisation in the 1930s, amidst the deaths of millions under Joseph Stalin's rule, and later played a decisive role for the Allies in World War II by leading large-scale efforts on the Eastern Front. With the onset of the Cold War, it competed with the United States for ideological dominance and international influence. The Soviet era of the 20th century saw some of the most significant Russian technological achievements, including the first human-made satellite and the first human expedition into outer space. (Full article...)

Featured article

  Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Nadezhda Sergeyevna Alliluyeva (Russian: Надежда Сергеевна Аллилуева; 22 September [O.S. 9 September] 1901 – 9 November 1932) was the second wife of Joseph Stalin. She was born in Baku to a friend of Stalin, a fellow revolutionary, and was raised in Saint Petersburg. Having known Stalin from a young age, they married when she was 17, and had two children. Alliluyeva worked as a secretary for Bolshevik leaders, including Vladimir Lenin and Stalin, before enrolling at the Industrial Academy in Moscow to study synthetic fibres and become an engineer. She had health issues, which had an adverse impact on her relationship with Stalin. She also suspected he was unfaithful, which led to frequent arguments with him. On several occasions, Alliluyeva reportedly contemplated leaving Stalin, and after an argument, she fatally shot herself early in the morning of 9 November 1932. (Full article...)

    Nadezhda Sergeyevna Alliluyeva (Russian: Надежда Сергеевна Аллилуева; 22 September [O.S. 9 September] 1901 – 9 November 1932) was the second wife of Joseph Stalin. She was born in Baku to a friend of Stalin, a fellow revolutionary, and was raised in Saint Petersburg. Having known Stalin from a young age, they married when she was 17, and had two children. Alliluyeva worked as a secretary for Bolshevik leaders, including Vladimir Lenin and Stalin, before enrolling at the Industrial Academy in Moscow to study synthetic fibres and become an engineer. She had health issues, which had an adverse impact on her relationship with Stalin. She also suspected he was unfaithful, which led to frequent arguments with him. On several occasions, Alliluyeva reportedly contemplated leaving Stalin, and after an argument, she fatally shot herself early in the morning of 9 November 1932. (Full article...)
  • Image 2 A bowl of borscht garnished with sour cream and dill Borscht (English: /ˈbɔːrʃt/ ⓘ) is a sour soup, made with meat stock, vegetables and seasonings, common in Eastern Europe and Northern Asia. In English, the word borscht is most often associated with the soup's variant of Ukrainian origin, made with red beetroots as one of the main ingredients, which give the dish its distinctive red color. The same name, however, is also used for a wide selection of sour-tasting soups without beetroots, such as sorrel-based green borscht, rye-based white borscht, and cabbage borscht. Borscht derives from an ancient soup originally cooked from pickled stems, leaves and umbels of common hogweed (Heracleum sphondylium), an herbaceous plant growing in damp meadows, which lent the dish its Slavic name. With time, it evolved into a diverse array of tart soups, among which the Ukrainian beet-based red borscht has become the most popular. It is typically made by combining meat or bone stock with sautéed vegetables, which—as well as beetroots—usually include cabbage, carrots, onions, potatoes, and tomatoes. Depending on the recipe, borscht may include meat or fish, or be purely vegetarian; it may be served either hot or cold, and it may range from a hearty one-pot meal to a clear broth or a smooth drink. It is often served with smetana or sour cream, hard-boiled eggs or potatoes, but there exists an ample choice of more involved garnishes and side dishes, such as uszka or pampushky, that can be served with the soup. (Full article...)

    A bowl of borscht garnished with sour cream and dill

    Borscht (English: /ˈbɔːrʃt/ ⓘ) is a sour soup, made with meat stock, vegetables and seasonings, common in Eastern Europe and Northern Asia. In English, the word borscht is most often associated with the soup's variant of Ukrainian origin, made with red beetroots as one of the main ingredients, which give the dish its distinctive red color. The same name, however, is also used for a wide selection of sour-tasting soups without beetroots, such as sorrel-based green borscht, rye-based white borscht, and cabbage borscht.

    Borscht derives from an ancient soup originally cooked from pickled stems, leaves and umbels of common hogweed (Heracleum sphondylium), an herbaceous plant growing in damp meadows, which lent the dish its Slavic name. With time, it evolved into a diverse array of tart soups, among which the Ukrainian beet-based red borscht has become the most popular. It is typically made by combining meat or bone stock with sautéed vegetables, which—as well as beetroots—usually include cabbage, carrots, onions, potatoes, and tomatoes. Depending on the recipe, borscht may include meat or fish, or be purely vegetarian; it may be served either hot or cold, and it may range from a hearty one-pot meal to a clear broth or a smooth drink. It is often served with smetana or sour cream, hard-boiled eggs or potatoes, but there exists an ample choice of more involved garnishes and side dishes, such as uszka or pampushky, that can be served with the soup. (Full article...)
  • Image 3 The official arrangement of the Russian national anthem, completed in 2001 The "State Anthem of the Russian Federation" is the national anthem of Russia. It uses the same melody as the "State Anthem of the Union of Soviet Socialist Republics", composed by Alexander Alexandrov, and new lyrics by Sergey Mikhalkov, who had collaborated with Gabriel El-Registan on the original anthem. From 1944, that earliest version replaced "The Internationale" as a new, more Soviet-centric and Russia-centric Soviet anthem. The same melody, but without any lyrics, was used after 1956. A second version of the lyrics was written by Mikhalkov in 1970 and adopted in 1977, placing less emphasis on World War II and more on the victory of communism, and without mentioning Joseph Stalin by name. The Russian SFSR was the only constituent republic of the Soviet Union without its own regional anthem, instead using the national anthem of the Soviet Union. The lyric-free "Patrioticheskaya Pesnya", composed by Mikhail Glinka, was officially adopted in 1990 by the Supreme Soviet of Russia, and confirmed in 1993, after the dissolution of the Soviet Union, by the President of the Russian Federation, Boris Yeltsin. This anthem proved to be unpopular with the Russian public and with many politicians and public figures, because of its tune and lack of lyrics, and consequently its inability to inspire Russian athletes during international competitions. The government sponsored contests to create lyrics for the unpopular anthem, but none of the entries were adopted. (Full article...)

    The official arrangement of the Russian national anthem, completed in 2001

    The "State Anthem of the Russian Federation" is the national anthem of Russia. It uses the same melody as the "State Anthem of the Union of Soviet Socialist Republics", composed by Alexander Alexandrov, and new lyrics by Sergey Mikhalkov, who had collaborated with Gabriel El-Registan on the original anthem. From 1944, that earliest version replaced "The Internationale" as a new, more Soviet-centric and Russia-centric Soviet anthem. The same melody, but without any lyrics, was used after 1956. A second version of the lyrics was written by Mikhalkov in 1970 and adopted in 1977, placing less emphasis on World War II and more on the victory of communism, and without mentioning Joseph Stalin by name.

    The Russian SFSR was the only constituent republic of the Soviet Union without its own regional anthem, instead using the national anthem of the Soviet Union. The lyric-free "Patrioticheskaya Pesnya", composed by Mikhail Glinka, was officially adopted in 1990 by the Supreme Soviet of Russia, and confirmed in 1993, after the dissolution of the Soviet Union, by the President of the Russian Federation, Boris Yeltsin. This anthem proved to be unpopular with the Russian public and with many politicians and public figures, because of its tune and lack of lyrics, and consequently its inability to inspire Russian athletes during international competitions. The government sponsored contests to create lyrics for the unpopular anthem, but none of the entries were adopted. (Full article...)
  • Image 4 Top: Pyotr Ilyich Tchaikovsky. Bottom (left to right): Nikolai Rimsky-Korsakov, Alexander Glazunov and Anatoly Lyadov Pyotr Ilyich Tchaikovsky's relations with the group of composers known as the Belyayev circle, which lasted from 1887 until Tchaikovsky's death in 1893, influenced all of their music and briefly helped shape the next generation of Russian composers. This group was named after timber merchant Mitrofan Belyayev, an amateur musician who became an influential music patron and publisher after he had taken an interest in Alexander Glazunov's work. By 1887, Tchaikovsky was firmly established as one of the leading composers in Russia. A favorite of Tsar Alexander III, he was widely regarded as a national treasure. He was in demand as a guest conductor in Russia and Western Europe, and in 1890 visited the United States in the same capacity. By contrast, the fortunes of the nationalistic group of composers known as The Five, which preceded the Belyayev circle, had waned, and the group had long since dispersed; of its members, only Nikolai Rimsky-Korsakov remained fully active as a composer. Now a professor of musical composition and orchestration at the Saint Petersburg Conservatory, Rimsky-Korsakov had become a firm believer in the Western-based compositional training that had been once frowned upon by the group. As a result of the time Tchaikovsky spent with the Belyayev circle's leading composers—Glazunov, Anatoly Lyadov and Rimsky-Korsakov—the somewhat fraught relationship he had previously endured with The Five would eventually meld into something more harmonious. Tchaikovsky's friendship with these men gave him increased confidence in his own abilities as a composer, while his music encouraged Glazunov to broaden his artistic outlook past the nationalist agenda and to compose along more universal themes. This influence grew to the point that Glazunov's Third Symphony became known as the "anti-kuchist" symphony of his oeuvre ("kuchist" refers to "kuchka", the shortened Russian name for The Five) and shared several stylistic fingerprints with Tchaikovsky's later symphonies. Nor was Glazunov the only composer so influenced. Rimsky-Korsakov wrote about the Belyayev composers' "worship of Tchaikovsky and ... tendency toward eclecticism" that became prevalent during this period, along with a predilection toward "Italian-French music of the time of wig and farthingale" (that is, of the 18th Century) typified in Tchaikovsky's late operas The Queen of Spades and Iolanta. (Full article...)
    A large portrait of a man with grey hair and a beard, above three smaller portraits of a middle-aged man with glasses and a long bears, a young man with reddish brown hair, and a man with balding hair and a mustache. The portraits in this image are part of the full portraits shown later in the article.
    Top: Pyotr Ilyich Tchaikovsky. Bottom (left to right): Nikolai Rimsky-Korsakov, Alexander Glazunov and Anatoly Lyadov


    Pyotr Ilyich Tchaikovsky's relations with the group of composers known as the Belyayev circle, which lasted from 1887 until Tchaikovsky's death in 1893, influenced all of their music and briefly helped shape the next generation of Russian composers. This group was named after timber merchant Mitrofan Belyayev, an amateur musician who became an influential music patron and publisher after he had taken an interest in Alexander Glazunov's work. By 1887, Tchaikovsky was firmly established as one of the leading composers in Russia. A favorite of Tsar Alexander III, he was widely regarded as a national treasure. He was in demand as a guest conductor in Russia and Western Europe, and in 1890 visited the United States in the same capacity. By contrast, the fortunes of the nationalistic group of composers known as The Five, which preceded the Belyayev circle, had waned, and the group had long since dispersed; of its members, only Nikolai Rimsky-Korsakov remained fully active as a composer. Now a professor of musical composition and orchestration at the Saint Petersburg Conservatory, Rimsky-Korsakov had become a firm believer in the Western-based compositional training that had been once frowned upon by the group.

    As a result of the time Tchaikovsky spent with the Belyayev circle's leading composers—Glazunov, Anatoly Lyadov and Rimsky-Korsakov—the somewhat fraught relationship he had previously endured with The Five would eventually meld into something more harmonious. Tchaikovsky's friendship with these men gave him increased confidence in his own abilities as a composer, while his music encouraged Glazunov to broaden his artistic outlook past the nationalist agenda and to compose along more universal themes. This influence grew to the point that Glazunov's Third Symphony became known as the "anti-kuchist" symphony of his oeuvre ("kuchist" refers to "kuchka", the shortened Russian name for The Five) and shared several stylistic fingerprints with Tchaikovsky's later symphonies. Nor was Glazunov the only composer so influenced. Rimsky-Korsakov wrote about the Belyayev composers' "worship of Tchaikovsky and ... tendency toward eclecticism" that became prevalent during this period, along with a predilection toward "Italian-French music of the time of wig and farthingale" (that is, of the 18th Century) typified in Tchaikovsky's late operas The Queen of Spades and Iolanta. (Full article...)
  • Image 5 Detail from portrait by Valentin Serov, 1898 Nikolai Andreyevich Rimsky-Korsakov (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his fifteen operas. Scheherazade is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
    Head of a man with dark greying hair, glasses and a long beard
    Detail from portrait by Valentin Serov, 1898
    Rimsky-Korsakov's signature

    Nikolai Andreyevich Rimsky-Korsakov (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his fifteen operas. Scheherazade is an example of his frequent use of fairy-tale and folk subjects.

    Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
  • Image 6 The Siberian accentor (Prunella montanella) is a small passerine bird that breeds in northern Russia from the Ural Mountains eastwards across Siberia. It is migratory, wintering in Korea and eastern China, with rare occurrences in western Europe and northwestern North America. Its typical breeding habitat is subarctic deciduous forests and open coniferous woodland, often close to water, although it also occurs in mountains and spruce taiga. It inhabits bushes and shrubs in winter, frequently near streams, but may also be found in dry grassland and woods. The Siberian accentor has brown upperparts and wings, with bright chestnut streaking on its back and a greyish-brown rump and tail. The head has a dark brown crown and a long, wide pale yellow supercilium ("eyebrow"). All plumages are quite similar. The nest is an open cup in dense shrub or a tree into which the female lays four to six glossy deep blue-green eggs that hatch in about ten days. Adults and chicks feed mainly on insects, typically picked off the ground, but sometimes taken from vegetation. In winter, the accentors may also consume seeds or feed near human habitation. (Full article...)

    The Siberian accentor (Prunella montanella) is a small passerine bird that breeds in northern Russia from the Ural Mountains eastwards across Siberia. It is migratory, wintering in Korea and eastern China, with rare occurrences in western Europe and northwestern North America. Its typical breeding habitat is subarctic deciduous forests and open coniferous woodland, often close to water, although it also occurs in mountains and spruce taiga. It inhabits bushes and shrubs in winter, frequently near streams, but may also be found in dry grassland and woods.

    The Siberian accentor has brown upperparts and wings, with bright chestnut streaking on its back and a greyish-brown rump and tail. The head has a dark brown crown and a long, wide pale yellow supercilium ("eyebrow"). All plumages are quite similar. The nest is an open cup in dense shrub or a tree into which the female lays four to six glossy deep blue-green eggs that hatch in about ten days. Adults and chicks feed mainly on insects, typically picked off the ground, but sometimes taken from vegetation. In winter, the accentors may also consume seeds or feed near human habitation. (Full article...)
  • Image 7 Fram leaves Bergen on 2 July 1893, bound for the Arctic Ocean Nansen's Fram expedition of 1893–1896 was an attempt by the Norwegian explorer Fridtjof Nansen to reach the geographical North Pole by harnessing the natural east–west current of the Arctic Ocean. In the face of much discouragement from other polar explorers, Nansen took his ship Fram to the New Siberian Islands in the eastern Arctic Ocean, froze her into the pack ice, and waited for the drift to carry her towards the pole. Impatient with the slow speed and erratic character of the drift, after 18 months Nansen and a chosen companion, Hjalmar Johansen, left the ship with a team of Samoyed dogs and sledges and made for the pole. They did not reach it, but they achieved a record Farthest North latitude of 86°13.6′N before a long retreat over ice and water to reach safety in Franz Josef Land. Meanwhile, Fram continued to drift westward, finally emerging in the North Atlantic Ocean. The idea for the expedition had arisen after items from the American vessel Jeannette, which had sunk off the north coast of Siberia in 1881, were discovered three years later off the south-west coast of Greenland. The wreckage had obviously been carried across the polar ocean, perhaps across the pole itself. Based on this and other debris recovered from the Greenland coast, the meteorologist Henrik Mohn developed a theory of transpolar drift, which led Nansen to believe that a specially designed ship could be frozen in the pack ice and follow the same track as Jeannette wreckage, thus reaching the vicinity of the pole. (Full article...)
    A three-masted ship, under steam power, moves across a stretch of water attended by several rowing boats. In the background is a line of hills, with buildings faintly visible at the water's edge.
    Fram leaves Bergen on 2 July 1893, bound for the Arctic Ocean

    Nansen's Fram expedition of 1893–1896 was an attempt by the Norwegian explorer Fridtjof Nansen to reach the geographical North Pole by harnessing the natural east–west current of the Arctic Ocean. In the face of much discouragement from other polar explorers, Nansen took his ship Fram to the New Siberian Islands in the eastern Arctic Ocean, froze her into the pack ice, and waited for the drift to carry her towards the pole. Impatient with the slow speed and erratic character of the drift, after 18 months Nansen and a chosen companion, Hjalmar Johansen, left the ship with a team of Samoyed dogs and sledges and made for the pole. They did not reach it, but they achieved a record Farthest North latitude of 86°13.6′N before a long retreat over ice and water to reach safety in Franz Josef Land. Meanwhile, Fram continued to drift westward, finally emerging in the North Atlantic Ocean.

    The idea for the expedition had arisen after items from the American vessel Jeannette, which had sunk off the north coast of Siberia in 1881, were discovered three years later off the south-west coast of Greenland. The wreckage had obviously been carried across the polar ocean, perhaps across the pole itself. Based on this and other debris recovered from the Greenland coast, the meteorologist Henrik Mohn developed a theory of transpolar drift, which led Nansen to believe that a specially designed ship could be frozen in the pack ice and follow the same track as Jeannette wreckage, thus reaching the vicinity of the pole. (Full article...)
  • Image 8 Oganesson is a synthetic chemical element; it has symbol Og and atomic number 118. It was first synthesized in 2002 at the Joint Institute for Nuclear Research (JINR) in Dubna, near Moscow, Russia, by a joint team of Russian and American scientists. In December 2015, it was recognized as one of four new elements by the Joint Working Party of the international scientific bodies IUPAC and IUPAP. It was formally named on 28 November 2016. The name honors the nuclear physicist Yuri Oganessian, who played a leading role in the discovery of the heaviest elements in the periodic table. Oganesson has the highest atomic number and highest atomic mass of all known elements. On the periodic table of the elements it is a p-block element, a member of group 18 and the last member of period 7. Its only known isotope, oganesson-294, is highly radioactive, with a half-life of 0.7 ms and, as of 2025,[update] only five atoms have been successfully produced. This has so far prevented any experimental studies of its chemistry. Because of relativistic effects, theoretical studies predict that it would be a solid at room temperature, and significantly reactive, unlike the other members of group 18 (the noble gases). (Full article...)
    Oganesson is a synthetic chemical element; it has symbol Og and atomic number 118. It was first synthesized in 2002 at the Joint Institute for Nuclear Research (JINR) in Dubna, near Moscow, Russia, by a joint team of Russian and American scientists. In December 2015, it was recognized as one of four new elements by the Joint Working Party of the international scientific bodies IUPAC and IUPAP. It was formally named on 28 November 2016. The name honors the nuclear physicist Yuri Oganessian, who played a leading role in the discovery of the heaviest elements in the periodic table.

    Oganesson has the highest atomic number and highest atomic mass of all known elements. On the periodic table of the elements it is a p-block element, a member of group 18 and the last member of period 7. Its only known isotope, oganesson-294, is highly radioactive, with a half-life of 0.7 ms and, as of 2025, only five atoms have been successfully produced. This has so far prevented any experimental studies of its chemistry. Because of relativistic effects, theoretical studies predict that it would be a solid at room temperature, and significantly reactive, unlike the other members of group 18 (the noble gases). (Full article...)
  • Image 9 Lenin in 1920 Vladimir Ilyich Ulyanov (22 April [O.S. 10 April] 1870 – 21 January 1924), better known as Vladimir Lenin, was a Russian revolutionary, politician and political theorist. He was the first head of government of Soviet Russia from 1917 until his death in 1924, and of the Soviet Union from 1922 until his death. As the founder and leader of the Bolsheviks, Lenin led the October Revolution which established the world's first socialist state. His government won the Russian Civil War and created a one-party state under the Communist Party. Ideologically a Marxist, his developments to the ideology are called Leninism. Born into a middle-class family in Simbirsk, Lenin embraced revolutionary socialist politics following his brother's execution in 1887. He was expelled from Kazan Imperial University for participating in protests against the Tsarist government, and devoted the following years to a law degree before relocating to Saint Petersburg in 1893 and becoming a leading Marxist activist. In 1897, Lenin was arrested for sedition and exiled to Siberia for three years, after which he moved to Western Europe and became a key figure in the Russian Social Democratic Labour Party. In the party's 1903 schism, he led his Bolshevik faction against the Mensheviks. Lenin briefly returned to Russia during the failed Revolution of 1905, and during the First World War campaigned for its transformation into a Europe-wide proletarian revolution, which he believed would cause the collapse of capitalism and the rise of socialism. After the February Revolution of 1917 ousted Tsar Nicholas II, Lenin returned to Russia and played a leading role in the October Revolution, in which the Bolsheviks overthrew the Provisional Government. (Full article...)

    Lenin in 1920

    Vladimir Ilyich Ulyanov (22 April [O.S. 10 April] 1870 – 21 January 1924), better known as Vladimir Lenin, was a Russian revolutionary, politician and political theorist. He was the first head of government of Soviet Russia from 1917 until his death in 1924, and of the Soviet Union from 1922 until his death. As the founder and leader of the Bolsheviks, Lenin led the October Revolution which established the world's first socialist state. His government won the Russian Civil War and created a one-party state under the Communist Party. Ideologically a Marxist, his developments to the ideology are called Leninism.


    Born into a middle-class family in Simbirsk, Lenin embraced revolutionary socialist politics following his brother's execution in 1887. He was expelled from Kazan Imperial University for participating in protests against the Tsarist government, and devoted the following years to a law degree before relocating to Saint Petersburg in 1893 and becoming a leading Marxist activist. In 1897, Lenin was arrested for sedition and exiled to Siberia for three years, after which he moved to Western Europe and became a key figure in the Russian Social Democratic Labour Party. In the party's 1903 schism, he led his Bolshevik faction against the Mensheviks. Lenin briefly returned to Russia during the failed Revolution of 1905, and during the First World War campaigned for its transformation into a Europe-wide proletarian revolution, which he believed would cause the collapse of capitalism and the rise of socialism. After the February Revolution of 1917 ousted Tsar Nicholas II, Lenin returned to Russia and played a leading role in the October Revolution, in which the Bolsheviks overthrew the Provisional Government. (Full article...)
  • Image 10 The front façade of the House with Chimaeras House with Chimaeras (Ukrainian: Будинок з химерами, Budynok z khymeramy) or Horodetsky House (named for Władysław Horodecki) is an Art Nouveau building located in the historic Lypky neighborhood of Kyiv, the capital of Ukraine. Situated across the street from the President of Ukraine's office at No. 10, Bankova Street, the building has been used as a presidential residence for official and diplomatic ceremonies since 2005. The street in front of the building is closed off to all automobile traffic, and is now a patrolled pedestrian zone due to its proximity to the Presidential Administration building. The Polish architect Władysław Horodecki originally constructed the House with Chimaeras for use as his own upmarket apartment building during 1901–02. However, as the years went by, Horodecki eventually had to sell the building due to financial troubles, after which it changed ownership numerous times before finally being occupied by an official Communist Party polyclinic until the early 2000s. When the building was vacated, its interior and exterior decor were fully reconstructed and restored according to Horodecki's original plans. (Full article...)

    The front façade of the House with Chimaeras

    House with Chimaeras (Ukrainian: Будинок з химерами, Budynok z khymeramy) or Horodetsky House (named for Władysław Horodecki) is an Art Nouveau building located in the historic Lypky neighborhood of Kyiv, the capital of Ukraine. Situated across the street from the President of Ukraine's office at No. 10, Bankova Street, the building has been used as a presidential residence for official and diplomatic ceremonies since 2005. The street in front of the building is closed off to all automobile traffic, and is now a patrolled pedestrian zone due to its proximity to the Presidential Administration building.

    The Polish architect Władysław Horodecki originally constructed the House with Chimaeras for use as his own upmarket apartment building during 1901–02. However, as the years went by, Horodecki eventually had to sell the building due to financial troubles, after which it changed ownership numerous times before finally being occupied by an official Communist Party polyclinic until the early 2000s. When the building was vacated, its interior and exterior decor were fully reconstructed and restored according to Horodecki's original plans. (Full article...)
  • Image 11 A Soviet postage stamp from 1959. The stamp celebrates growth in the chemical industry. During the Khrushchev era, especially from 1956 through 1962, the Soviet Union attempted to implement major wage reforms intended to move Soviet industrial workers away from the mindset of overfulfilling quotas that had characterised the Soviet economy during the preceding Stalinist period and toward a more efficient financial incentive. Throughout the Stalinist period, most Soviet workers had been paid for their work based on a piece-rate system. Thus their individual wages were directly tied to the amount of work they produced. This policy was intended to encourage workers to toil and therefore increase production as much as possible. The piece-rate system led to the growth of bureaucracy and contributed to significant inefficiencies in Soviet industry. In addition, factory managers frequently manipulated the personal production quotas given to workers to prevent workers' wages from falling too low. (Full article...)
    A Soviet postage stamp from 1959. The stamp celebrates growth in the chemical industry.

    During the Khrushchev era, especially from 1956 through 1962, the Soviet Union attempted to implement major wage reforms intended to move Soviet industrial workers away from the mindset of overfulfilling quotas that had characterised the Soviet economy during the preceding Stalinist period and toward a more efficient financial incentive.

    Throughout the Stalinist period, most Soviet workers had been paid for their work based on a piece-rate system. Thus their individual wages were directly tied to the amount of work they produced. This policy was intended to encourage workers to toil and therefore increase production as much as possible. The piece-rate system led to the growth of bureaucracy and contributed to significant inefficiencies in Soviet industry. In addition, factory managers frequently manipulated the personal production quotas given to workers to prevent workers' wages from falling too low. (Full article...)
  • Image 12 Costume sketch for the titular Firebird by Léon Bakst, 1910 The Firebird (French: L'Oiseau de feu; Russian: Жар-птица, romanized: Zhar-ptitsa) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. It was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame and leading to future Diaghilev–Stravinsky collaborations including Petrushka (1911) and The Rite of Spring (1913). The Firebird's mortal and supernatural elements are distinguished with a system of leitmotifs placed in the harmony dubbed "leit-harmony". Stravinsky intentionally used many specialist techniques in the orchestra, including ponticello, col legno, flautando, glissando, and flutter-tonguing. Set in the evil immortal Koschei's castle, the ballet follows Prince Ivan, who battles Koschei with the help of the magical Firebird. (Full article...)

    Costume sketch for the titular Firebird by Léon Bakst, 1910

    The Firebird (French: L'Oiseau de feu; Russian: Жар-птица, romanized: Zhar-ptitsa) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. It was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame and leading to future Diaghilev–Stravinsky collaborations including Petrushka (1911) and The Rite of Spring (1913).

    The Firebird's mortal and supernatural elements are distinguished with a system of leitmotifs placed in the harmony dubbed "leit-harmony". Stravinsky intentionally used many specialist techniques in the orchestra, including ponticello, col legno, flautando, glissando, and flutter-tonguing. Set in the evil immortal Koschei's castle, the ballet follows Prince Ivan, who battles Koschei with the help of the magical Firebird. (Full article...)
  • Image 13 In December 2016, over 70 people died of methanol poisoning in the Russian city of Irkutsk. Caused by the consumption of adulterated surrogate alcohol, it was the deadliest such incident in Russia's post-Soviet history. Russian consumption of surrogate alcohol rose rapidly in the early 2010s amid worsening economic conditions. Surrogates cost less than government-regulated vodka and were commonly available from supermarkets, small shops, and vending machines. In the Irkutsk incident, people drank hawthorn-scented bath oil with the brand name Boyaryshnik. While the product was typically made with and labeled as containing drinkable ethanol, at least one batch was made instead with a toxic amount of methanol. The resulting poisoning led to dozens of hospitalizations and deaths among residents of the Novo-Lenino neighborhood in Irkutsk. A subsequent government investigation found that the surrogate alcohol's producer sourced the methanol from an employee of a local windshield washer fluid production facility. In response to the poisoning, in mid-2017 the Russian government increased legal punishments for illegally producing and selling alcohol and made it more difficult to acquire surrogate alcohols. (Full article...)
    In December 2016, over 70 people died of methanol poisoning in the Russian city of Irkutsk. Caused by the consumption of adulterated surrogate alcohol, it was the deadliest such incident in Russia's post-Soviet history.

    Russian consumption of surrogate alcohol rose rapidly in the early 2010s amid worsening economic conditions. Surrogates cost less than government-regulated vodka and were commonly available from supermarkets, small shops, and vending machines. In the Irkutsk incident, people drank hawthorn-scented bath oil with the brand name Boyaryshnik. While the product was typically made with and labeled as containing drinkable ethanol, at least one batch was made instead with a toxic amount of methanol. The resulting poisoning led to dozens of hospitalizations and deaths among residents of the Novo-Lenino neighborhood in Irkutsk. A subsequent government investigation found that the surrogate alcohol's producer sourced the methanol from an employee of a local windshield washer fluid production facility. In response to the poisoning, in mid-2017 the Russian government increased legal punishments for illegally producing and selling alcohol and made it more difficult to acquire surrogate alcohols. (Full article...)
  • Image 14 1893 lithograph of Dvenadsat Apostolov Dvenadsat Apostolov (Russian: Двенадцать апостолов—"Twelve Apostles") was a pre-dreadnought battleship built for the Imperial Russian Navy, the sole ship of her class. She entered service in 1893 with the Black Sea Fleet, but was not fully ready until 1894. The ship participated in the failed attempt to recapture the mutinous battleship Potemkin in 1905. Decommissioned and disarmed in 1911, Dvenadsat Apostolov became an immobile submarine depot ship the following year. The ship was captured by the Germans in 1918 in Sevastopol and was handed over to the Allies in December. Lying immobile in Sevastopol, she was captured by both sides in the Russian Civil War before she was abandoned when the White Russians evacuated the Crimea in 1920. Dvenadsat Apostolov was used as a stand-in for the title ship during the 1925 filming of The Battleship Potemkin before she was finally scrapped in 1931. (Full article...)

    1893 lithograph of Dvenadsat Apostolov

    Dvenadsat Apostolov (Russian: Двенадцать апостолов—"Twelve Apostles") was a pre-dreadnought battleship built for the Imperial Russian Navy, the sole ship of her class. She entered service in 1893 with the Black Sea Fleet, but was not fully ready until 1894. The ship participated in the failed attempt to recapture the mutinous battleship Potemkin in 1905. Decommissioned and disarmed in 1911, Dvenadsat Apostolov became an immobile submarine depot ship the following year. The ship was captured by the Germans in 1918 in Sevastopol and was handed over to the Allies in December. Lying immobile in Sevastopol, she was captured by both sides in the Russian Civil War before she was abandoned when the White Russians evacuated the Crimea in 1920. Dvenadsat Apostolov was used as a stand-in for the title ship during the 1925 filming of The Battleship Potemkin before she was finally scrapped in 1931. (Full article...)
  • Image 15 The Norslunda runestone bearing runic inscription U 419, which mentions the personal name Kylfingr The Kylfings (Old Norse Kylfingar; Estonian Kalevid; Hungarian Kölpények; Old East Slavic Колбяги, Kolbiagi; Byzantine Greek Κουλπίγγοι, Koulpingoi; Arabic al-Kilabiyya) were a people of uncertain origin active in Northern Europe during the Viking Age, roughly from the late ninth century to the early twelfth century. They could be found in areas of Lapland, Russia, and the Byzantine Empire that were frequented by Scandinavian traders, raiders and mercenaries. Scholars differ on whether the Kylfings were ethnically Finnic or Norse. Also disputed is their geographic origin, with Denmark, Sweden and the Eastern Baltic all put forward as candidates. Whether the name Kylfing denotes a particular tribal, socio-political, or economic grouping is also much debated. They are mentioned on the Viking runestones, the sagas of Icelanders (most notably in Egil's Saga), and Old Norse poetry such as Þorbjǫrn hornklofi's Hrafnsmál, as well as Byzantine records and Rus' lawcodes. According to the sagas, the Kylfings opposed the consolidation of Norway under Harald Fairhair and participated in the pivotal late ninth century Battle of Hafrsfjord. After Harald's victory in that battle, they are described in the sagas as having raided in Finnmark and elsewhere in northern Norway and having fought against Harald's lieutenants such as Thorolf Kveldulfsson. (Full article...)
    The Norslunda runestone bearing runic inscription U 419, which mentions the personal name Kylfingr

    The Kylfings (Old Norse Kylfingar; Estonian Kalevid; Hungarian Kölpények; Old East Slavic Колбяги, Kolbiagi; Byzantine Greek Κουλπίγγοι, Koulpingoi; Arabic al-Kilabiyya) were a people of uncertain origin active in Northern Europe during the Viking Age, roughly from the late ninth century to the early twelfth century. They could be found in areas of Lapland, Russia, and the Byzantine Empire that were frequented by Scandinavian traders, raiders and mercenaries. Scholars differ on whether the Kylfings were ethnically Finnic or Norse. Also disputed is their geographic origin, with Denmark, Sweden and the Eastern Baltic all put forward as candidates. Whether the name Kylfing denotes a particular tribal, socio-political, or economic grouping is also much debated.

    They are mentioned on the Viking runestones, the sagas of Icelanders (most notably in Egil's Saga), and Old Norse poetry such as Þorbjǫrn hornklofi's Hrafnsmál, as well as Byzantine records and Rus' lawcodes. According to the sagas, the Kylfings opposed the consolidation of Norway under Harald Fairhair and participated in the pivotal late ninth century Battle of Hafrsfjord. After Harald's victory in that battle, they are described in the sagas as having raided in Finnmark and elsewhere in northern Norway and having fought against Harald's lieutenants such as Thorolf Kveldulfsson. (Full article...)
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Nativity Cathedral built by Dmitrievich (ca. 1405)

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Prepared stroganina on a table

Stroganina (Russian: строганина, literally "shavings") is a dish of the northern Russians and indigenous people of northern Arctic Siberia consisting of raw, thin, long-sliced frozen fish. Around Lake Baikal, the dish is referred to as raskolotka. Traditional stroganina is made with freshwater whitefish salmonids found in the Siberian Arctic waters such as nelma, muksun, chir, and omul. Rarely, it is made with sturgeon. This dish is popular with native Siberians, and is present in Yakutian cuisine, Eskimo cuisine, Komi cuisine and Yamal cuisine. In Kaliningrad it is made with Sarda. It is often paired with vodka. (Full article...)

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Olga Alexandrovna c. 1910

Grand Duchess Olga Alexandrovna of Russia (Russian: Ольга Александровна; 13 June [O.S. 1 June] 1882 – 24 November 1960) was the youngest child of Emperor Alexander III of Russia and younger sister of Emperor Nicholas II.

Olga was raised at the Gatchina Palace outside Saint Petersburg. Olga's relationship with her mother, Empress Marie, the daughter of King Christian IX of Denmark, was strained and distant from childhood. In contrast, she and her father were close. He died when she was 12, and her brother Nicholas became emperor. In 1901, at 19, she married Duke Peter Alexandrovich of Oldenburg, who was privately believed by family and friends to be homosexual. Their marriage of 15 years remained unconsummated, and Peter at first refused Olga's request for a divorce. The couple led separate lives and their marriage was eventually annulled by the Emperor in October 1916. The following month Olga married cavalry officer Nikolai Kulikovsky, with whom she had fallen in love several years before. During the First World War, Olga served as an army nurse and was awarded a medal for personal gallantry. At the downfall of the Romanovs in the Russian Revolution of 1917, she fled with her husband and children to Crimea, where they lived under the threat of assassination. Her brother Nicholas and his family were shot and bayoneted to death by revolutionaries. (Full article...)

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10 April 2025 – Russian invasion of Ukraine
War crimes in the Russian invasion of Ukraine
A video leaked by Ukrainian officials and verified by the Associated Press shows Russian soldiers summarily executing four Ukrainian prisoners of war last month in Piatykhatky, Zaporizhzhia Oblast. (AP)
10 April 2025 – Russia–United States relations
A Russian-American citizen arrested in the city of Yekaterinburg in early 2024 and a dual German-Russian citizen arrested in Cyprus in 2023 are released in a prisoner swap between Russia and the United States. (BBC News)
9 April 2025 – Russo-Ukrainian war
Russian invasion of Ukraine
2025 Russian spring offensive
Ukrainian commander-in-chief Oleksandr Syrskyi reports that Russia has commenced a new spring offensive, launching intensified attacks across multiple sections of the frontline. (Kyiv Independent)

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Sergei Prokofiev
In my view, the composer, just as the poet, the sculptor or the painter, is in duty bound to serve Man, the people. He must beautify human life and defend it. He must be a citizen first and foremost, so that his art might consciously extol human life and lead man to a radiant future. Such is the immutable code of art as I see it.

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