List of plays adapted into feature films
This is a list of plays that have been adapted into feature films. Entries are sorted alphabetically by the title of the play. The title of the play is followed by its first public performance, its playwright, the title of the film adapted from the play, the year of the film and the film's director. If a film has an alternate title based on geographical distribution, the title listed will be that of the widest distribution area. This is a dynamic list and may never be complete. It is limited to entries in which either the play or its film adaptation have an existing article on the English-language Wikipedia.
List of plays adapted into feature films
0–9
| Play | Playwright | Film | Film director |
|---|---|---|---|
| 1918 (1979) | Horton Foote | 1918 (1985) | Ken Harrison |
| The 24th Day | Tony Piccirillo | The 24th Day (2004) | Tony Piccirillo |
| 27 Wagons Full of Cotton (1946)[1] | Tennessee Williams | Baby Doll (1956) | Elia Kazan[2] |
| 29+1 | Kearen Pang | 29+1 (2017) | Kearen Pang |
| 39 East (1919) | Rachel Crothers | 39 East (1920) | John S. Robertson |
| 7 Minutes | Stefano Massini | 7 Minutes (2016) | Michele Placido |
| 77 Park Lane | Walter C. Hackett | 77 Park Lane (1931) | Albert de Courville |
| 77 Rue Chalgrin (1931) | Albert de Courville | ||
| Between Night and Day (1932) | Albert de Courville Fernando Gomis | ||
| 8 femmes (1958) | Robert Thomas | 8 Women (2002) | François Ozon |
| 84 Charing Cross Road (1981) | James Roose-Evans | 84 Charing Cross Road (1987) | David Jones |
A
B
C
D
E
F
G
H-Z
See also
- Film adaptation
- Lists of film source material
- List of musicals adapted into feature films
- Category:Films based on works by William Shakespeare
- List of William Shakespeare screen adaptations
References
- ^ Kazan, Elia (2009). Kazan on Directing. New York: Alfred A. Knopf. p. 196. ISBN 9780307264770.
- ^ An editor's section in Kazan on Directing, (Kazan, Elia (2009). Kazan on Directing. New York: Alfred A. Knopf. p. 196. ISBN 9780307264770.) describes how Williams and Kazan collaborated on the story. Kazan as being the one who first put the two plays together, although The Long Stay is a secondary plot arc. Kazan initially wrote the story with a vengeful, violent ending, while Williams advocated a more ambiguous ending. Kazan acquiesced, and is not credited as a writer. Williams was involved in the writing periodically throughout filming.
- ^ a b Gardner, Lyn (27 January 2012). "Alfie". The Guardian.
- ^ 'Film Of Anastasia', The Times, 23 Sep.1953, p2
- ^ Holden, Stephen (7 April 1995). "Bar Girls (1994) FILM REVIEW; Where the Girls Are. (Not the Beach.)". The New York Times.
- ^ Wyatt, Nelson (29 January 2012). "Journey to Oscars began at the theatre for Canadian makers of 'Monsieur Lazhar'". The Canadian Press.
- ^ Hollinger, Hy (29 July 1959). "Film Reviews: Blue Denim". Variety. p. 6.
- ^ Ebert, Roger (25 December 1986). "Brighton Beach Memoirs". Chicago Sun-Times. Archived from the original on 13 July 2012. Retrieved 28 February 2017.
- ^ Canby, Vincent. "A Doll s House (1973)". The New York Times. Retrieved 12 March 2014.
- ^ Smith, Richard Harland. "Equus (1977)". Turner Classic Movies. Retrieved 24 October 2016.
- ^ Hopewell J. & Keslassy E. (1 November 2010). "Polanski's 'Carnage' rolls out sales". Variety. Retrieved 16 April 2011.
- ^ Maslin, Janet (14 December 1994). "Nell (1994) FILM REVIEW: NELL; A Woman Within a Wild Child, As Revealed by Jodie Foster". The New York Times.
- ^ Wyatt, Nelson (24 February 2011). "Author of Incendies, the play, praises movie version". The Toronto Star. Retrieved 6 August 2016.
- ^ Galuppo, Mia (12 February 2016). "Canadian Helmer Xavier Dolan on Adapting 'It's Only the End of the World'". The Hollywood Reporter. Retrieved 12 February 2017.
- ^ Bradley, Edwin M (2004). The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 Through 1932. Jefferson, NC: McFarland. ISBN 0-7864-2029-4.
- ^ Kazan, Elia (2009). Kazan on Directing. New York: Alfred A. Knopf. p. 196. ISBN 9780307264770.
- ^ An editor's section in Kazan on Directing, (Kazan, Elia (2009). Kazan on Directing. New York: Alfred A. Knopf. p. 196. ISBN 9780307264770.) describes how Williams and Kazan collaborated on the story. Kazan as being the one who first put the two plays together, although The Long Stay is a secondary plot arc. Kazan initially wrote the story with a vengeful, violent ending, while Williams advocated a more ambiguous ending. Kazan acquiesced, and is not credited as a writer. Williams was involved in the writing periodically throughout filming.
- ^ "Trash and Treasure: John Waters on 'Boom!'". MovieTime. ABC Radio National. 21 October 2011. Retrieved 15 July 2016.
- ^ a b "Notes for Seventh Heaven (1937)". Turner Classic Movies. Retrieved 8 March 2013.
- ^ a b "About Last Night 2014". Turner Classic Movies. Atlanta: Turner Broadcasting System (Time Warner). Retrieved 1 October 2016.
- ^ Variety film review; 27 February 1957, p. 6.