James Kevin McGuinness
James Kevin McGuinness | |
---|---|
Born | |
Died | December 4, 1950 New York City, New York, U.S.A. | (aged 56)
Years active | 1927–1950 |
James Kevin McGuinness (December 20, 1894 – December 4, 1950) was an American screenwriter and film producer. He provided testimony to the House Un-American Activities Committee which led to the Hollywood blacklist in 1947.
Early life
James Kevin McGuinness was born on December 20, 1894 in Drogheda, County Louth, Ireland,[1] and immigrated to New York in 1904.[citation needed]
Career
McGuinness arrived in Los Angeles in the 1920s at the dawn of the "talkies" era, and thereafter worked in the film industry as a writer and later a producer.[citation needed] He wrote for 36 films between 1927 and 1950, and also wrote for The New Yorker magazine.[citation needed]
He later became chief supervisor and executive producer at Metro-Goldwyn-Mayer.[citation needed]
Other activities
In 1947, along with fellow screenwriter Jack Moffitt, he testified against others suspected of Communist leanings in Hollywood for hearings associated with the House Un-American Activities Committee, which led to the Hollywood blacklist.[2][1]
Death
McGuiness died in New York on December 4, 1950 from a heart attack.[citation needed]
Selected filmography
- Slaves of Beauty (1927)
- A Girl in Every Port (1928)
- Woman Wise (1928)
- Strong Boy (1929)
- The Woman from Hell (1929)
- The Black Watch (1929)
- Born Reckless (1930)
- Men Without Women (1930)
- Under Suspicion (1930)
- West of Broadway (1931)
- Attorney for the Defense (1932)
- This Sporting Age (1932)
- When Strangers Marry (1933)
- Viva Villa! (1934)
- A Night at the Opera (1935)
- Madame X (1937)
- The Battle of Midway (1942)
- Rio Grande (1950)
Bibliography
Articles
- J. M. (February 28, 1925). "A slogan haunts the bishop". Behind the News. The New Yorker. Vol. 1, no. 2. p. 4.
- McGuinness, James Kevin (February 28, 1925). "Beginning at the bottom". Behind the News. The New Yorker. Vol. 1, no. 2. p. 5.
- — (February 28, 1925). "The laud will provide". The New Yorker. Vol. 1, no. 2. p. 22.
- J. M. (March 7, 1925). "Call 'Beekman 2,000'". Behind the News. The New Yorker. Vol. 1, no. 3. pp. 2–3.
- McGuinness, James Kevin (March 14, 1925). "A symbol in pugilism". Profiles. The New Yorker. Vol. 1, no. 4. pp. 15–16. Jack Dempsey.
- — (April 18, 1925). "Modom". The New Yorker. Vol. 1, no. 9. pp. 7–8.
- — (April 25, 1925). "A process of law". The New Yorker. Vol. 1, no. 10. p. 7.
List of poems
Title | Year | First published | Reprinted/collected |
---|---|---|---|
A Bob ballad : modes | 1925 | McGuinness, James Kevin (March 7, 1925). "A Bob ballad : modes". The New Yorker. Vol. 1, no. 3. p. 18. | |
Supper club lights | 1925 | McGuinness, James Kevin (May 23, 1925). "Supper club lights". The New Yorker. Vol. 1, no. 14. p. 6. |
References
- ^ a b United States. Congress. House. Committee on Un-American Activities (1947). Hearings regarding the communist infiltration of the motion picture industry. Hearings before the Committee on Un-American Activities, House of Representatives, Eightieth Congress, first session. Public law 601 (section 121, subsection Q (2)). Boston Public Library. Washington, U.S. Govt. Print. Off.
- ^ Doherty, Thomas (2018). "Show Trial: Hollywood, HUAC, and the Birth of the Blacklist 9780231547468". Retrieved December 28, 2024 – via dokumen.pub.
External links