Neo-noir: Difference between revisions
82.13.39.114 (talk) |
TheOCflash (talk | contribs) Minor copy edits |
||
| Line 1: | Line 1: | ||
'''Neo-noir''' (from the Greek |
'''Neo-noir''' (from the Greek ''[[neo]],'' new; and the French ''noir,'' black) is a type of [[motion picture]] that prominently utilizes elements of ''[[film noir]]'', but with updated themes, content, style or visual elements that were absent in ''films noir'' of the 1940s and 1950s. |
||
==History== |
==History== |
||
{{main|film noir}} |
{{main|film noir}} |
||
The term ''[[Film Noir]]'' (French for "black film") was coined by critic [[Nino Frank]] in 1946, but was little used by [[film]] makers, critics or fans until several decades later. The classic era of ''film noir'' is usually dated to the early 1940s to the late 1950s. Typically American [[crime drama]]s or [[psychological thriller]]s, ''films noir'' had a number of common themes and plot devices, and many distinctive visual elements. Characters were often conflicted [[antihero]]s, trapped in a difficult situation and making choices out of desperation or [[nihilism|nihilistic]] moral systems. Visual elements included [[low-key lighting]], striking use of [[Chiaroscuro|light and shadow]], and unusual camera placement. |
The term ''[[Film Noir]]'' (French for "black film") was coined by critic [[Nino Frank]] in 1946, but was little used by [[film]] makers, critics or fans until several decades later. The classic era of ''film noir'' is usually dated to the early 1940s to the late 1950s. Typically American [[crime drama]]s or [[psychological thriller]]s, ''films noir'' had a number of common themes and plot devices, and many distinctive visual elements. Characters were often conflicted [[antihero]]s, trapped in a difficult situation and making choices out of desperation or [[nihilism|nihilistic]] moral systems. Visual elements included [[low-key lighting]], striking use of [[Chiaroscuro|light and shadow]], and unusual camera placement. |
||
Revision as of 22:41, 28 April 2008
Neo-noir (from the Greek neo, new; and the French noir, black) is a type of motion picture that prominently utilizes elements of film noir, but with updated themes, content, style or visual elements that were absent in films noir of the 1940s and 1950s.
History
The term Film Noir (French for "black film") was coined by critic Nino Frank in 1946, but was little used by film makers, critics or fans until several decades later. The classic era of film noir is usually dated to the early 1940s to the late 1950s. Typically American crime dramas or psychological thrillers, films noir had a number of common themes and plot devices, and many distinctive visual elements. Characters were often conflicted antiheros, trapped in a difficult situation and making choices out of desperation or nihilistic moral systems. Visual elements included low-key lighting, striking use of light and shadow, and unusual camera placement.
Although there have been few new major films in the classic film noir genre since the early 1960s, it has nonetheless had significant impact on other genres. These films usually incorporate both thematic and visual elements reminiscent of films noir. As many classic films noir were independent features (given the lack of attention that major Hollywood studios paid to many noir projects) it is fitting that many neo-noir films are also independent.
By the 1970s, newer motion pictures were sometimes earning comparisons to earlier films noir. Unlike classic noirs, neo-noir films are aware of modern circumstances and technology -- details that were typically absent or unimportant to the plot of classic film noir. Modern themes employed in these films include identity crises, memory issues and subjectivity, and technological problems and their social ramifications. Similarly, the term can be applied to other works of fiction that incorporate these elements.
Examples
Works that can be described as neo-noir include dystopian science fiction films such as Soylent Green and Blade Runner.
Some other examples from this genre include:
The Long Goodbye
Sin City
Chinatown
Payback
Identity
Dark City
Batman Begins
The Dark Knight
Against All Odds
Tequila Sunrise
L.A. Confidential
The Ice Harvest
Kiss Kiss Bang Bang
The Black Dahlia
Brick
8mm
Angel Heart
The Grifters
Streets of Fire
Taxi Driver
True Confessions
Red Rock West
Blue Velvet
Final Analysis
China Moon
Shattered
The Believers
Heaven's Prisoners
Blink
Dead Again
Out of the Dark
The Big Lebowski
The First Power
Wild Things
Layer Cake
U Turn
Body Heat
Blood Simple
The Curve
One False Move
Miller's Crossing
The Man Who Wasn't There
After Dark, My Sweet
Mulholland Drive
Memento
The Last Seduction
Se7en
Stormy Monday
Goodbye Lover
The trend has surfaced in television series like Miami Vice, Batman: The Animated Series, Veronica Mars, and in video games like Grim Fandango, Max Payne and Fahrenheit (a.k.a. Indigo Prophecy) .
See also
References
- Conrad, Mark T. The Philosophy of Neo Noir. University Press of Kentucky, 2006. (ISBN 0-81-312422-0)