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In 1946, after the [[Second World War]], there was an influx of Californian (predominantly white) jazz musicians to New York. Once there, these musicians mixed with the mostly African-American [[Bebop|bop]] musicians, but being heavily influenced by swing musicians such as Lester Young (Prez) and Coleman Hawkins (Bean), incorporated a mellower tone. The product, ''cool jazz'', was a lighter, more romantic style of jazz than Be-Bop; cool jazz took a relaxed, simple approach to rhythm while preserving the [[harmony|harmonic]] ideas of bop. The [[Claude Thornhill]] Orchestra with the arranger [[Gil Evans]] recorded cool jazz as early as the late 1940s; Thornhill's most popular song, "Snowfall", is still played today. Other cool musicians of the 1940's included [[Lennie Tristano]] and his colleagues [[Billy Bauer]] and [[Warne Marsh]]. The style grew more prevalent in the 1950's, attracting the attention of musicians like [[Miles Davis]], whose recordings ''[[Birth of the Cool]]'' (1957) and ''[[Kind of Blue]]'' (1959) became among the most popular jazz albums ever produced.
In 1946, after the [[Second World War]], there was an influx of Californian (predominantly white) jazz musicians to New York. Once there, these musicians mixed with the mostly African-American [[Bebop|bop]] musicians, but being heavily influenced by swing musicians such as Lester Young (Prez) and Coleman Hawkins (Bean), incorporated a mellower tone. The product, ''cool jazz'', was a lighter, more romantic style of jazz than Be-Bop; cool jazz took a relaxed, simple approach to rhythm while preserving the [[harmony|harmonic]] ideas of bop. The [[Claude Thornhill]] Orchestra with the arranger [[Gil Evans]] recorded cool jazz as early as the late 1940s; Thornhill's most popular song, "Snowfall", is still played today. Other cool musicians of the 1940's included [[Lennie Tristano]] and his colleagues [[Billy Bauer]] and [[Warne Marsh]]. The style grew more prevalent in the 1950's, attracting the attention of musicians like [[Miles Davis]], whose recordings ''[[Birth of the Cool]]'' (1957) and ''[[Kind of Blue]]'' (1959) became among the most popular jazz albums ever produced.


==Cool jazz artists==


* [[Miles Davis]] Nonet 1949/50 and with Gil Evans (1957-63)
* The Gil Evans Orchestra (1957-64)
* [[Bill Evans]]
* [[Gerry Mulligan]] with [[Chet Baker]]
* [[Lee Konitz]] (with Tristano, Thornhill, Evans, Davis)
* [[Dave Brubeck]] with [[Paul Desmond]]
* [[Stan Getz]]
* [[Chico Hamilton]]
* [[George Shearing]]
* [[Vince Guaraldi]]
* [[Shelly Manne]]
* [[Modern Jazz Quartet]]
* [[Lester Young]]
* [[Chet Baker]]


==See also==
==See also==

Revision as of 17:04, 5 March 2007

CD reissue of Davis's 1957 LP Birth of the Cool, collecting much of his 1949 to 1950 work.

Cool jazz is a jazz style that emerged in the late 1940s in New York City.

History

In 1946, after the Second World War, there was an influx of Californian (predominantly white) jazz musicians to New York. Once there, these musicians mixed with the mostly African-American bop musicians, but being heavily influenced by swing musicians such as Lester Young (Prez) and Coleman Hawkins (Bean), incorporated a mellower tone. The product, cool jazz, was a lighter, more romantic style of jazz than Be-Bop; cool jazz took a relaxed, simple approach to rhythm while preserving the harmonic ideas of bop. The Claude Thornhill Orchestra with the arranger Gil Evans recorded cool jazz as early as the late 1940s; Thornhill's most popular song, "Snowfall", is still played today. Other cool musicians of the 1940's included Lennie Tristano and his colleagues Billy Bauer and Warne Marsh. The style grew more prevalent in the 1950's, attracting the attention of musicians like Miles Davis, whose recordings Birth of the Cool (1957) and Kind of Blue (1959) became among the most popular jazz albums ever produced.


See also

http://redhotjazz.com/coolarticle.html


Samples