Sarfarosh
Theatrical release poster
Directed by	John Matthew Matthan
Screenplay by	John Matthew Matthan Hriday Lani Pathik Vats
Story by	John Matthew Matthan
Produced by	John Matthew Matthan
Starring	Naseeruddin Shah Aamir Khan Sonali Bendre
Cinematography	Vikas Sivaraman
Edited by	Jethu Mundul
Music by	Songs: Jatin–Lalit Background Score: Sanjoy Chowdhury
Production company	Cinematt Pictures
Distributed by	Eros Entertainment
Release date	30 April 1999 (1999-04-30)
Running time	163 minutes
Country	India
Language	Hindi
Budget	₹8 crore[1]
Box office	₹33.46 crore[1]

Sarfarosh (transl. Fervent) is a 1999 Indian Hindi-language action thriller film written, produced and directed by John Matthew Matthan. The film, based on true events regarding state-sponsored terrorism taken place in India during 1990s, stars Naseeruddin Shah, Aamir Khan and Sonali Bendre, alongside Mukesh Rishi, Pradeep Rawat, Akhilendra Mishra, Makrand Deshpande, Shri Vallabh Vyas, Govind Namdev and Surekha Sikri. The soundtrack and musical score were composed by Jatin–Lalit and Sanjoy Chowdhury, while cinematography and editing were handled by Vikas Sivaraman and Jethu Mundul. The film revolves around an IPS officer's quest to eradicate cross-border terrorism.^[2]

Matthan started working on the film in 1992. Seven years were spent on the research, pre-production and production. It was finally released in 30 April 1999.

Sarfarosh was released just before the Kargil conflict when tensions between India and Pakistan were high. The film became commercially successful at the box office. The movie received praise for its cast performances, technical aspects, action sequences, music and script.^[3][1] The film won the National Film Award for Best Popular Film Providing Wholesome Entertainment, the Filmfare Critics Award for Best Film, and was screened at the International Film Festival of India.^[4] The film was remade in Kannada as Sathyameva Jayathe and in Telugu as Astram.

Arms trafficking is taking place in India. Bala Thakur, a gun handler, provides the arms to Veeran, a brigand. Veeran and his gang attack a wedding bus, gunning down every person in it. The government appoints a Special Action Team in Mumbai to trace the attack.

Assistant Commissioner of Police Ajay Singh Rathod, a resident of Mumbai, attends a concert by famed ghazal singer, the elderly Gulfam Hassan, a Muhajir. Gulfam is Indian by birth but had to move to Pakistan as a child during the partition; deeply scarred by the experience, he is happy that the government allows him to live in his palatial residence whenever he comes to India. Gulfam finds a huge fan in Ajay, who used to attend his programs as a child, and the two bond. Ajay also reunites with Seema, whom he had a crush on when they were studying in Delhi. The duo falls in love.

Inspector Saleem, an honest policeman, is taken off the team when notorious gangster Sultan escapes his clutches. He is reprimanded for this failure and for causing the death of three officers in the attempt. Despite Saleem doing his duty sincerely, his senior officers look down upon him because he is a Muslim. When Ajay, who is younger, inexperienced and was mentored by Saleem himself before assuming charge, is told to head the team, Saleem is upset and refuses to take part in the investigation. Ajay's past is revealed: his father was going to testify against a terrorist, and in an attempt to stop them, Ajay's elder brother was killed. His father was kidnapped, and by the time the terrorists spared him, the man had lost his voice. This motivated Ajay to join the police force.

Gulfam is revealed to be working for the Pakistani intelligence, which is attempting to indulge in a proxy war with India. Since Gulfam likes Ajay, he sees to it that nothing happens to him. Saleem finds the location of Bala Thakur and Sultan and gives the information to Ajay, who convinces him to join the team again. An encounter with the criminals results in the death of Bala Thakur while Ajay is injured. Though Sultan escapes, the operation is a success as the team is able to intercept a consignment of lethal arms meant for terrorist Veeran. Sultan is assassinated on Gulfam's orders because of his failure, with false information relayed to Saleem's informer network that Sultan has escaped to Pakistan.

While recovering from his injuries in the hospital, Ajay narrates the events to Seema, when he has an epiphany. He goes back to the site with Seema's help where he finds a horoscope of Bala Thakur, which leads the team to Bahid in Rajasthan. Following his recovery, Ajay meets Gulfam in Bahid, who is temporarily staying in his ancestral manor. Gulfam's attempts to derail the investigation, even ordering an assault on Ajay, are of no avail. The repeated failures displease the Pakistani Intelligence, which dispatch Major Aslam Baig to take care of the business.

The team prepares for a final assault on the gun-running operation and ultimately land at Gulfam's mansion. Ajay feels betrayed when he learns of Gulfam's betrayal, but is aware of the lack of evidence to indict him for his crimes. He tricks Gulfam into killing Baig and arrests him for it. Gulfam reveals that he did what he did because of how his experiences during the partition hurt him. Ajay makes him realize that his actions are not benefiting any people of any religion, and Gulfam, unable to stand the humiliation and guilt, commits suicide. His suicide is hushed up, and the team returns to Mumbai to much accolades for busting the terrorist racket. Saleem is tipped on the whereabouts of Veeran, and Ajay embarks on another investigation with his team.

The film's music was composed by Jatin–Lalit. Lyrics are penned by Israr Ansari, Nida Fazli, Sameer and Indeevar.

Vocals for Shah, Khan and Bendre were supplied by Jagjit Singh, Kumar Sanu and Alka Yagnik, respectively. The album also features the vocals of Kavita Krishnamurthy, Roop Kumar Rathod and Sonu Nigam.

Hosh Walon Ko Khabar Kya was penned by Nida Fazli, inspired by the Indian poet Kabirdas' verse Haman Hai Ishq Mastana.^[5] Jatin Pandit has specified that Jatin-Lalit recorded the ghazal with Bhupinder Singh, for whom it was originally composed, but on the insistence of the film's administrators and their request for a more popular ghazal singer, leading them to approach Jagjit Singh. Jatin noted that he made it a point to create a new tune for the Jagjit Singh version as to honor the work put in by Bhupinder Singh earlier.

Upon theatrical release, Sarfarosh received critical acclaim from film critics. Naseeruddin Shah was especially praised for his role of a Muhajir.^[6] The reviewer for Filmfare rated the film four stars out of five and wrote, "What makes this film so exceptional is its carefully thought out characterization and brilliant performances. Although this is his first film, director John Mathew Matthan draws perfectly crafted outputs from his entire cast. Aamir brings the role of A.C.P. Rathod to a never-before-seen dimension of reality." He further added, "Sarfarosh succeeds in connecting with the audiences, as it manages to transcend its medium and do a great deal more than just entertain."^[7]

Suparn Verma of Rediff.com felt that the film "manages to marry serious cinema with the commercial variety" and wrote that the "script has this no-nonsense look to it, clearly and succinctly establishing the protagonist's past ..." In addition to commending the acting performances of Naseeruddin Shah, Aamir Khan and Sonali Bendre, he lauded the departments of direction, music, choreography, and called the camerawork "good in parts but lack[ing] technical finesse".^[8]

• Sarfarosh at IMDb
• Sarfarosh at AllMovie
• Sarfarosh at Box Office Mojo
• Sarfarosh at Rotten Tomatoes