Mariia Krompets-Morachevska
Mariia Krompets-Morachevska | |
|---|---|
| Марія Петрівна Кромпець-Морачевська | |
| Born | 10 April 1897 |
| Died | 3 November 1960 (aged 63) |
| Nationality | Ukrainian |
| Alma mater | Oleksa Novakivskyi Art School, University of Lviv |
| Occupation(s) | Artist of decorative and applied arts, a painter, and a teacher |
Mariia Krompets-Morachevska (Ukrainian: Марія Петрівна Кромпець-Морачевська; 10 April 1897 – 3 November 1960) was a Ukrainian artist of decorative and applied arts, a painter, and a teacher. Wife of Yurii Morachevskyi, mother of Sofiia Morachevska-Temnytska.[1][2]
Biography
Mariia Krompets-Morachevska was born on 10 April 1897 in Sokolivka (now Zolochiv Raion of the Lviv Oblast).[1][3]
In 1922–1923, she attended lectures at the Lviv Art and Industrial School. In 1926, she graduated from the Oleksa Novakivskyi Art School,[4] and in 1929 from the Faculty of Philosophy at University of Lviv.[1][3]
She worked in various positions, in particular, from 1922 at the Lviv Ukrainian Women's Gymnasium of the Basilian Sisters; at the same time at the Lviv Private Teachers' Seminary for Women, the Lviv Women's Humanist Seminary of the Ridna Shkola Society; in 1941–1943 she headed the textile department of the Lviv Art and Industrial School. In 1945–1948, she was a design artist at the Maria Zankovetska Ukrainian Drama Theater, where she created theatrical costumes together with Eleia Olesnytska.[1][3][5]
From 1948 she lived in Vienna, and in 1950 she emigrated to Philadelphia (USA), where she worked as a teacher at the St. Nicholas Church from 1950 to 1958. She took an active part in the Ukrainian community of the city. She was a member of the Ukrainian National Women's League of America and the World Federation of Ukrainian Women's Organizations.[1]
She died on 3 November 1960 in a car accident. She was buried in Philadelphia (USA).[1]
Creativity
From 1926 she participated in exhibitions. In her works, she preserved the national style in modern life. She used samples of folk art in napkins, curtains, and carpets, and popularized them in the 1930s in the publications of the Nova Khata magazine.[1]
Her works include painting studies, landscapes ("Blossoming Apple Tree", 1925), still lifes, and portraits. She wrote a memoir about Oleksa Novakivskyi, which was published in 1935 in the magazine "Nova Hata". She had several students, including: Ivanna Nyzhnyk-Vynnykiv, Vira Svientsitska, Yevheniia Chapelska-Kurylovych, and Olena Verhanovska.[1][3]
References
- ^ a b c d e f g h Krompets-Morachevska Mariia Petrivna / L. V. Voloshyn // Encyclopedia of Modern Ukraine [Online] / Eds. : I. М. Dziuba, A. I. Zhukovsky, M. H. Zhelezniak [et al.] ; National Academy of Sciences of Ukraine, Shevchenko Scientific Society. – Kyiv : The NASU institute of Encyclopedic Research, 2014.
- ^ Іван Парубчак, Віктор Галяс (2024-09-13). "Світлій пам'яті Софії Морачевської-Темницької присвячується «Вона жила для України, і буде Україна її пам'ятати» (З листа М. Жулинського, І. Драча, М. та І. Дзюбів)". Львівський національний університет ветеринарної медицини та біотехнологій імені С. З. Ґжицького.
- ^ a b c d Волошин Л. Марія Кромпець-Морачевська і її внесок у процес становлення українського національного стилю в ужитковому мистецтві Галичини 1920-1930-х рр. // Етнодизайн у контексті відродження української національної ідентичності та європейської інтеграції. Кн. 3 : зб. наук. праць / редкол. : гол. ред. М. В. Гриньова, упоряд. і відп. ред. Є. А. Антонович, А. Ю. Цина та ін. Полтава : ПНПУ імені В.Г. Короленка, 2024. — С. 38—47.
- ^ Ірина Різун (2023-06-07). "Мистецькій школі Олекси Новаківського 100 років". Локальна історія.
- ^ Тканко З. Мода в Україні ХХ століття. Львів : Видавництво «АРТОС», 2015. — С. 16.
