Carry On Jack
Original UK quad poster
Directed by	Gerald Thomas
Written by	Talbot Rothwell
Produced by	Peter Rogers
Starring	Kenneth Williams Bernard Cribbins Juliet Mills Charles Hawtrey Donald Houston Cecil Parker
Cinematography	Alan Hume
Edited by	Archie Ludski
Music by	Eric Rogers
Production company	Peter Rogers Productions
Distributed by	Anglo-Amalgamated Warner-Pathé Distributors
Release date	23 February 1964 (1964-02-23) [1]
Running time	91 mins
Country	United Kingdom
Language	English
Budget	£152,000

Carry On Jack is a 1964 British comedy film, the eighth in the series of 31 Carry On films (1958–1992). Most of the usual Carry On team are missing from this film: only Kenneth Williams and Charles Hawtrey appear throughout, with Jim Dale making a cameo appearance as a sedan chair carrier. Bernard Cribbins makes the first of his three appearances in a Carry On. Juliet Mills, Donald Houston and Cecil Parker make their only Carry on appearances in this film. Carry On Jack was the second of the series to be filmed in colour and the first Carry On film with a historical setting and period costumes.

As with its immediate predecessor, the script for Carry on Jack started off as a non-Carry On film (originally entitled Up the Armada) and after a number of title changes was incorporated into the series.^[2] The film was followed by Carry On Spying 1964.

Before dying, Admiral Horatio Nelson says that Britain needs a bigger navy with more men and then requests a kiss to Hardy. Meanwhile, Albert Poop-Decker has taken eight and half years and is still not qualified as midshipman, but is promoted by the First Sea Lord as England needs officers. He is to join the frigate HMS Venus at Plymouth. Arriving to find the crew all celebrating as they are sailing tomorrow, he takes a sedan chair with no bottom (so he has to run), carried by a young man and his father to Dirty Dick's Tavern.

Mobbed by women in the tavern as he is holding a sovereign aloft (as advised by Dale), he is rescued by serving maid Sally. She wants to go to sea to find her former lodger and childhood sweetheart Roger, but landlord Ned has let her down. She finds that Poop-Decker has not reported to the ship yet and is unknown to them, so in a room upstairs she knocks him out and takes his midshipman's uniform.

Poop-Decker wakes and dons a dress to cover his long johns, and downstairs, along with cess pit cleaner Walter Sweetly, is kidnapped by a press gang run by the Venus's First Officer Lieutenant Jonathan Howett and his bosun, Mr. Angel. They come to when at sea and are introduced to Captain Fearless. Poop-Decker makes himself known, but there is already a Midshipman Poop-Decker aboard – Sally, in disguise. Poop-Decker, as a hopeless seaman, goes on to continually upset Howett by doing the wrong thing. Sally reveals her true identity to Poop-Decker after he has been punished, and he decides to let things continue as they are. Eventually, Poop-Decker and Sally fall in love with each other.

After three months at sea and no action, the crew are restless, and when they finally see a Spanish ship, the Captain has them sail away from it. Howett and Angel hatch a plot, making it look as if the ship has been boarded by the enemy during a night raid and using Poop-Decker as an expendable dupe to get the Captain leave the ship on his own volition. Poop-Decker, Sweetly and Sally thus help the Captain into a boat, and they leave the ship. However, while leaving his cabin, the Captain gets a splinter in his foot, which later goes gangrenous. Reaching dry land, Captain Fearless reckons that they are in France and they need only to walk a short distance to reach Calais, while they are actually standing on Spanish soil. Sally and Poop-Decker spot a party of civilians and steal their clothes while they are bathing.

Now in charge of the ship, Howett and Angel sail for Cádiz and plan on taking it from Don Luis, the Spanish Governor. They are successful, but their plot is ruined by Poop-Decker's group, who stumble into Cádiz (believing it to be Le Havre) and recapture the Venus. Sailing back to England, they encounter a pirate ship, whose crew seizes the Venus. The Captain (Patch) turns out to be Sally's lost love Roger, but upon seeing him as a brutal rogue, she no longer wants to have anything to do with him. In order to force her compliance, Patch and Hook try to make Poop-Decker and Fearless walk the plank. However, Poop-Decker escapes and cuts down a sail, which covers the pirates, capturing them.

In Cádiz, the former crew of the Venus are taken to be shot, but escape with five empty Spanish men-of-war to England for prize money and glory. They are within sight of England when they encounter the Venus. While Poop-Decker, Sally and Walter are working belowdecks on cutting off Fearless's infected leg, a fire gets out of control on deck and burns a sail, which sets off the Venus's primed cannons, hitting all five Spanish ships and thus once again thwarting Howett. Poop-Decker and his companions end up at the Admiralty as heroes. Fearless, who now has a pegleg is promoted to Admiral and given a desk job. Poop-Decker and Sweetly are given the rank of honorary Captains, with pensions, but Poop-Decker reveals that he is going to leave the service to marry Sally.

The overall plot in relation to Sally steals the idea from episode 2 of the British TV series Sir Francis Drake made three years earlier (1961). In this episode a girl (the daughter of a ship's gunner) stows away on Drake's ship dressed as a man.^[3]

• Screenplay – Talbot Rothwell
• Music – Eric Rogers
• Art Director – Jack Shampan
• Director of Photography – Alan Hume
• Editor – Archie Ludski
• Associate Producer – Frank Bevis
• Assistant Director – Anthony Waye
• Camera Operator – Godfrey Godar
• Sound Editor – Christopher Lancaster
• Sound Recordist – Bill Daniels
• Unit Manager – Donald Toms
• Make-up Artists – Geoffrey Rodway & Jim Hydes
• Continuity – Penny Daniels
• Hairdressing – Olga Angelinetta
• Costume Designer – Joan Ellacott
• Technical Advisor – Ian Cox
• Producer – Peter Rogers
• Director – Gerald Thomas

• Filming dates: 2 September – 26 October 1963

Interiors:

• Pinewood Studios, Buckinghamshire

Exteriors:

• Frensham Pond. The background to the scenes with HMS Venus on fire and "firing" on the other ships is Kimmeridge Bay, Dorset.

Kinematograph Weekly called the film a "money maker" for 1964.^[4]

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• Webber, Richard (2009). 50 Years of Carry On. London: Arrow. ISBN 978-0099490074.
• Hudis, Norman (2008). No Laughing Matter. London: Apex. ISBN 978-1906358150.
• Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)
• Ross, Robert (2002). The Carry On Companion. London: Batsford. ISBN 978-0713487718.
• Bright, Morris; Ross, Robert (2000). Mr Carry On – The Life & Work of Peter Rogers. London: BBC Books. ISBN 978-0563551836.
• Rigelsford, Adrian (1996). Carry On Laughing – a celebration. London: Virgin. ISBN 1-85227-554-5.
• Hibbin, Sally & Nina (1988). What a Carry On. London: Hamlyn. ISBN 978-0600558194.
• Eastaugh, Kenneth (1978). The Carry On Book. London: David & Charles. ISBN 978-0715374030.

• Carry On Jack at IMDb