Asiah Aman
Asiah in 2016
Born	Asiah binti Aman 29 November 1931[a] Straits Settlements (present-day Singapore)
Died	30 July 2024(2024-07-30) (aged 92) Changi General Hospital, Singapore
Other names	Nona Asiah
Occupations	Singer actress
Years active	1940s–1975
Spouse	Ismail Kassim [ms] ​ ​ (m. 1955)​
Children	5; including Iskandar
Awards	Cultural Medallion, 2016 Singapore Women's Hall of Fame, 2022

Asiah binti Aman (29 November 1931^[a] – 30 July 2024), known professionally as Nona Asiah, was a Singaporean singer and actress. Born in Singapore under British rule, she was born to a Malay mother and Indonesian father. Her career began in the 1940s when she worked as a singer during the Japanese occupation, singing Japanese songs for soldiers in camps in Seletar and Tengah. Following the end of the occupation, she began working for Radio Malaya and sang Malay-language songs with the radio's band.

Her singing skills would be recognised by British recording company His Master's Voice, which led to her signing a contract with them and producing a Malay cover of "Bésame Mucho", that would prove to be popular. She would also develop her stage name Nona Asiah with her mentor Zubir Said around this time. Asiah's first film role was in 1948 when she sang on Malay film Chinta alongside P. Ramlee, both of them making their debut in this film. She went on to perform throughout the 1950s and 1960s before retiring in 1975, subsequently teaching singing and acting from the 1970s to 1980s.

For her contributions to music, she was awarded the Cultural Medallion in 2016 and inducted into the Singapore Women's Hall of Fame in 2022. Her son, Iskandar Ismail, was also a Cultural Medallion recipient who predeceased her in 2014. Asiah died in 2024 following heart complications at the Changi General Hospital; she was buried in a cemetery in Lim Chu Kang.

Asiah was born on 29 November 1931 in the Straits Settlements (present-day Singapore) to Hajar Rahmah, a bangsawan singer, and Aman Ahmad, a musician. The oldest of six siblings, she lived in a shophouse unit at Allanby Road. Her mother Hajar was a Malay Singaporean who worked as a prima donna for the Dean Tijah opera troupe.^[4] Her father Aman came from Pontianak, Indonesia, and worked as a painter and musician. She studied at a Malay school in Kampong Glam and a secondary school in Rochor. In her youth, Asiah joined school choirs due to an interest in singing.^[3]: 1–4 Asiah learnt English at night private schools.^[3]: 8

During the Japanese occupation, Asiah developed a love interest with a Japanese teacher, Watanabe Makoto, who was impressed by their bangsawan performances. He would subsequently invite Asiah and Hajar to attend Japanese classes so they could learn Japanese and perform bangsawan in Japanese. Asiah and Hajar learnt katakana at Cathay Building, with soldiers sending them to different camps in Seletar and Tengah to perform for Japanese troops. After these shows, they mostly received payment in cigarettes and food before being sent back to Cathay Building. This would be Asiah's first experience performing and singing.^[5][6]

After the surrender of the Japanese, Asiah got her first paying job as a singer at Radio Malaya in 1946, as part of a band called Tiga Serumpun. While working there, she taught Malay through songs when the station started broadcasting in schools. Asiah was soon offered a recording contract by British record label His Master's Voice (HMV), and recorded her first song, a Malay cover of "Bésame Mucho", in 1949 on the Pathé label, becoming an instant success. Asiah would record twenty more songs for His Master's Voice by the time she turned nineteen.^[6][5] Asiah, who recorded these songs with Tiga Serumpun, was often paid S$45.00 a song along with receiving additional royalties. This was considered a large sum at the time, and an executive of HMV had "taught [them] how to open bank accounts" as "he was worried [they] would spend all [their] money."^[4] This was also when she developed her stage name, Nona Asiah, which was suggested by her mentor Zubir Said, whom she also covered multiple songs of. Zubir was a friend of Asiah's mother, which was how she got to know him.^[6]

Following this popularity, she recorded many more songs such as "Sumbangsihku" and "Chiumku Lagi", along with becoming the vocalist of the Malay Women's Orchestra.^[7] In 1948, she made her film debut as a singer alongside P. Ramlee, a fellow singer in his debut, in Malay-language film Chinta, with Asiah and Ramlee singing the parts for actors Siput Sarawak [ms] and S. Roomai Noor [ms], respectively.^[4] She got the role in the film from Zubir, who was the music director for Chinta. Asiah would continue working as a voice-over singer for Malay films after Chinta, of which some recordings were popular enough to have concert performances held.^[6]

In 1949, Asiah joined a female Malay band, Wanita Kronchong Orkest, and performed at their debut performance at New World Amusement Park.^[8] In the 1950s, Asiah travelled and performed overseas in Brunei and Sarawak with the Malay Women's Orchestra, making $400 to $500 a month. During this time, she still worked at Radio Malaya, hosting a radio show and recording for EMI.^[4] As Asiah had knowledge on European music, she was asked to teach the solfège system through singing on Radio Malaya programmes.^[9]

In 1951, Asiah had a main role in Malayan Film Unit's Pelangi (1951), alongside Ismail Kassim [ms].^[10] The film also featured songs by Zubir that were sung by Asiah, Ismail, and Sani Naneng.^[11] Her first acting role, Asiah was persuaded to attempt acting by Pelangi's director Nas Achnas, who suggested her to try after hearing her singing talents. After Pelangi, Asiah ultimately decided that she was not interested in acting and decided to continue singing for radio broadcasts and workshops.^[12] In 1962, she was a part of a "cultural mission" to territories in Borneo where she performed alongside other artistes.^[13] In 1975, Asiah retired after she gave her final live performance at Radio Televisyen Malaysia in Kuala Lumpur, where she performed multiple Malay songs.^[4] After her retirement, she continued performing singing and acting throughout the 1980s and 1990s, conducting singing workshops for children on Mat Yoyo.^[1]

In 1955, Asiah married Ismail Kassim [ms], a Malay singer whom she had previously met whilst working at Radio Malaya.^[14] Ismail died on 17 September 1994 in a motorcycle accident.^[15] She had 5 children with him, spending most of her time taking care of them and teaching them music. Among her children included Cultural Medallion recipient Iskandar Ismail (1956–2014).^[16] Asiah was also known for her interest in fashion, having designed and sewn together a few custom kebayas and baju kurungs.^[17] She had created her own fashion business, where she sold a modernised version of the kebaya, that other female celebrities wore.^[9]

In 2015, a tribute concert at the Esplanade – Theatres on the Bay, titled Si Cempaka Biru – Celebrating The Life of Nona Asiah, was held for her. It was organised by Najip Ali [ms] and included actors such as Imam Shah [ms], who was her grandson.^[12][18] In 2016, she was awarded the Cultural Medallion alongside artist Koh Mun Hong. Asiah stated upon her conferment that "It should have happened 10 years ago" and that she was "too old to receive this now", but nonetheless "never expected [that she] would get the award."^[19] In 2022, she was inducted into the Singapore Women's Hall of Fame.^[20]

On 30 July 2024, Asiah died at Changi General Hospital of heart complications. She had been at the hospital for the past two months suffering from heart, kidney, and lung problems.^[21] The following day, Asiah was brought to Ba'alwie Mosque before being buried at a Muslim cemetery in Lim Chu Kang.^[1] Imam stated that she had been suffering from dementia in her later life.^[22]

• Weintraub, Andrew N.; Barendregt, Bart; Lau, Frederick (31 July 2017). Vamping the Stage: Female Voices of Asian Modernities. University of Hawaii Press. ISBN 9780824874193.

• Asiah Aman at IMDb