Alias the Doctor
| Alias the Doctor | |
|---|---|
 Lobby card | |
| Directed by | Michael Curtiz |
| Written by | Houston Branch (screenplay) Charles Kenyon (dialogue) |
| Based on | A Kuruzslo 1927 play by Imre Földes |
| Starring | Richard Barthelmess Marian Marsh Norman Foster Adrienne Dore Lucille La Verne Oscar Apfel John St. Polis George Rosener |
| Cinematography | Barney McGill |
| Edited by | Frank Magee (as Frank McGee) William Holmes |
| Music by | Bernhard Kaun Sam Perry |
Production company | |
| Distributed by | First National Pictures |
Release date |
|
Running time | 61 mins/69 mins (UK) |
| Country | United States |
| Language | English |
| Budget | $371,000[1] |
| Box office | $641,000[1] |
Alias the Doctor is a 1932 pre-Code American drama film directed by Michael Curtiz, and starring Richard Barthelmess and Marian Marsh.
Plot
The story concerns a man who assumes his dead brother's identity, and becomes a renowned surgeon, despite not having completed medical school.
Cast
- Richard Barthelmess as Karl Brenner
- Marian Marsh as Lotti Brenner
- Norman Foster as Stephan Brenner
- Adrienne Dore as Anna
- Lucille La Verne as Martha Brenner, Karl's foster mother (as Lucille LaVerne)
- Oscar Apfel as Keller
- John St. Polis as Dr. Niergardt
- George Rosener as Dr. Franz von Bergman
- Boris Karloff as a surgeon (scene edited from film by the censors)[2]
Background
The film's original script involved a playboy medical student who performs an unspecified operation on his girlfriend, before earning his medical degree. The girl dies from the botched operation, and his foster brother takes the blame. The Hays Office objected because it believed that audiences would assume that the operation was an abortion. In response, Warner Bros. changed the script to provide a specific cause for the operation. In the revised script, the two lovers argue, and the girl is injured when she tumbles down the stairs. Originally, Boris Karloff played a small role in the film as a surgeon, which was cut from the film by censors, and the Karloff footage no longer exists.[3]
Reception
According to Warner Bros. records, the film earned $460,000 domestically, and $181,000 foreign.[1]
References
- ^ a b c Warner Bros financial information in The William Schaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p. 13 DOI: 10.1080/01439689508604551
- ^ Jacobs, Stephen (2011). Boris Karloff: More Than A Monster. Tomahawk Press. ISBN 978-0-9557670-4-3.
- ^ Kirby, David A. (September 2017). "Regulating cinematic stories about reproduction: pregnancy, childbirth, abortion, and movie censorship in the US, 1930–1958". The British Journal for the History of Science. 50 (3): 451–472. doi:10.1017/S0007087417000814. ISSN 0007-0874. PMID 28923130.