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1925 in film

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This is an overview of 1925 in film, including significant events, a list of films released and notable births and deaths.

Top-grossing films (U.S.)

The top ten 1925 released films by box office gross in North America are as follows:

Highest-grossing films of 1925
Rank Title Distributor Domestic rentals
1 The Big Parade MGM $4,990,000[1]
2 Ben-Hur: A Tale of the Christ $4,359,000[1]
3 The Freshman Pathé Exchange $2,600,000[2]
4 The Gold Rush United Artists $2,150,000[3]
5 The Phantom of the Opera Universal $1,550,000[4]
6 Don Q, Son of Zorro
Stella Dallas
United Artists $1,500,000[5][2]
7 The Lost World First National $1,300,000[2]
8 East Lynne
Little Annie Rooney
Fox Film
United Artists
$1,100,000[2][6]
9 The Merry Widow MGM $1,081,000[1]
10 The Eagle United Artists $820,000[7]

Events

  • June 26: Charlie Chaplin's The Gold Rush premieres. It is voted the best film of the year by critics in The Film Daily annual poll[8]
  • September 25: Ufa-Palast am Zoo in Berlin rebuilt as Germany's largest cinema reopens.
  • November 5: MGM's war drama film The Big Parade is released. It is a massive commercial success, becoming the highest-grossing picture of the 1920s in the United States.
  • December 30: MGM's biblical epic Ben-Hur: A Tale of the Christ premieres in New York City. It is the most expensive silent film ever made, costing $4 million (around $68 million when adjusted for inflation)[9]
  • Hong Shen publishes the film script Mrs. Shentu in the Shanghai magazine Eastern Miscellany. It is never filmed, but is considered a milestone in film history for being the first published film script in China.[10] Hong also directs his first film, Young Master Feng, at Mingxing (Star) Film Company in this year.

Notable films released in 1925

For the complete list of US film releases for the year, see United States films of 1925

A

B

C

D

E

F

G

H

I

J

K

L

M

O

P

R

S

T

U

V

W

Z

Comedy film series

Animated short film series

  • Felix the Cat (1919–1936)
  • Koko the Clown (1919–1963)
  • Aesop's Film Fables (1921–1934)
  • Alice Comedies
    • Alice Cans the Cannibals
    • Alice the Toreador
    • Alice Gets Stung
    • Alice Solves the Puzzle
    • Alice's Egg Plant
    • Alice Loses Out
    • Alice is Stage Struck
    • Alice Wins the Derby
    • Alice Picks the Champ
    • Alice's Tin Pony
    • Alice Chops the Suey
    • Alice the Jail Bird
    • Alice Plays Cupid
    • Alice Rattled by Rats
    • Alice in the Jungle
  • Koko's Song Car Tunes (1924–1927)
  • Krazy Kat (1925–1940)
  • Un-Natural History (1925–1927)

Births

Deaths

Film debuts

References

  1. ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. ^ a b c d Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. pp. 356–357. ISBN 978-1-903364-66-6.
  3. ^ Maland, Charles J. (1989). Chaplin and American Culture: The Evolution of a Star Image. ISBN 0-691-09440-3. The United Artists balance sheet of domestic film rentals through the end of 1931 show that The Gold Rush had accumulated $2.15 million in rentals, while The Circus had garnered $1.82 million.
  4. ^ "All-Time Film Rental Champs". Variety. October 15, 1990. p. M154.
  5. ^ Krämer, Peter (2019). The General. Bloomsbury. ISBN 978-1-8387-1889-3. In addition, the strongly comedy-inflected, spectacular adventure films starring Fairbanks, who was known for his onscreen acrobatics (as well as his infectious smile), ranked highly in the annual charts – The Thief of Bagdad at no. 3 in 1924, Don Q, Son of Zorro at no. 4 in 1925 and The Black Pirate at no. 4 in 1926 – with domestic rentals of between $1.5 million and $1.7 million.
  6. ^ Eyman, Scott (1990). Mary Pickford, America's Sweetheart. ISBN 1-55611-147-9. Little Annie Rooney grossed over $1.1 million domestically. In its premiere run in New York, it grossed a total of just over $70,000 at the 2,900 seat Strand Theater, compared to $78,000 for Douglas's Don Son of 'Zorro, which also ran two weeks that same year. (The record run for 1925 at the Strand was Chaplin's The Gold Rush, which grossed $214,700 in just four weeks.)
  7. ^ Movie Box Office Grosses: 1925 through 1931
  8. ^ The Ten Best Pictures of 1925. Retrieved April 28, 2018. {{cite book}}: |work= ignored (help)
  9. ^ Hall, Sheldon; Neale, Stephen (2010). Epics, spectacles, and blockbusters: a Hollywood history. Wayne State University Press. p. 163. ISBN 978-0-8143-3008-1.
  10. ^ Ye, Tan; Zhu, Yun (2012). Historical Dictionary of Chinese Cinema. Rowman & Littlefield. p. 76. ISBN 978-0-8108-6779-6.
  11. ^ a b Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 283. ISBN 978-1936168-68-2.
  12. ^ a b Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 284. ISBN 978-1936168-68-2.
  13. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 288. ISBN 978-1936168-68-2.
  14. ^ "Miracles of Love (1925)". imdb.com.
  15. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 289. ISBN 978-1936168-68-2.
  16. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 279. ISBN 978-1936168-68-2.
  17. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 292. ISBN 978-1936168-68-2.
  18. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 293. ISBN 978-1936168-68-2.
  19. ^ a b Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 294. ISBN 978-1936168-68-2.
  20. ^ Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. Pg. 295. ISBN 978-1936168-68-2.
  21. ^ Yorke, Peter (2007). William Haggar (1851-1925): fairground film-maker. Bedlinog: Accent Press. p. 114. ISBN 978-1-905170-87-6. Archived from the original on 2021-09-12. Retrieved 2021-09-12.

Sources