Élégie pour cor et piano – Elegy for horn and piano – FP 168 is a short, one-movement work by the French composer Francis Poulenc, written in memory of the horn player Dennis Brain, who died in 1957. It was first performed in January 1958.

Poulenc had a profound admiration for the British horn player Dennis Brain.^[1] When the latter died in a car crash in 1957, aged 36, Poulenc composed the Élégie as a tribute.^[2] Unsure of the capabilities of the solo instrument, he sought the advice of the horn player Georges Barboteu before completing the piece.^[3]

The Élégie was premiered by the BBC in a broadcast on 17 February 1958, played by Brain's former Philharmonia colleague Neill Sanders, with the composer at the piano.^[2]

The work typically takes between nine and ten minutes in performance.^[4] It is unique in Poulenc's oeuvre in opening with a 12-note tone row. Although Poulenc had met the leading proponent of 12-tone music, Arnold Schoenberg, and admired his music, in his own compositions he remained a tonal composer throughout his career, and this use of a serial theme is entirely untypical.^[4]

The tone row is followed by a short and strongly accented molto agitato passage in which both horn and piano play triads of C major and C minor.^[5] The tone row returns and is again displaced by the molto agitato.^[5] After a bridge passage marked "tres calme", the main theme of the Élégie, in a basic G minor, is a slow ³
₄ melody for horn accompanied by quavers in the piano's middle register and a cantabile line in the bass.^[5] The musicologist Wilfrid Mellers finds both the horn melody and the piano accompaniment related to passages from Poulenc's Stabat Mater (1950) and his opera Dialogues des Carmelites (1956).^[5]

After a climax in fortissimo triads of E flat and C, both with flat sevenths, the Élégie moves gently towards its conclusion, ending pianissimo.^[5] The horn's final theme is a new 12-tone sequence ending on the leading-note of the C major harmony on which it is supported.^[4] Towards the end of the piece the piano has cadences reminiscent of the chimes of Big Ben, a reference to Brain's nationality.^[6]

Recordings listed by WorldCat in August 2021 include one by the composer, with the horn player Lucien Thévet^[7] and by these horn and piano partnerships:

• Hervé Joulain; Alexandre Tharaud^[8]
• Nicholas Korth and Julian Mitchell^[9]
• Ab Koster; Éric Le Sage^[10]
• Neil Page; Martin Qvist Hansen^[11]
• Richard Watkins; Ian Brown^[12]
• Richard Watkins; Julius Drake^[13]

• Aprahamian, Felix (1999). The Complete Chamber Music of Francis Poulenc. London: Hyperion. OCLC 1114071595.
• Ivry, Benjamin (1996). Francis Poulenc. London: Phaidon. ISBN 978-0-7148-3503-7.
• Mellers, Wilfrid (2003). Francis Poulenc. Oxford and New York: Oxford University Press. ISBN 978-0-19-816338-1.
• Watkins, Richard (2019). The Romantic Horn. London: Signum. OCLC 1102814843.